‘Card Counter’ Composer Robert Levon Been Followed Father’s Footsteps in Working With Paul Schrader

Clint Eastwood has just released his latest film, in which he is once again star and director.

“The Eyes of Tammy Faye” was released on 450 screens this weekend and grossed $675,000 for a per theater average of $1,500 and a spot in the Top 10 on the weekend charts. It’s a decent result given that older audiences, the cornerstone of specialty films, have been more reluctant to return to theaters than younger audiences.

Focus Features landed another specialty success with , Paul Schrader’s biggest directorial opening in over 30 years since 1987’s Light of Day and with a likely No. 8 ranking at the North American box office this weekend.

Good in the ‘Wood?I just got back from seeing The Card Counter, one of the many new movie releases out now in movie theaters.I took a look at theaters near me to compare movie showtimes and settled on going to the 7 p.m. movie showtime at the Showcase Cinemas theater near me.

Jazz Tangcay Artisans EditorCinematographer Alexander Dynan got to know director Paul Schrader working on “First Reformed” and an earlier film, “Dog Eat Dog.”Dynan developed a shorthand with Schrader and with colorist Tim Merick that helped him light and color Schrader’s “The Card Counter,” which is in cinemas now.Told in an urgent, immersive style, the film follows William (Oscar Issac), a lonely and tortured man who once served at Abu Ghraib.

Paul Schrader’s moves from Venice into 579 theaters this weekend — the first in a welcome stream of specialty films from the Lido, Telluride and Toronto that could, perhaps maybe, buck up the struggling arthouse market this fall. The film is 90% certified fresh and hails from Focus Features, which presented one of the rare specialty hits of recent months, Roadrunner: A Film About Anthony Bourdain.

You would have to shuffle a lot of movie ideas to come up with one that pairs a card sharp with the horrors of Abu Ghraib.But writer-director Paul Schrader has for some time known his cards, playing variations of the same hand over and over again.

Greece’s president, prime minister, head of the opposition party and other politicians attended the service along with Theodorakis’ family.Theodorakis was as well-known in Greece for his political activities as for his musical career.

More than a year ago, it was reported that Jon Bernthal was signed to star in a new TV series inspired by the film, “American Gigolo.” At the time, not much was known about the series, specifically how involved the film’s writer-director, Paul Schrader, would be. Well, according to the filmmaker’s recent interview with GQ, he’s definitely not involved, and he honestly doesn’t know how a TV series based on the film would work in 2021.

Manuel Betancourt Violence — or, rather, the threat of violence — haunts every frame of João Paulo Miranda Maria’s debut feature film, “Memory House.” Set in an Austrian settlement in Southern Brazil, this discomfiting drama tells the story of a man so alienated by the world around him that the stench of death at work and the menacing environment outside it have hollowed him out.

The word “cinema” brings to mind many different thoughts and images. Some people might think of a Wong Kar-wai film.

Naman Ramachandran The 17th Zurich Film Festival (Sept. 23-Oct.

Actor Oscar Isaac has been known to make character studies alongside large studio movies throughout his career; before “Star Wars,” he was making things like Zack Snyder‘s “Sucker Punch,” “X-Men: Apocalypse,” and Ridley Scott‘s “Robin Hood.” READ MORE: Oscar Isaac On Returning To Superheroes In ‘Moon Knight’ After ‘X-Men: Apocalypse‘: “We’re Making Something That’s Quite Different” However, while speaking to the press in Venice via Deadline, Isaac noted that he needed a break from green

Tiffany Haddish and Oscar Issac are looking incredible at the 2021 Venice Film Festival!

Owen Gleiberman Chief Film CriticI’m a sucker for card-sharp movies, and I’m not alone. The allure of films like “The Cincinnati Kid” or “California Split” or “Rounders” is that the poker games have the quality of athletic showdowns: the kind of hand-to-hand, eyeball-to-eyeball aggression we associate with a contest taking place in a gladiatorial arena.

“I don’t really feel like it’s going anywhere,” a character in Paul Schrader’s The Card Counter laments at one point, and for a good long time one is inclined to feel this way about the film itself. Like the titular low-end professional gambler, Schrader here plays the long game, winning as often as not by studying patterns, conservatively abiding by carefully calculated odds and not acting on impulse.

Green covers the screen as the opening credits for Paul Schrader’s “The Card Counter” surface. The color and texture come from the felt distinctive to casino tables.

What if you’ve paid your debt to society, but the spiritual weight of what you truly owe for your past actions can never be repaid in full? Following the terrific comeback reception to “First Reformed” and the spartan, Bresson-ian transcendental style employed within, feeling good about his chances, filmmaker Paul Schrader doubles down on austere slow cinema again in “The Card Counter,” a movie about the moral balance a man can accrue.

VENICE, Italy -- Tiffany Haddish may have Martin Scorsese to thank for her role in Paul Schrader’s “The Card Counter,” at least indirectly.It was Scorsese who opened Schrader’s eyes to the power of the comedic actor when he cast Albert Brooks in a vanilla — seemingly plain — role in “Taxi Driver.” Schrader asked him why and he said he thought Brooks would find something in it.“You cast a comic, they will break something in a role, even if it isn’t laughs.

Manori Ravindran International EditorPaul Schrader says his movie “The Card Counter,” in which Oscar Isaac plays a former Abu Ghraib interrogator who did jail time for his actions, is “not about redoing history” but rather focusing on one soldier’s memory — a cinematic theme he predicts will recur as U.S.