Box Office: ‘Dungeons & Dragons’ Rolls $38.5 Million in Opening Weekend

The Super Mario Bros. Movie has broken box office records in its opening weekend.The video game adaptation took $376.5million (£303m) at the global box office in its first five days of release, beating Frozen II’s ($358m) record for the most successful global opening of all time for an animated film.The film also scored the best opening ever for a movie based on a video game, and beat Ant-Man And The Wasp: Quantumania as the biggest film opening in 2023 so far.According to The Hollywood Reporter, it also broke domestic records in the US with $204.6m (£165m) in takings: earning the second best three-day weekend for an animated title behind The Incredibles 2, the biggest five day launch ever after beating Transformers: Revenge Of The Fallen ($200m) and the biggest opening ever for studio Illumination (Despicable Me, Minions).Directed by Aaron Horvath and Michael Jelenic, The Super Mario Bros.

Rebecca Rubin Film and Media Reporter It’s-a blockbuster! “The Super Mario Bros. Movie,” an animated adventure based on the classic video game, crushed the competition with its jaw-dropping $204.6 million domestic and $377 million global debut over the long Easter weekend. Those results far exceeded expectations and even surpassed the starts of recent installments in Universal’s biggest franchises, like “Jurassic World Dominion” ($145 million domestically) and “Fast and Furious 9” ($70 million). So, expect a sequel to be announced faster than you can say “Let’s-a go!” “The box office just kept growing and growing,” marvels Jim Orr, Universal’s president of domestic distribution. “It’s a tremendous worldwide debut, and the movie has a clear runway.”

The Super Mario Bros. Movie has taken over the box office this weekend!

Chris Pratt’s casting as the voice of an animated Italian plumber has been controversial since the news was first announced, but it hasn’t appeared to have dampened enthusiasm at the box office for “The Super Mario Bros. Movie”.

Rebecca Rubin Film and Media Reporter Wahoo! “The Super Mario Bros. Movie” racked up a blockbuster $146 million in its opening weekend and powered to $204.6 million in its first five days of release, squashing expectations and steamrolling the competition at the domestic box office. The animated movie, a collaboration between Illumination, Nintendo and Universal, has landed a number of records, thanks to positive word-of-mouth, nostalgia for the popular video game, and a huge turnout from family audiences. It currently stands as the biggest opening weekend of the year (overtaking “Ant-Man and the Wasp: Quantumania” with $106 million), as well as the second-best debut ever for an animated title (surpassing 2016’s “Finding Dory” with $135.1 million). It’s also the highest-grossing debut for Illumination, beating 2015’s “Minions” with $115.7 million.

Chris Pratt’s casting as the voice of an animated Italian plumber has been controversial since the news was first announced, but it hasn’t appeared to have dampened enthusiasm at the box office for “The Super Mario Bros. Movie”.

The Super Mario Bros. Movie” is going to blow past its sky-high box office expectations.

Brent Lang Executive Editor It’s-a blockbuster! “The Super Mario Bros. Movie” continued to rack up high scores at the box office as it heads into Easter weekend. The animated movie, a collaboration between Illumination, Nintendo and Universal, shows no signs of slowing down, earning a massive $26.5 million on Thursday. That brings its domestic haul to $58.2 million. At this rate, the mustachioed plumber should end his first five days on the big screen with more than $150 million in stateside winnings. Internationally, the movie has earned $62.5 million, pushing global ticket sales to $120.7 million. The week’s other major new release, Amazon Studios’s “Air,” a footwear tale detailing how Nike convinced Michael Jordan to become its most successful brand ambassador, earned $2.4 million on Thursday. That brings the sneaker story’s domestic total to just under $6 million. The film, which stars Matt Damon, Ben Affleck, Chris Tucker and Viola Davis, is expected to earn $16 million in its first five days in theaters. That’s a mere blip compared to Mario, but a solid result considering the struggles that movies aimed at adults have faced. Affleck directs the film in addition to starring opposite his “Good Will Hunting” buddy Damon. “Air” cost $90 million to make, meaning that Amazon better sell a lot of paper towels to justify that spending.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” launched to the top of box office charts, collecting a mighty $31.7 million on opening day. Ben Affleck’s sports drama “Air,” which also debuted on Wednesday, nabbed $3.2 million from 3,507 venues. After a bigger-than-expected opening day, estimates for Universal and Illumination’s big screen adaptation of the popular “Mario” video game have been revised up to $92 million over the traditional weekend and $141 million in its first five days of release. Those ticket sales continue a strong period at the box office following March releases, “Scream VI,” “Creed III,” “John Wick: Chapter 4” and “Dungeons and Dragons: Honor Among Thieves.”

Naman Ramachandran eOne’s “Dungeons & Dragons: Honor Among Thieves” debuted atop the U.K. and Ireland box office with £3.5 million ($4.4 million), per numbers released by Comscore. In its second weekend, Lionsgate’s “John Wick: Chapter 4” slid to second place with £2.5 million for a total of £10.1 million. Warner Bros.’ “Mummies” debuted in third place with £648,460. The studio’s “Shazam! Fury Of The Gods” and “Creed III” occupied fourth and fifth spots with £469,120 and £426,742 in their third and fifth weekends for respective totals of £4.8 million and £13.5 million.

Rebecca Rubin Film and Media Reporter “Dungeons & Dragons: Honor Among Thieves” rolled the dice at the weekend box office, taking out “John Wick: Chapter 4” with its $38.5 million debut. But Paramount and eOne’s adaptation of the popular role-playing game needs to hold up against “Super Mario Bros.” to be successful in its theatrical campaign. So far, “Dungeons & Dragons” has generated $71 million globally — including $33 million at the international box office. Those numbers aren’t bad, but the film cost a hefty $150 million to produce and tens of millions more to market, so it’s not yet a clear theatrical winner. The fantasy action-comedy needs to stick around in North American and overseas theaters through the spring to justify its price tag and potentially ignite a new franchise.

Patrick Frater Asia Bureau Chief “Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according to data from consultancy Artisan Gateway. After ten days in Chinese theaters, “Suzume” now has a cumulative total of $80.6 million. Nevertheless, its lead at the top of the box office chart was unassailable. The weekend’s best-placed new release title was “Hachiko,” a Chinese retelling of the Japanese tale of a dog which faithfully waited at a station for its master years after his death. (The story was previously given a U.S. version with Richard Gere in the lead human role.) It earned $8.9 million (RMB61.2 million) in its opening weekend.

Patrick Frater Asia Bureau Chief “Dungeons & Dragons: Honor Among Thieves” landed into second place at a depressed South Korean box office with a market share barely a fifth that of chart leader “Suzume.” The Japanese animation film earned $4.46 million in its fourth week of release, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC). While that was a 26% week-on-week drop, its hold on the chart remained at over 60%. Since releasing on March 8, it has grossed $29.9 million, making it the second highest film of the year in Korea – behind another Japanese animation “The First Slam Dunk” on $35.1 million. “D&D” was the weekend’s top-placed new release and earned $958,000 for a 13% market share. Over the full five days since its opening on Wednesday, it achieved $1.36 million.

Rebecca Rubin Film and Media Reporter “Dungeons and Dragons: Honor Among Thieves,” an adaptation of the popular role-playing game, ignited at the international box office with $33 million from 60 markets. Paramount and eOne’s film also opened in North America with $38.5 million, bringing its global tally to $71 million. It’s a good start, especially considering Hollywood’s track record in adapting games for the big screen. But “Dungeons and Dragons” needs to keep playing in theaters to justify its $150 million price tag before marketing. Overseas audiences will be key to the success of “D&D.” The film, directed Jonathan Goldstein and John Francis Daley and starring Chris Pine and Regé-Jean Page, enjoyed the biggest start in China with $5 million, followed by the U.K. with $4.3 million, Mexico with $2.4 million, Australia with $2.4 million, and Germany with $2 million.

Bruce Nash, the average second weekend drop for films released since theaters reopened has risen to 57% compared to 51% prior to the pandemic. Even with a drop over 60%, “John Wick 4” is still set to become the highest grossing “Wick” film with a 10-day domestic total of $122.8 million — 20% ahead of the pace of “John Wick: Chapter 3” — and a global 10-day total of $245 million.

according to IMDB’s Box Office Mojo.The film, which stars Chris Pine, Michelle Rodriguez and Hugh Grant, is expected to enjoy a $40 million-dollar opening weekend, according to Deadline.It managed to dethrone last week’s top earner “John Wick: Chapter 4,” which earned $7.87 million. Due to the success of the fourth installment of the hitman thriller series, which was supposed to be the franchise’s last, the possibility of a fifth is being considered.

J. Kim Murphy Hark! “Dungeons & Dragons: Honor Among Thieves” looks to reach the top of box office charts in its opening weekend, besting the sophomore outing of “John Wick: Chapter 4.” “Honor Among Thieves” scored $15.3 million in its opening day, a figure that includes $5.6 million from Thursday screenings and specialty previews. Playing in 3,855 venues, the fantasy comedy is projecting a finish around $40 million, which would come in at the higher end of estimates heading into the weekend. That’s a solid figure for “Honor Among Thieves,” which Paramount has thrown support behind with a sweeping press tour and a premiere at the SXSW Film Festival. Along with the studio, Entertainment One (eOne) covered a good fraction of the production budget for the film, which totals about $150 million between the two banners. eOne is a subsidiary of Hasbro, which controls the “Dungeons & Dragons” intellectual property.

Rotten Tomatoes scores of 90% critics and 93% audience. But with a reported $150 million production budget before a marketing campaign that included a SXSW premiere, “Dungeons & Dragons” is still a very long way from ensuring theatrical profitability.

Saturday AM: Though Friday was $15.3M, Dungeons & Dragons: Honor Among Thieves is still looking at a $40M opening.

Paramount and Entertainment One’s “Dungeons and Dragons: Honor Among Thieves” got off to a promising start yesterday. The $150 million adaptation of the popular table-top role-playing game, which also opens overseas in 50 territories, earned $4.1 million via Thursday previews that began as early as 3:00 pm.