‘The Boy and the Heron’ review: Miyazaki’s lovely, likely final movie
08.09.2023 - 20:07
/ nypost.com
his last flick, “The Wind Rises,” and it’s assumed he won’t churn out another after this.However, should this be the end of the road for him, take heart that the Japanese director’s visual majesty and uncontrollable imagination are as fully present as ever. And so is his unparalleled understanding of what makes children tick. A filmmaker rarely goes out with his head held so high.“Heron” is not as perfect as some of Miyazaki’s past movies.
The trippy story is dizzying by the end as too many characters are introduced too late and we navigate a thicket of hastily explained narrative elements. But it nonetheless leaves a powerful emotional effect if you let it wash over you. And, come on, I’ll take medium Miyazaki over “Super Mario Bros.” any day.The movie — which will be released in the US on Dec.
8, presumably with English dubbing — starts out as a rural postcard and then ventures into a fantastical Wonderland after Mahito meets the titular heron. That aggressive bird, who naturally can speak, beckons the boy by telling him that his mother is actually still alive in a nearby magical tower. Mahito takes him up on the offer after he witnesses Natsuko, who is pregnant and has been bedridden with sickness, wander into the old castle.Mahito and the Heron, who has a cranky, Danny DeVito-like man inside him, enter the tower and are whisked to the sort of grand and strange world that this director revels in, be it a bathhouse for spirits or a walking castle with four legs.
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