Prince Harry and Elton John make their way out of the Royal Courts of Justice on Monday afternoon (March 27) in London, England.
17.03.2023 - 23:35 / variety.com
Lise Pedersen Documentary filmmaker Jialing Zhang, who was nominated for an Emmy for “One Child Nation,” spoke to Variety about her latest film, “Total Trust,” which is running in the main competition at CPH:DOX, the Copenhagen Intl. Documentary Festival. It tells the chilling story of three women and their families fighting for their human rights in China, where state control is ubiquitous thanks to high technology surveillance, such as facial recognition, big data analysis and points systems that mean citizens gain or lose points depending on their behavior. Zhang’s intimate footage offers unprecedented access to the impact of this all-controlling system on the protagonists’ everyday lives.
“We didn’t just want to do a film about surveillance but about the people living in this kind of society. We wanted to reach a certain emotional depth and complexity – to try to grasp the anger, the horror, but also the hope, through the resilience of our characters who continue to fight for human rights, freedom and safety, for themselves and their loved ones, and have actually been transformed by the situation they find themselves in,” she says. Zhang, who is based in the U.S. and cannot return to China where she is on police records after co-directing “One Child Nation” with Nanfu Wang in 2016, directed the entire film remotely. She already gained experience working remotely due to travel restrictions when co-producing Wang’s “In the Same Breath” in 2020 about the COVID-19 outbreak in China. For “Total Trust,” she worked with local activists on the ground. They were given remote training on how to shoot by Zhang and her team in the US. Strict communication protocols were put in place including the use of encrypted messages that
Prince Harry and Elton John make their way out of the Royal Courts of Justice on Monday afternoon (March 27) in London, England.
Jem Aswad Senior Music Editor Warner Chappell Music has renewed its global publishing deal with producer Marco “MAG” Borrero. A frequent Bad Bunny collaborator, MAG produced 15 of the 23 tracks on the blockbuster album “Un Verano Sin Ti,” which led to his 2022 Variety Hitmakers honor and his No. 1 position on Billboard’s Year-End Hot Latin Song Producers chart. “Un Verano Sin Ti” became the first all-Spanish album to top the year-end Billboard 200 chart as well as earn a nomination for Album of the Year Grammy award. The Brooklyn-born, Puerto Rican-Dominican producer was mentored by Max Martin — the most successful songwriter-producer of the past 25 years — and over the course of his career has also collaborated with Rauw Alejandro, Arcángel, Bebe Rexha, Imagine Dragons, Selena Gomez, and Demi Lovato.
Ronnie Ortiz-Magro has shockingly returned to Jersey Shore: Family Vacation.
After twenty years of silence (as a director, anyway), Tommy Wiseau is back with an all-new feature film, his first since the immortal 2003 cult classic “The Room.” Is this cause for celebration or riots? It all depends on what one thinks of Wiseau: a lovable hack, a shameless charlatan, or some seemingly impossible hybrid of both things at once. READ MORE: The 100 Most Anticipated Films Of 2023 In any case, Wiseau’s next film is “Big Shark,” about three best friend firefighters who must save the city of New Orleans from, that’s right, a really big shark.
Taylor Swift‘s The Eras Tour is still on everyone’s minds after the opening shows this past weekend in Glendale, Arizona.
Raquel Leviss is back in Los Angeles to film the Vanderpump Rules reunion, ET has learned. Levis arrived at LAX early Wednesday morning after news broke that the reality star would come face-to-face with her co-stars on Thursday. A source tells ET, «Raquel will be at the reunion, in person. Raquel wants to be there to show her face and apologize to Ariana [Madix] in person.» Bravo boss Andy Cohen posted to his Instagram Story on Wednesday that he was on his way to Los Angeles for the filming of the reunion with the caption, «NEXT STOP: VANDERPUMP VALLEY!»«As far as her situation with Scheana, the logistics of filming are still being figured out but both will be there and will film.
United Talent Agency cut the ribbon to its Atlanta offices Wednesday, marking the first of the major talent agencies to offer a full-service office expansion in the growing market of the Peach State’s capitol.“Atlanta is a vibrant city for music, sports and arts, and there is a ripe opportunity to create another center of gravity for film and television,” UTA CEO Jeremy Zimmer said in a statement. “We are excited to bring our full range of services to the community of talented artists, athletes, musicians and creators who call the Southeast their home.” UTA Atlanta co-heads Steve Cohen and Rob Gibbs jointly added that the city “planting our flag here gives us the ability to support clients with investments and opportunities across the city’s growing creative ecosystem.”UTA’s Atlanta offices will offer representation across entertainment and talent divisions, including film and television, music, sports, digital talent, marketing, gaming and fine arts.
Lise Pedersen “A Sense of Place,” a collection of six short films by young Iranian directors, had its world premiere this week at Copenhagen’s CPH:DOX. The films are inspired by Wim Wenders’ eponymous 2005 book, and the Oscar nominated director – best known for “Paris, Texas,” “Wings of Desire,” “Buena Vista Social Club” and “Pina” – served as the project’s “godfather,” he explained at the festival. Curated by Iranian producer Afsun Moshiry in collaboration with The Wim Wenders’ Foundation, which supports young directors and innovative filmmaking, the anthology takes viewers on a journey that starts in Iran, travels to the country’s southern border, onto a plane to Germany, and ends up in France, where two of the films are shot.
Naman Ramachandran New York-based film and TV studio and streaming network FilmRise has acquired North American distribution rights to true-crime documentary feature film “The Thief Collector.” Directed by Emmy winner Allison Otto (“The Love Bugs”), the film follows one of the most audacious and puzzling art thefts of a generation. In 1985, Willem de Kooning’s seminal work, “Woman-Ochre,” was sliced from its frame and stolen off the walls of the University of Arizona Museum of Art, disappearing into the desert. Over 30 years later, in a remote town in New Mexico, the $160 million dollar painting was rediscovered in the unlikeliest of places – the home of an eccentric married couple, both schoolteachers, with a keen eye for great works but a very unconventional method of collecting them. The film features Glenn Howerton co-creator, director, writer and star of “It’s Always Sunny in Philadelphia.”
Lise Pedersen Los Angeles non-profit The Film Collaborative has boarded Swedish director Tove Pils’ debut feature “Labor,” which is competing in the Nordic:Dox section at the Copenhagen Intl. Documentary Film Festival, CPH:DOX. The film follows Hanna, who leaves her family and girlfriend behind in her small Swedish hometown and travels to San Francisco to explore her sexuality in the city’s vibrant queer scene. She soon meets Chloe, a professional dominatrix, and Cyd, a trans man who works as an escort for gay men. Together with her new friends, she embarks on a journey that takes her further and further away from her life in Sweden. “Labor” was shot over more than a decade, and one of the reasons it took them so long to put the film together was their concern for the protagonists’ anonymity and the effect it might have on their lives, Pils explains to Variety.
Elsa Keslassy International Correspondent Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory. Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps (“Corsage,” “Phantom Thread”) and late French actor Gaspard Ulliel as a couple whose bond is tested when one of them is diagnosed with a terminal disease.
Jeff Benjamin The past year has seen the K-pop industry expanding into everything from ETFs to Broadway, and today, March 15, marks its leap into the comic and graphic novel world: Top group NCT 127 has teamed up with Z2 Comics alongside Universal Music Group and its Korean label SM Entertainment for “NCT 127: Limitless,” an original graphic novel from the act to mark the first officially licensed K-pop print comic. With its title taken from the group’s 2017 single of the same, “Limitless” is both a hardcover and deluxe hardcover manhwa (a general term from South Korea for comic books and graphic novels with a distinct, detailed artistic style) to share a multiverse-hopping, reality-blurring tale of NCT 127 rehearsing for a sold-out stadium show in New York City.
Ed Meza @edmezavar Panamanian-Costa Rican director Kattia G. Zúñiga, whose debut feature “Las hijas” (“Sister & Sister”) premieres at the Malaga Film festival, is developing a new feature project about women finding their and a tougher attitude late in life through the power of dance. The project re-teams her with “Las Hijas” producer Alejo Crisóstomo. “Rabiosas” (“Raging”, their project, follows a group of 55-year-old friends in Panama who decide to take ballet classes together, as they did when they were schoolgirls, in order to cheer up a friend going through a difficult time and also to get out of the routine of daily life. Inspired by their 26-year-old teacher, however, they soon switch to bolder dancing moves.
BreAnna Bell Garrett Hedlund has been cast in a recurring guest role in Taylor Sheridan’s forthcoming “Bass Reeves” series set at Paramount+, Variety has learned exclusively. He’ll portray Garrett Montgomery, a so-called posse man of the era who Bass hires for his riding know-how and expertise of the area. She joins previously announced stars including lead and executive producer David Oyelowo, and series regulars Lauren E. Banks, Demi Singleton, Forrest Goodluck and Barry Pepper. Dennis Quaid and Grantham Coleman will also appear in recurring roles. Hedlund can currently be seen in Paramount+’s “Tulsa King” and will next star in the film “The Tutor,” which is scheduled March 24th theater release. He recently completed production on the films “Desperation Road” opposite Mel Gibson and “The Marsh King’s Daughter,” co-starring Ben Mendelson and Daisy Ridley. His other credits include Lee Daniels’ “Mudbound,” “On the Road,” “Billy Lynn’s Long Halftime Walk,” “Mojave,” “Inside Llewyn Davis,” “Pan,” “Unbroken,” “Tron: Legacy,” and “Country Strong.”
Nick Vivarelli International Correspondent Aardman Animations’ founder Peter Lord and “Waltz With Bashir” director Ari Folman are set to receive Pulcinella Career Awards at Italy’s Cartoons On The Bay TV animation festival which is broadening its scope. The event launched in 1996 by Italian state broadcaster RAI has now expanded beyond TV toons to comprise video game productions, the comic book world, transmedia storytelling and metaverse animation content. Reflecting its more high-tech horizons, the fest’s 27th edition – which will run May 31-June 4 in the Southern seaside city of Pescara – will also be celebrating “Cuphead,” the hit Canadian video game that’s become a Netflix series, and bestowing its creator Maja Moldenhauer with its new Transmedia Award.
Ed Meza @edmezavar Santiago Requejo has not only turned his hit short, “All in Favor,” into a theatrical play set to premiere in Buenos Aires in April, he’s also working on a feature film version. The award-winning work, which was shortlisted for this year’s live-action short film Oscar, sets the scene with a friendly meeting of apartment owners discussing a new elevator that becomes increasingly tense when they find out one of the neighbors has rented his flat to a work colleague with mental health issues. The stage adaptation, which Requejo co-wrote with Javier Lorenzo and Raul Barranco, begins with the story depicted in the short film and expands its. The play (titled “Votemos” in Argentina rather than “Votamos” as in Spain) premieres April 6 at the Teatro Metropolitan in Buenos Aires.
Ed Meza @edmezavar David Pujol, whose enchanting drama “Waiting for Dalí” premiered at the Malaga Film Festival on Sunday, has a new feature film project and an international TV series in the works. Pujol has just completed the script for “Rehearsal for a Kiss,” the story of a passionate yet hapless movie theater owner in Barcelona whose love of classic movies has left his cinema in a precarious position. On the verge of losing the family business, he seeks help from his uncle in America, who has made a career for himself as a character actor in Hollywood. A flashy, larger-than-life personality, the uncle returns to his native city after 40 years to help his nephew save the theater while also reconnecting with his own past.
Jazz Tangcay Artisans Editor Filmmaker Billy Luther makes his narrative feature debut at SXSW on Saturday with “Frybead Face and Me,” executive produced by Taika Waititi. Inspired by his childhood, the film follows a young boy, Benny (Keir Tallman), who has to spend the summer with his grandma on the reservation. Luther, whose past work includes the documentary “Miss Navajo” and AMC’s “Dark Winds,” feels Benny’s story of learning about rez life and bonding with his cousin Frybread (Charley Hogan) has universal appeal in that it’s ultimately about being somewhere new and feeling alone. “You don’t have to be Native to connect to the story because everyone remembers being dropped off somewhere, and the story brings that familiarity,” Luther says.
Sony announced on Friday that they will release the starry Craig Gillespie film Dumb Money on the GameStop short squeeze of 2021 on October 20.
Jazz Tangcay Artisans Editor Native filmmaker Billy Luther heads to SXSW this weekend to premiere his narrative feature debut, “Frybread Face and Me” on March 11. Set in the ‘90s, the coming-of-age story follows Benny (Keir Tallman), a young Native American boy who plays with dolls, sports a Fleetwood Mac t-shirt and watches soap operas. Forced to spend his summer on the reservation with his grandmother, Benny finds himself impressed by his cousin “Frybread” (Charley Hogan) who opens his eyes to life on the rez. Featuring an entirely Native cast and predominantly Native crew, Luther says it was important to cast Navajo kids at the core of his film. He says, “With the help of Midthunder Casting, which also worked on FX ‘Reservation Dogs,’ we were able to find these incredible kids. The amount of Indigenous talent – Martin Sensmeier, MorningStar Angeline, and Jeremiah Bitsui came on. And we also brought on some amazing new faces from Indian country that are making their feature debut.”