Brendan Fraser says ‘The Whale’ fat suit is not a “one-note joke”

arrivederci the week before that. So, at this point, critics and pundits have viewed just about every Oscar hopeful.There are just two holdovers that could crash the Hollywood hootenanny: “Black Panther: Wakanda Forever,” out Nov.

Venice International Film Festival on Sept. 4, audience members were so moved that they gave Fraser a six-minute-long standing ovation and brought the actor to tears. It’s been reported that he tried to leave the theater but the applause was so relentless that it seemed to physically freeze him in place.

play a depressed 600-pound man — is also sparking some backlash.Film critic Katie Rife is going viral for advising plus-sized viewers — and those who are of a thinner frame — not to watch the Darren Aronofsky film, which earned a tear-jerking standing ovation at its Venice Film Festival premiere.“I can’t recommend in good conscience that fat people watch ‘The Whale,’ ” Rife tweeted on Monday. “I can’t recommend that skinny people watch it either, since it reinforces the notion that fat people are objects of pity who have brought their suffering upon themselves through lack of coping skills.”[Warning: Spoilers below]I can’t recommend in good conscience that fat people watch The Whale.

A legendary moment! Brendan Fraser and Michelle Yeoh reunited fourteen years after costarring in The Mummy: Tomb of the Dragon Emperor — and it was for a very special occasion.

Catherine de Medici, a one-time queen of France and a member of the iconic Italian noble family.The drama — which premiered Sept. 11 — follows Catherine in her teen years and into adulthood as she rises to power in the French court.The “Minority Report” actress, 45, noted how her character is a mixture of mob bosses and the British dramedy “Fleabag.”“Catherine is like a male character,” Morton told Entertainment Weekly in a profile published Sunday. “We wanted to approach her like you would ‘The Godfather’ or Don Corleone.

The Toronto International Film Festival, unlike the Euro film fests, isn’t known as a place for standing ovations. As soon as those credits roll, they need to jump into a post-screening Q&A, clear the theater and get into the next screening.

Protect Brendan Fraser at all costs!

Colin Farrell received a 13-minute standing ovation at the Venice Film Festival following the premiere of his new film The Banshees Of Inisherin.The actor reunited with his In Bruges co-star Brendan Gleeson and director Martin McDonagh for the upcoming drama about two Irish men whose life-long friendship is brought to an abrupt end.According to Variety, Farrell, Gleeson and McDonagh received the “longest and loudest reception” of any film yet to show at this year’s festival.However, the publication speculated that this was in response to Farrell, “who broke with tradition by wading into the crowd to take selfies with fans and sign autographs, which only made the cheering grow louder and more sustained”.Earlier at the festival, Brendan Fraser was moved to tears after receiving a six-minute standing ovation following the premiere of his new film The Whale.Directed by Darren Aronofsky, the film sees Fraser play a reclusive English teacher who lives with severe obesity. Stranger Things‘ Sadie Sink also stars, playing Fraser’s estranged teenager daughter.Following the film’s premiere over the weekend, footage emerged of the audience giving Fraser a rapturous reception.

Brendan Fraser on Twitter, following the first screening of his new film The Whale. The psychological drama from Black Swan director Darren Aronofsky premiered at the Venice Film Festival on Sunday (4 September).

The Whale at the Venice International Film Festival.The new film from Darren Aronofsky sees the actor play a reclusive English teacher who lives with life-threatening obesity.Since the film premiered over the weekend, footage has emerged of the audience giving Fraser a standing ovation, which reportedly lasted for six minutes. The star can also be seen to be tearful during the clip.The standing ovation for #TheWhale was so enthusiastic, Brendan Fraser tried to leave the theater but the crowd’s applause made him stay.

EXCLUSIVE: Samantha Morton (The Walking Dead) is to lead Paramount+’s Burning Girls alongside Bridgerton star Ruby Stokes, Deadline can reveal.

In a triumphant world premiere at the Venice Film Festival, Darren Aronofsky’s The Whale received a seven-minute standing ovation inside the Sala Grande this evening. Star Brendan Fraser was visibly moved as he was embraced by his director while extended applause rang throughout the auditorium.

#Venezia79 six-minute standing ovation for #TheWhale,” tweeted Ramin Setoodeh, Variety’s co-editor-in-chief, noting that the actor tried to leave the theater but the audience’s applause made him stay.After reaching a career high starring in “The Mummy” franchise and “George of the Jungle,” in many ways, some consider “The Whale” Fraser’s comeback moment that could quite possibly earn him an Oscar. The standing ovation for #TheWhale was so enthusiastic, Brendan Fraser tried to leave the theater but the crowd’s applause made him stay.

Venice Film Festival began in the Italian city on 31 August, attracting the great and the good from the film world. As the world’s longest-running film festival, it regularly attracts the crème de la crème of the industry, the most anticipated new movies, as well as some exceptional red carpet looks. This year will see the premiere of the long-awaited Don’t Worry Darling, starring Florence Pugh, Harry Styles and Gemma Chan, and directed by Olivia Wilde.

Who would have thought that, of all the top-shelf auteurs in Venice’s big comeback year, the most constrained would be Darren Aronofsky? His new competition film The Whale opens with that very intent — the screen is cropped to 1:33 — which turns out to be most appropriate for a small and intimate movie about a very big man.

Owen Gleiberman Chief Film Critic The return of Brendan Fraser — not that he ever really went away — has been a reminder of how much affection so many of us had for him back in the ’90s, when he had his moment in movies like “School Ties” and “Encino Man” and “Gods and Monsters” and “The Mummy.” Yet let’s be honest: This is not the comeback of John Travolta or Mickey Rourke. Fraser was always, in the best way, a lightweight actor: the clear blue eyes, the pin-up sexiness, the shaggy warm boyish innocence. The fact that, at 53, he’s no longer as beautiful as he once was is part of the Brendanaissance. He can no longer hold the screen as a cutie-pie hunk; he has to do it in other ways. And in “The Whale,” directed by Darren Aronofsky (who shepherded Rourke’s return in “The Wrestler”), Fraser is a better actor — slyer, subtler, more haunting — than he has ever been.