Patrick Frater Asia Bureau Chief Japanese animation film “Haikyuu!! The Dumpster Battle” took a clear lead at the mainland China weekend box office – despite only being available for two of three days. Data from consultancy firm Artisan Gateway showed the film scoring $9.8 million (RMB69.4 million) in China, more than double that of second placed film “Be My Friend.” The win came despite “Haikyu!!” only being released on Saturday and measuring up against other tiles available throughout the whole of the Friday-Sunday period. “Haikyu!!” is the third Japanese film so far this year to lead the mainland Chinese box office, following “The Boy and the Heron” and “Doraemon the Movie: Nobita’s Earth Symphony.” It was produced by Production IG, Toho Animation and Sony Music Entertainment Japan and released by Crunchyroll in multiple territories.
Box Office: ‘Garfield’ Beats ‘Furiosa’ in Another Bummer Weekend
02.06.2024 - 15:27 / variety.com
Rebecca Rubin Senior Film and Media Reporter “The Garfield Movie” clawed its way to first place, overtaking last weekend’s champion “Furiosa: A Mad Max Saga” at the domestic box office. This weekend (unlike last) wasn’t a nail-biter as “Garfield” effortlessly pulled ahead with $14 million from 4,108 theaters in its second weekend of release while “Furiosa” trailed in third place with $10.7 million from 3,864 venues in its sophomore outing. Now, Sony’s “The Garfield Movie” has grossed $51.5 million in North America and $152 million globally to date.
It’s a solid showing for the $60 million-budgeted film. “Furiosa,” the fifth entry in Warner Bros. and director George Miller’s post-apocalyptic “Mad Max” series, has generated $49.6 million domestically.
With a $168 million price tag, the R-rated tentpole has a much steeper path to profitability. Though “Garfield” gets first-place bragging rights, it’s another terrible weekend at the box office with ticket sales a staggering 65% behind the same three-day period in 2023. As a result, overall revenues remain 24% behind last year and more than 40% below pre-pandemic times.
In other words, Hollywood and movie theaters desperately need some hits on the horizon to help shrink the gap. David A. Gross of movie consulting firm Franchise Entertainment Research believes that last year’s dual labor strikes are responsible for this year’s summer woes.
Plenty of big movies were pushed to 2025 and beyond as Hollywood effectively shut down for months. “This weekend is another example of a lineup disrupted by the pandemic and labor strikes. It takes 18 to 24 months to plan, produce and market the biggest movies, so it’s going to take another year to get past this inconsistency,” he says.
.
Korea Box Office: ‘Inside Out 2’ Leaps to Powerful Lead With $12 Million Debut Weekend
Patrick Frater Asia Bureau Chief Pixar’s “Inside Out 2” leaped to a crushing first place debut at the South Korean box office on its opening weekend. The American animation film earned $12.3 million from 1.75 million ticket sales between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over the five days since its Wednesday debut, it accumulated $14.7 million and 2.08 million ticket sales.
‘Tuesday’, ‘Treasure’, ‘I Used To Be Funny’ Lead Quiet Arthouse Weekend As Wider Market Rebounds: “Maybe We Have To Get Mainstream Back On Its Feet” First – Specialty Box Office
It was an Inside Out specialty weekend, fairly quiet and with a stream of indies films and more wide releases. The schedule is starting to recover from a strike-induced slump that, however, provided oxygen to some indies.
‘Inside Out 2’ Box Office: All the Records Seen, Felt and Heard on Opening Weekend
Rebecca Rubin Senior Film and Media Reporter Anxiety to the rescue! Disney and Pixar‘s “Inside Out 2,” an animated adventure that spotlights apprehension among other emotions, scored the biggest box office debut of the year with $155 million domestically and $295 million globally. It’s a huge win for theaters (ticket sales have been lagging way behind 2023) and Pixar (which has struggled to restore its box office touch since COVID). Those results far exceeded expectations and notched several opening weekend records in the process.
'Inside Out 2' Breaks Records With Opening Weekend - Box Office Numbers Revealed!
Inside Out 2 is huge!
'Inside Out 2' Box Office on Track for Incredible Opening Weekend, Sparking Comparisons to 'Barbie'
The numbers are suggesting that Inside Out 2 is going to rocket to the top of the box office with an awe-inspiring debut weekend.
‘Deadpool & Wolverine’ Looking To Slash Box Office Records With $200M+ Opening – Box Office Early Look
EXCLUSIVE: Disney/Marvel Studios‘ Deadpool & Wolverine hit six week tracking this morning and, man, does it look amazing. The Quorum, which actually monitors pics six weeks ahead, is reporting a projection of $200M-$239M, which the service actually believes is conservative.
Why Does Hollywood Care About Box Office Opening Weekends?
Rebecca Rubin Senior Film and Media Reporter “IF” isn’t exactly a box office bright spot. But Paramount’s kid-friendly fantasy about imaginary friends has ambled along in the time since its soft $33 million debut. Its current tally — $93 million domestically and $160 million worldwide — is decent for an original live-action PG film.
Amy Poehler & Ayo Edebiri Join 'Inside Out 2' Cast at L.A. Premiere, Box Office Experts Reveal Opening Weekend Predictions
The stars of the new Disney and Pixar movie Inside Out 2 stepped out for the L.A. premiere!
China Box Office: ‘Be My Friend’ Opens Ahead of ‘Furiosa’ and ‘Civil War’ on Dragon Boat Holiday Weekend
Patrick Frater Asia Bureau Chief “Furiosa: A Mad Max Saga” enjoyed one day at the top of the mainland China box office before being deposed by a crop of local new releases that opened in time for the Dragon Boat holiday. “Civil War” performed even more slowly. China’s Friday to Sunday weekend box office saw “Be My Friend” score $8.1 million (RMB57.7 million), albeit earned over just two days.
Korea Box Office: AI Fantasy ‘Wonderland’ Takes Weekend Win as ‘Bad Boys: Ride or Die’ Stalls on First Lap
Patrick Frater Asia Bureau Chief “Bad Boys: Ride or Die,” a hit in multiple other markets worldwide, crashed on its first lap at the South Korean box office. It failed to make even $1 million in on its opening weekend. Instead, “Wonderland,” a sci-fi fantasy about Artificial Intelligence, took the top spot over the weekend.
‘Bad Boys: Ride or Die’ boosts Will Smith’s comeback and box office with $56 million opening weekend
opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban.
Box Office: ‘Bad Boys 4’ Rides to $56 Million in Opening Weekend
Rebecca Rubin Senior Film and Media Reporter Turns out, Bad Boys are good for ticket sales. Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut.
‘IF’ Climbs to Top Spot at U.K., Ireland Box Office as ‘Furiosa’ Slips to Fourth
Naman Ramachandran Family fare was evidently the preferred choice during the U.K. and Ireland school half-term holidays as Paramount’s “IF” bounced up the charts to the top spot. In its third weekend, “IF” collected £1.5 million ($2 million) for a total of £9.5 million ($12.2 million).
China Box Office: ‘Doraemon the Movie: Nobita’s Earth Symphony’ Wins Opening Weekend, Ahead of ‘Garfield’
Patrick Frater Asia Bureau Chief Two foreign-made animation movies opened on top of the mainland China box office over the latest weekend. Japanese film, “Doraemon the Movie: Nobita’s Earth Symphony” landed in first place, ahead of “The Garfield Movie,” though the match-up was not like-for-like. According to data from consultancy Artisan Gateway, “Doraemon” earned $12.6 million (RMB89.5 million) over the three days from its Friday release.
Korea Box Office: ‘Furiosa’ Holds Soft Second Weekend Lead Over ‘The Plot’
Patrick Frater Asia Bureau Chief “Furiosa: A Mad Max Saga” maintained a narrow win at the South Korea weekend box office in its second week of release. The highest new release was local crime drama “The Plot.” Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-COVID recovery on course, but progress is slow and incomplete.
‘The Garfield Movie’ comes out on top in a slow weekend at the box office
dominated once again by Sony’s “The Garfield Movie,” Warner Bros.’ “Furiosa: A Mad Max Saga” and a slew of holdovers.Flipping the script from their Memorial weekend openings, the animated orange cat crept ahead of the wasteland warrior in their second outing.“The Garfield Movie” earned a chart-topping $14 million in ticket sales while “Furiosa” settled into third place in a close race with “IF,” according to studio estimates on Sunday.Both “IF” and “Furiosa” are estimated to have earned $10.8 million, with “IF” getting the slight edge.“Garfield” fell only 42% in its second weekend in North America. It also topped the global box office adding $27 million from international territories, bringing its running worldwide to $152.2 million.The animated pic featuring the voice of Chris Pratt will essentially have the market to itself until “Inside Out 2” arrives on June 14.“Furiosa,” meanwhile, fell 59% from its first weekend, adding just under $10.8 million from 3,864 locations in the U.S.
‘The Garfield Movie’ claws its way to top of the box office
The Numbers reported.It is slated to take in $13 million this weekend, according to The Hollywood Reporter. It managed to beat out “Furiosa: A Mad Max Saga,” which was No.
Box Office: ‘Garfield’ Noodling to First as ‘Furiosa’ Fades in Dead Quiet Summer Weekend
J. Kim Murphy If the summer box office is ever going to heat up, it’ll have to wait a while longer. In a weekend being led by holdovers, Sony’s “The Garfield Movie” looks to overtake “Furiosa: A Mad Max Saga” for first place on domestic charts.
‘Furiosa’ flops at box office in opening weekend
Furiosa: A Mad Max Saga has had a poor opening weekend at the cinema despite receiving rave reviews from critics.NME’s five star review of the long-awaited prequel to the Mad Max series described the film as “brilliant and unmissable” and said the film was “another extraordinary blockbuster juggernaut that in some sequences somehow excels even its predecessor, arresting viewers with its booming, utterly immersive world of grease, dust, motorbikes and carnage.”Directed by George Miller, the film stars Anya Taylor-Joy as Furiosa – a younger version of Charlize Theron’s character in Mad Max: Fury Road – and Chris Hemsworth as war lord Dementus.In the prequel, Taylor-Joy’s character is snatched as a child by the sadistic Dementus. Forced to ride through the Wastelands with a great biker horde, Furiosa must fight to find her way home while Dementus and fellow tyrant Immortal Joe battle for dominance in the desert.Despite a budget of $168million (£143million) to make, the film underperformed in its box office debut, only recouping $25.6million ($20million) between Friday and Sunday in the US.For cinemas in the US, it marked their worst Memorial Day performance in 29 years.The film did recoup an additional $33.3million (£26million) from international audiences, with a total of $58million (£45million) worldwide according to Variety.At Cannes, where the film received its premiere, it received a sx-minute standing ovation.Variety reported that Hemsworth grew emotional during the applause, while the actor was also filmed kissing director George Miller on the head.“We worked very hard on this film, and it’ll be very interesting to see what you make of it,” Miller said ahead of the screening.