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13.09.2021 - 01:19 / deadline.com
Focus Features landed another specialty success with , Paul Schrader’s biggest directorial opening in over 30 years since 1987’s Light of Day and with a likely No. 8 ranking at the North American box office this weekend.
The film – starring Oscar Isaac, Tiffany Haddish, Tye Sheridan and Willem Dafoe — ran in 580 theatres in 119 DMAs for a three-day estimate of $1.1 million and a per theatre average of $1,890. It’s 86% Certified Fresh after festival premieres in Venice and Telluride.
That’s the
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It’s no secret that Daniel Craig stepping away from the role of James Bond after “No Time to Die” hits theaters in about a week. No, this isn’t a fake goodbye like when he joked about “slashing his wrists” before playing Bond again after “Spectre.” This time, it’s actually happening.
“No Time to Die” star Daniel Craig in the lead and Oscar nominee Ruth Negga (“Loving”) as his cunning and treacherous wife, Lady Macbeth.“Macbeth” will begin its run on March 29, 2022, at Broadway’s Lyceum Theatre, with opening night set for April 28.The 15-week production will be directed by Tony Award-winner Sam Gold (“Fun Home”).“Daniel is not only a great film actor but a magnificent theater actor as well,” producer Barbara Broccoli said of Craig, 53, adding that “exquisitely talented”
“The Eyes of Tammy Faye” was released on 450 screens this weekend and grossed $675,000 for a per theater average of $1,500 and a spot in the Top 10 on the weekend charts. It’s a decent result given that older audiences, the cornerstone of specialty films, have been more reluctant to return to theaters than younger audiences.
Daniel Craig's fifth and final James Bond movie was shot way back in 2019, long before the pandemic, and now his farewell from his last day on set has been shared. Having shot his final scene as 007 after over a decade in the role, a tearful Craig gave a few touching words.
Daniel Craig's fifth and final James Bond movie was shot way back in 2019, long before the pandemic, and now his farewell from his last day on set has been shared. Having shot his final scene as 007 after over a decade in the role, a tearful Craig gave a few touching words.
fiesta and unveiled a Barbie inspired by legendary Cuban singer Celia Cruz and Dominican-American poet, novelist, and essayist Julia Alvarez.The unique dolls are part of the new one-of-a-kind “role model” collection.
Good in the ‘Wood?I just got back from seeing The Card Counter, one of the many new movie releases out now in movie theaters.I took a look at theaters near me to compare movie showtimes and settled on going to the 7 p.m. movie showtime at the Showcase Cinemas theater near me.
Jazz Tangcay Artisans EditorCinematographer Alexander Dynan got to know director Paul Schrader working on “First Reformed” and an earlier film, “Dog Eat Dog.”Dynan developed a shorthand with Schrader and with colorist Tim Merick that helped him light and color Schrader’s “The Card Counter,” which is in cinemas now.Told in an urgent, immersive style, the film follows William (Oscar Issac), a lonely and tortured man who once served at Abu Ghraib.
Lily Moayeri When the late Michael Been of the Call was working on the soundtrack to the 1992 film “Light Sleeper,” his then-teenage son, Robert Levon Been, later of Black Rebel Motorcycle Club, would hide when the film’s director, Paul Schrader, came to Been’s home to check on the music’s progress.“Everything was recorded in our house, DIY style, on analog, in the living room,” recalls Been, speaking from Vienna, Austria.
Paul Schrader’s moves from Venice into 579 theaters this weekend — the first in a welcome stream of specialty films from the Lido, Telluride and Toronto that could, perhaps maybe, buck up the struggling arthouse market this fall. The film is 90% certified fresh and hails from Focus Features, which presented one of the rare specialty hits of recent months, Roadrunner: A Film About Anthony Bourdain.
You would have to shuffle a lot of movie ideas to come up with one that pairs a card sharp with the horrors of Abu Ghraib.But writer-director Paul Schrader has for some time known his cards, playing variations of the same hand over and over again.
Mark Cuban, a regular on ABC’s Shark Tank and the owner of the National Basketball Association’s Dallas Mavericks, could potentially face millions of dollars in government givebacks, thanks to a new Texas state law.
Actor Oscar Isaac has been known to make character studies alongside large studio movies throughout his career; before “Star Wars,” he was making things like Zack Snyder‘s “Sucker Punch,” “X-Men: Apocalypse,” and Ridley Scott‘s “Robin Hood.” READ MORE: Oscar Isaac On Returning To Superheroes In ‘Moon Knight’ After ‘X-Men: Apocalypse‘: “We’re Making Something That’s Quite Different” However, while speaking to the press in Venice via Deadline, Isaac noted that he needed a break from green
Tiffany Haddish and Oscar Issac are looking incredible at the 2021 Venice Film Festival!
Owen Gleiberman Chief Film CriticI’m a sucker for card-sharp movies, and I’m not alone. The allure of films like “The Cincinnati Kid” or “California Split” or “Rounders” is that the poker games have the quality of athletic showdowns: the kind of hand-to-hand, eyeball-to-eyeball aggression we associate with a contest taking place in a gladiatorial arena.
“I don’t really feel like it’s going anywhere,” a character in Paul Schrader’s The Card Counter laments at one point, and for a good long time one is inclined to feel this way about the film itself. Like the titular low-end professional gambler, Schrader here plays the long game, winning as often as not by studying patterns, conservatively abiding by carefully calculated odds and not acting on impulse.
Green covers the screen as the opening credits for Paul Schrader’s “The Card Counter” surface. The color and texture come from the felt distinctive to casino tables.