Box Office: Scorsese’s ‘Killers of the Flower Moon’ Impresses With $23 Million Debut, but Swift’s ‘Eras Tour’ Remains No. 1

Deadline’s Sound & Screen, our awards-season composer showcase of original music for some of this year’s most acclaimed films, gets underway tonight at UCLA’s Royce Hall, with a 60-piece orchestra tuning up to make it all sing.

Rebecca Rubin Film and Media Reporter “Killers of the Flower Moon,” Apple’s first major theatrical release, has generated $120 million globally after three weekends of release. Is that a good result for a movie backed by a streaming service? A terrible outcome for a glowingly received, $200 million crime epic directed by Martin Scorsese and starring Leonardo DiCaprio and Robert De Niro? Or somewhere in between? Everyone who follows the movie business has a different take, so parsing these ticket sales could take longer than the film’s daunting three-hour-and-26-minute run time.

according to IMDB’s Box Office Mojo.It is slated to surpass the $100 million mark in a total of just eight days, according to Deadline.The film, which was released on Oct. 27 in theaters and on Peacock, also had the biggest-ever five-day debut on the streaming service.In second place was “Taylor Swift: The Eras Tour,” with $3.6 million in sales.The concert movie, based on the pop star’s tour, has already earned $150 million domestically and more than $200 million globally, according to CNBC.It is also predicted to take in another $10 million domestically this weekend.Martin Scorsese’s “Killers of the Flower Moon” landed in third, earning $1.945 million.The Western crime drama is based on a 2017 non-fiction book by David Grann about a series of murders of Native Americans from the tribe Osage Nation.

Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. 

Martin Scorsese has heaped praise on Brendan Fraser following heavy online criticism of his performance in Killers Of The Flower Moon.The recently released film – which is led by Leonardo DiCaprio, Robert De Niro and Lily Gladstone – is based on a non-fiction book of the same name published in 2017. It tells the true story a series of murders of Osage Native Americans over the rights for the oil under their land in Oklahoma.Fraser, who plays lawyer W.S.

Killers of the Flower Moon with an intermission are “in violation” and argued that it “is not right”.The three-times Oscar winner is concerned by reports that several cinemas have decided to break up Martin Scorsese’s latest with an intermission, cutting up the film’s three and a half hour-long run time.Killers of the Flower Moon is based on the true story of the murder of more than 60 Native Americans in 1920s Oklahoma and stars Robert De Niro and Leonardo DiCaprio as an uncle and nephew plotting to steal the oil underneath the tribe’s land. Previously, Scorsese has defended the film’s lengthy runtime.Speaking to The Standard, Schoonmaker, who has worked on every Scorsese film since 1980’s Raging Bull, voiced her concern at the news.Schoonmaker said: “I understand that somebody’s running it with an intermission which is not right.

Leonardo DiCaprio wore “butt-padding” in a scene where he is spanked by Robert De Niro in Killers Of The Flower Moon, according to the film’s cinematographer.Rodrigo Prieto opened up to Insider in a new interview about the scene, which occurs half-way into Martin Scorsese’s new epic.DiCaprio’s character, Ernest Burkhart, has messed up a plan to steal the Osage of its wealth. De Niro’s character, William Hale, plays Ernest’s uncle and decides to punish his nephew by spanking him.

Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.

Taylor Swift: The Eras Tour topped the US box office for a second week, seeing off competition from Martin Scorsese’s Killers Of The Flower Moon.According to Deadline, Taylor Swift: The Eras Tour took $32million (£25.5m) in its second weekend in the region, a 67 per cent drop. Globally, film has taken $164.8million following its release on October 12 in the US across AMC theatres and October 13 in other territories.Killers Of The Flower Moon, meanwhile, took $23million (£18.9m) in its opening weekend at the US box office, which is the third best opening for Scorsese, following 2010’s Shutter Island ($41m) and The Departed ($26.9m) in 2006.Scorsese’s film, however, topped the worldwide box office with $44million (£36.2m), with Taylor Swift: The Eras Tour slipping to second with $41.5million (£34.1m) globally in its second week (via Screen Daily).While Scorsese’s latest film may struggle to become profitable against its estimated $200million budget, the opening numbers are considered a success due to its lengthy 206-minute running time and the fact it’s a period movie skewed towards adults.Killers Of The Flower Moon, starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, is also set to release on Apple TV+ at an unconfirmed date.In a five-star review, NME wrote: “Each conversation between De Niro and DiCaprio is an exercise in clever euphemism and while some may find the tempo a bit too stately, the story of an entire people’s eradication deserves to be told in full.

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.

Leonardo DiCaprio may be an Oscar-winning actor, but you just can’t deny Taylor Swift’s fandom.

Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.

Killers of the Flower Moon,” by David Grann, which details how the Osage fell victim to a string of murders.One was killed with poisoned whiskey (there may have been more), others got shot and Bill and Rita Smith, a white man married to an Osage woman had their home blown up. The pure greed of it all was made evident when William King Hale (often referred to, simply, as King), a wealthy rancher who held considerable sway over Native Americans and whites alike, took out a $25,000 life insurance policy on an Osage man named Henry Roan. A doctor who examined Roan for the policy asked Hale if he planned on killing Roan.

Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.

Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician. His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years. But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese? There hadn’t really been a proper nexus point to fully celebrate and explore that.

Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.

Zack Sharf Digital News Director Martin Scorsese’s $200 million epic “Killers of the Flower Moon,” based on David Grann’s 2017 non-fiction book, centers on the Reign of Terror, a term the Osage Nation used to define the murders of at least 60 community members in the late 1920s. The film tells this true crime tale through the lens of a marriage between Ernest Burkhart (Leonardo DiCaprio), a World War I veteran who relocates to Oklahoma to work with his rancher uncle, and Mollie Burkhart (Lily Gladstone), a local Osage woman whose family was one of the community’s wealthiest. Robert De Niro stars as Ernest’s uncle, William Hale.

Leonardo DiCaprio‘s “endless” ad-libs in Killers Of The Flower Moon left Martin Scorsese and Robert De Niro “rolling their eyes”, according to the director.Scorsese’s 26th film is based on the true story of the murder of more than 60 Native Americans in 1920s Oklahoma and stars De Niro and DiCaprio as an uncle and nephew plotting to steal the oil underneath the tribe’s land.DiCaprio is renowed for improvising his lines in films, but while filming the period piece, the actor apparently tested the patience of his co-star and director.His improvisations were “endless, endless, endless”, Scorsese told The Telegraph, while “Bob [De Niro] didn’t want to talk.”The 80-year-old director, who has made multiple films with both actors, said: “Every now and then, Bob and I would look at each other and roll our eyes a little bit. And we’d tell [DiCaprio]: ‘You don’t need that dialogue.’”This comes after Scorsese recently revealed that DiCaprio asked for a major overhaul of the film’s script two years into the writing process.While the film ended up being told from the perspective of the Osage tribe, that wasn’t the original plan.

Jordan Moreau This weekend at the box office is a showdown of two pop culture titans: Martin Scorsese and Taylor Swift. The “Mean Streets” director and “Mean” singer each have a movie facing off this weekend, “Killers of the Flower Moon” and “Taylor Swift: The Eras Tour.” Scorsese’s latest movie has so far made $2.6 million in Thursday previews at the box office. “Eras Tour” made $5.9 million on Thursday, Oct.