Michael Winterbottom Talks Blurring Of Lines Between Documentary & Fiction; Appeals For UK Film Funding Rethink – Qumra Masterclass
20.03.2023 - 07:29
/ deadline.com
Michael Winterbottom has devoted much of his filmmaking career to revisiting real-life events through works blurring the boundaries between documentary and drama to various degrees.
The filmmaker shed light on his approach in a recent Doha Film Institute (DFI) masterclass, going behind the scenes of Welcome To Sarajevo, 24 Hour Party People, In This World, The Road To Guantanamo, A Might Heart and Eleven Days In May.
“It’s a continuum, even if you’re filming a fantasy film in a studio on a green screen there is an element of document to that. You’re recording that moment of the act of performance,” he said when quizzed on his attitude towards documentary versus fiction.
“Equally, even in a documentary like Eleven Days… you’re trying to shape that story, so it a continuum,” he added, referring to the 2022 documentary commemorating 68 children killed in Israeli bombing raids over Gaza in May 2021.
Winterbottom elaborated on this idea through his Berlinale Golden Bear-winning docudrama In This World, following two young Afghan refugees on a perilous journey from Pakistan to London, and The Road To Guantanamo, about three British men who were detained by U.S. forces in Afghanistan in 2001.
“They both started from responding to events, we were aware of and thinking about, reading about and seeing in the media,” he said.
In This World had been prompted by hostility towards refugees in the press as well as the case of 38 Chinese people who had died in a container on route to the UK, he said.
“We went off and researched lots of people’s stories and the biggest group of people coming over at that time were Afghan refugees, so then we went to Peshawar in Pakistan where there one million refugees living in that one city,” he