Arthur's Whiskey has lined up a stellar cast with Diane Keaton as the leading lady, alongside Lulu and RuPaul's Drag Race UK winner Lawrence Chaney.
03.05.2023 - 15:33 / deadline.com
Olivier Award-winning actress Patricia Hodge (Miranda), Scottish singer/actress Lulu (Absolutely Fabulous), David Harewood (Homeland), and musician Boy George have joined Diane Keaton in the comedy Arthur’s Whisky.
Directed by British filmmaker Stephen Cookson (Stanley A Man Of Variety), the pic is from a screenplay by Alexis Zegerman (School Runs). Arclight Films has taken world rights and will launch sales at the upcoming Cannes market.
Synopsis reads: When Joan’s husband dies, she is shocked to discover he had invented an elixir which makes the drinker look young again. Sharing it with her two friends, the three women paint the town red but soon discover that they are no longer equipped to be young in the modern world.
Rounding out the cast are Hayley Mills (The Parent Trap), Bill Paterson (House of the Dragon), Adil Ray (Citizen Khan), and Lawrence Chaney (RuPaul’s Drag Race UK).
Arthur’s Whisky is produced by Cookson and Peter Keegan (Stanley A Man Of Variety) of CK Films and Pippa Cross (Chalet Girl). The film is executive produced by Gary Hamilton of Arclight Films, Andrew Kotliar and Matt Cohen from MEP Capital, George Bennett of Worldmakr, Alastair Burlingham of Sherborne Media, Jack Christian from Filmology, Julia Stuart and Laura Grange at Sky, and Leighton Lloyd.
A CK Films Production in association with CrossDay Productions, the pic is financed by Sky, MEP Capital, Arclight Films, Onsight, Sherborne Media, and Filmology. The film will be released as a Sky Original in the UK on Sky Cinema.
“Working with such an incredibly talented actress as Academy Award-winner Diane Keaton is a dream come true. She leads our brilliant ensemble cast featuring Patricia Hodge, David Harewood, Hayley Mills, Bill Paterson,
Arthur's Whiskey has lined up a stellar cast with Diane Keaton as the leading lady, alongside Lulu and RuPaul's Drag Race UK winner Lawrence Chaney.
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Malina Saval Associate Editor, Features Boy George, lead singer of Culture Club, was synonymous with 1980s pop culture. Following a string of ubiquitous international radio hits such as “Do You Really Want to Hurt Me” and “Karma Chameleon,” the Grammy-winning singer embarked on a solo career, with his recording of “The Crying Game” punctuating Neil Jordan’s Academy Awarding-winning film of the same name. A steady fixture on reality shows as host of “The Voice Australia” and “The Voice U.K.,” Boy George is hitting the big screen, playing himself in Arclight Films’ comedy adventure “Arthur’s Whiskey,” starring Oscar-winner Diane Keaton, David Harewood (“Homeland,” “Blood Diamond”) and legendary Scottish recording artist Lulu. Arclight Films is handling worldwide rights to “Arthur’s Whiskey,” directed and co-written by Stephen Cookson. Arclight Films is selling the pic at the Cannes market.
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Friday on “The View.” The “Because I Said So” actress, 77, stopped by the daytime talk show with her “Book Club: The Next Chapter” co-stars Jane Fonda, Mary Steenburgen, and Candice Bergen. Their new film, which hit theaters Friday, is a sequel to the foursome’s 2018 movie “Book Club.”“View” co-hosts Joy Behar, Sara Haines, and Alyssa Farah Griffin asked the legendary actresses about aging and their Hollywood memories.But when Griffin got to Keaton, “The First Wives Club” star seemed nervous, even calling the live studio audience “scary.”“All of you have made me think about aging differently, and I think it’s so powerful to see you can just have so much fun at any age. Now, Diane, I have to ask…” Griffin began.
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The stars of Book Club: The Next Chapter lit up the red carpet for the NYC premiere on Monday (May 8)!
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Owen Gleiberman Chief Film Critic It’s beyond obvious that women deserve a movie that portrays and celebrates them in their sixties and seventies reveling in the joys of romantic adventure and uninhibited sex. It’s not so obvious that they deserved “Book Club,” the 2018 comedy about four hale, hearty, and prosperous senior friends who read “Fifty Shades of Grey” in their monthly literary white-wine klatsch, only to discover that E.L. James’s S&M princess fantasy jump-starts their hibernating libidos and/or their desire to commit to the men who are courting them. You could use a whole Thesaurus paragraph of withering descriptives to evoke the sort of movie “Book Club” was. It was prefab, it was cookie-cutter, it was paint-by-numbers, it was broad enough to play to the peanut gallery, it was four glorified sitcoms jammed into one overly synthetic package.
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