‘Boy Kills World’ Review: A Shredded Bill Skarsgård Stars In A Gleeful Orgy Of Violence & Blood-Letting [TIFF]

We all love nostalgia… but does looking back sometimes ruin the past?

Danielle Fishel reveals she was a bit hesitant about her Boy Meets World podcast, Pod Meets World.

Global Citizen Festival — which traditionally has served as a golden sunset on summer as it gives way to fall — was a rain-soaked slog that turned New York’s Central Park into one giant mud puddle.Indeed, the Great Lawn that had been populated with sun worshippers for the past few months was now a sea of ponchos and rain slickers.“It’s a beautiful day!” joked “Science Guy” Bill Nye early in the spirit-dampening festivities.In fact, it was almost an hour into the main show before the first act, Brazilian sensation Anitta, even took the stage — no doubt to ensure a safe, slip-free performance.The elements didn’t stop the Grammy-nominated singer — wearing a bedazzled bodysuit with the colors of the Brazilian flag emblazoned across its halter top — from twerking, writhing and otherwise booty-popping on the wet stage.One could’ve only hoped that all that grinding and gyrating by Anitta and her hip-shaking squad was some sort of anti-rain dance.But the rain gods were not to be defeated. And neither was the Global Citizen Festival.Indie-pop star Conan Gray brought some glam to the gloom in his red, black and silver sequined jacket — with fringe sleeves for extra flair — while K-pop group Stray Kids demonstrated the global impact of hip-hop in the city that gave birth to it 50 years ago.And the BTS Army showed up in full force for Jung Kook, who got a catsuited-assist from rapper Latto on their No.

Naturally, when you see the names Uma Thurman and Samuel L. Jackson in the cast list of a film, people are going to get excited.

EXCLUSIVE: Showtime is developing Jonah Kills, a UK-based comedy created and written by Clem Garritty. It hails from Jax Media UK, which commissioned up-and-comer Garritty to generate four scripts before the comedy was pitched to Showtime. There is no work currently being done on the scripts but I hear the intention is to cast and film a pilot after the strikes, and veteran TV director Iain B. MacDonald (Poker Face, Shantaram) has been tapped to direct it.

Danielle Fishel‘s comments are making some headlines.

“Wicked Little Letters” narrates the bizarre tale of several foul-mouthed anonymous letters that began terrorizing the small British town of Littlehampton in the 1920s. Against all odds, what might seem like a contrived, ridiculous story is almost entirely true.

Boy George has revealed that he’s a fan of Napalm Death in a new social media post.Taking to X (formerly known as Twitter), Boy George noted that he recently attended one of the band’s shows in Australia. In his post, he said how much he enjoyed the band’s performance and the work of the comments of the band’s singer, Barney Greenway.“Saw the noise monsters @officialND last night and my ears are still ringing,” Boy George wrote on X.“Loved all of the stuff Barney had to say.

TORONTO – There always seems to be this assumption in Hollywood that when the end of the world comes it will be quick. A nuclear holocaust will destroy the environment in hours or a massive space object will send civilization back into the dark ages in an instant.

Fall Out Boy brought their updated cover of ‘We Didn’t Start The Fire’ to the 2023 MTV VMAs, which are taking place at New Jersey’s Prudential Center tonight (September 12).The pop-punk band’s appearance marked their third at the awards show following performances in 2005 and 2007.This time around, Fall Out Boy performed their modern take on Billy Joel’s classic song, which finds them referencing Trump’s impeachments, Brexit, Harry Potter and many more era-defining moments.When the band released the cover earlier this summer, Joel responded by saying they had saved him from updating it himself. “Everybody said, ‘Well, aren’t you going to do a part two?’,” he explained.

Michael Keaton has been acting in movies long enough to know that if you’re making one, as he does for the second time with the proficient neo-noir “Knox Goes Away,” your opening shot needs to say something. His says it all: a tight close-up inventories the personal affects of an unseen figure taking them one by one, heading out the door, then doubling back to grab the watch, filling the audio track with its relentless ticking.

Owen Gleiberman Chief Film Critic “Knox Goes Away” is a silky and entrancing thriller directed by its star, Michael Keaton — but as soon as I heard the film’s premise, I’ll admit I was skeptical. Keaton plays an underworld hit man who is diagnosed with dementia. That sounds a bit trendy, and more than that it sounds like a stunt premise.

Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.

In a cinematic landscape built on tried-and-true formulas, Moritz Mohr’s Boy Kills World dares to be different, blurring the boundaries between absurdity and adrenaline-pumping action. Written by Tyler Burton Smith and Arend Remmers, this audacious venture is steeped in a dystopian backdrop plays by its own rules. Dive into a world where chaos meets comedy, and gory kills are an everyday thing. The film stars Bill Skarsgard, Famke Janssen, Yayan Ruhian, Sharlto Copley, Andrew Koji, and Brett Gelman.

TORONTO – About three years ago, an underdog YouTube and Reddit personality recruited an army of retail investors that sent investment powerbrokers scrambling and changed how Wall Street viewed social media. It’s an inherently funny story because it seemed preposterous at the time (at least to the financial community), but it also occurred during a pivotal moment in global history.

TORONTO – The biggest surprise in Kristin Scott Thomas’ directorial debut, “North Star,” doesn’t occur in front of the camera. In this case, Scarlett Johansson, Sienna Miller, and Emily Beecham deliver exactly what you’d expect as three sisters reuniting for their mother’s latest marriage in the British countryside.

his last flick, “The Wind Rises,” and it’s assumed he won’t churn out another after this.However, should this be the end of the road for him, take heart that the Japanese director’s visual majesty and uncontrollable imagination are as fully present as ever. And so is his unparalleled understanding of what makes children tick. A filmmaker rarely goes out with his head held so high.“Heron” is not as perfect as some of Miyazaki’s past movies.

Fall Out Boy is planning on creating a few more Mmrs.The pop-punk rockers are heading out on the second North American leg of their ‘The So Much for (2our) Dust’ tour with special guest Jimmy Eat World starting on Feb. 28.Along the way, the ’00 icons will stop into New York City’s Madison Square Garden on Friday, March 22 and Albany’s MVP Arena on Sunday, March 24.But wait! There’s more!On select dates, fan favorite acts like The Maine, Hot Mulligan, Daisy Grenade, Games We Play and Carr on select dates will serve as the opening acts for the co-headliners.Plus, if you’re overseas, you can catch FOB perform a handful of international shows later this year.

It’s hard to encapsulate the cinema of a particular filmmaker in just one word, but if one were to try their hand at it with Mexican maverick Michel Franco, a word that’d come to mind is violence. The filmmaker’s work is built upon the looming expectation of violent transgression, society standing flimsy atop the fragile idea of cordiality.

No one can predict if Japanese master Hayao Miyazaki’s output has finally come to an end, but there’s a solemn finality to “The Boy and the Heron” that suggests he’d be satisfied if that were the case this time. Its contemplation is that of an artist who’s come full circle and is now probing at the very meaning of his extensive oeuvre through a discerning lens.