Broadway Review: Bob Dylan Musical ‘Girl From The North Country’ Reimagines Those Genius Back Pages

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No disrespect to Bob Dylan, one of the greatest songwriters in modern American music, but hearing his tunes sung by the melodious voices in Girl From the North Country is a revelation — the second time even more than the first. Moving to Broadway after a hit 2018 run at the Public Theater, this brilliantly conceived project from Irish writer-director Conor McPherson could be called the anti-jukebox musical.

The opening night performance of the new Broadway musical Girl from the North Country had so many stars on the red carpet on Thursday (March 5) at the Belasco Theatre in New York City.

Some people think Bob Dylan’s music is depressing — and in “Girl From the North Country,” Conor McPherson makes the case by setting more than twenty of Dylan’s songs into a surprisingly sturdy narrative about the residents of a seedy boarding house in Duluth, Minnesota, at the height of the Depression in 1934.

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Seven years ago, Bob Dylan’s longtime manager Jeff Rosen sat down for a cup of tea in London with producer Tristan Baker and Steven Lappin (then creative director at Sony Music Television) to discuss a nascent idea: a Dylan musical. Rosen already had experience with one — Twyla Tharp’s The Times They Are A-Changin’, which debuted on Broadway in 2006 and ran for under a month.