Park Chan-wook made a big impact in Cannes in 2004 with his lurid revenge drama Oldboy, which took the Grand Prix from Quentin Tarantino’s jury, made a cult star of Choi Min-sik, and alerted audiences everywhere to the perils of eating live sushi. Since then, the director has been a semi-regular fixture at the festival, returning in 2009 with his literary vampire horror Thirst and again in 2016 with The Handmaiden, a delirious, taboo-busting erotic thriller set in 1930s Korea. Director Park’s trademark is not just his fluidity when dealing with genre but his mastery in bending it to his will—and Decision to Leave promises to be yet another stylish, category-defying composition.