the Hollywood Reporter has revealed.
01.10.2021 - 18:09 / variety.com
Brent Lang Executive Editor of Film and Media“Venom: Let There Be Carnage” roared to a monstrously good $11.6 million in Thursday previews, injecting an enervated box office with a much needed shot of adrenaline. The superhero sequel is a key piece in Sony Pictures’ grand ambitions to turn its licensing deal for Spider-Man into a grand Spider-verse (see upcoming films on wall-crawler villains such as Kraven the Hunter and Morbius).
the Hollywood Reporter has revealed.
Patrick Frater Asia Bureau Chief“The Battle at Lake Changjin” is on course to become one of the top three films of all time in China after dominating proceedings at the mainland Chinese box office for a third successive weekend.A patriotic war film, “Changjin” earned $73 million between Friday and Sunday to extend its cumulative total to $769 million since being released on Sept.
Brent Lang Executive Editor of Film and MediaSony’s “Venom: Let There Be Carnage” loomed large at the international box office this weekend, sinking its prodigious chompers into $62.3 million. That pushes the superhero adventure’s global haul to a muscular $283.7 million.
When it was announced last month that the “Halloween” sequel was moving to day-and-date — a move Blumhouse CEO Jason Blum said was fueled by the poor box office performance of “Freaky” — studio sources told TheWrap that Universal felt confident that the film could boost interest in Peacock without sacrificing significant box office revenue as hardcore horror fans both love the “Halloween” series and put a high value on seeing scary films in a theater with other moviegoers.That confidence turned
“Halloween Kills” may be available to watch at home, but the latest installment in the Michael Myers saga is making a killing at the North American box office in its first weekend in theaters. The David Gordon Green-directed horror scared up $50.4 million from 3,705 locations, according to studio estimates Sunday.Universal’s “Halloween Kills” far surpassed expectations, which had the film pegged for a more conservative debut in the $30 million range.
Brent Lang Executive Editor of Film and MediaUniversal and Blumhouse’s “Halloween Kills” topped the weekend box office with a $50.4 million debut. That’s a bloody good showing considering that the film is being release simultaneously in theaters and on-demand via Peacock, NBCUniversal’s in-house Netflix challenger.
J. Kim Murphy administratorMore than 40 years after the first “Halloween,” Michael Myers and Laurie Strode are still box office gold.
“Hallloween Kills” killed at the box office, slashing it’s way to $4.9 million in Thursday previews.The Universal Pictures and Blumhouse Productions horror movie is the latest movie in the long-running “Halloween” franchise.
Brent Lang Executive Editor of Film and Media“Halloween Kills” slashed its way to $4.9 million in Thursday previews.The Universal Pictures and Blumhouse Productions horror flick is the latest blood-soaked installment in the long-running “Halloween” franchise, a series that is firmly in its fifth decade. And despite being comfortably middle-aged, “Halloween Kills” is projected to generate $35 million to $40 million in its first three days of release.
“Halloween Kills,” a direct sequel to the 2018 reboot of the Jamie Lee Curtis horror saga, is currently tracking for a $35-40 million opening weekend, with Universal projecting an opening on the lower end of that scale.
Rebecca Rubin Film and Media Reporter“Halloween Kills,” the horror sequel starring Jamie Lee Curtis, should slash its way to the top of box office charts when it opens in 3,700 North American theaters on Friday.From Universal Pictures and Blumhouse Productions, the latest “Halloween” installment is projected to generate $35 million to $40 million in its first three days of release.
Brent Lang Executive Editor of Film and MediaAlan Horn will retire as chief creative officer of Disney Studios Content, capping a successful nearly decade-long run at the Walt Disney Company. It was one that saw Horn stabilize the film operation after a tumultuous period when Rich Ross took the reins for three tumultuous years.
Despite more optimistic hopesfrom analysts and theater owners that Daniel Craig’s final Bond film could perform similar to “Skyfall” ($88 million) or “Spectre” ($70 million), “No Time to Die” has still given cinemas plenty of reasons to celebrate.
After over 18 months of pandemic delays, “No Time to Die” opened on target. The final James Bond film of the Daniel Craig era grossed $56 million from 4,407 North American theaters, according to studio estimates on Sunday, to easily take the first-place spot.It didn’t break any pandemic or 007 records, but it didn’t fall significantly short either and is in fact the fourth-best opening in the 25-film series.
After a long wait, “No Time to Die” has finally opened in North American theaters, and on Thursday it brought in $6.3 million in preview screenings. It opens at approximately 4,407 screens this weekend.
Brent Lang Executive Editor of Film and MediaAudiences are showing up in force to send Daniel Craig off in style.MGM’s “No Time to Die,” which marks the actor’s last stint as James Bond, opened to $6.3 million in Thursday previews, the best for a Bond film.
Naman Ramachandran The long awaited and keenly anticipated James Bond film “No Time to Die” dominated the U.K. and Ireland box office with an opening weekend collection of £25.9 million ($35.3 million), according to numbers from Comscore.
Following last year’s cancelation and this year’s postponements, the annual CineEurope convention kicks off today in Barcelona. And what better time for studios and overseas exhibition to come together and celebrate the theatrical experience as we come off of a banner international box office weekend led by MGM/Eon/Universal’s lively launch of No Time To Die.
Not only that, but it also exceeds the $80 million opening of the first “Venom” in 2018, putting it on course to join “Shang-Chi and the Legend of the Ten Rings” as the second post-shutdown film to reach $200 million domestic. Premium formats like IMAX were also a major factor behind the new pandemic era record, as Premium Large Formats accounted for 23% of the weekend gross.