Korea Box Office: ‘Suzume’ Reigns for Fourth Weekend as ‘Dungeons & Dragons’ Makes Second Place Start

Patrick Frater Asia Bureau Chief Japanese animated film “The First Slam Dunk” has taken a strong early lead at the mainland China box office, picking up $13.8 million on its Thursday opening day. Films mostly release in China on Fridays, but the Japanese hit was given previews on Wednesday and a full court release on Thursday, starting with widespread midnight screenings. Data from local firm Ent Group reveals that the film earned $3.16 million from some 14,000 preview screenings on Wednesday, followed by $13.8 million on Thursday from 184,000 screening sessions. That gives it a $17 million cumulative and positions it at the top of the box office chart even before the conventional Friday to Sunday weekend begins.

Patrick Frater Asia Bureau Chief Jung Ho-seok, better known as J-Hope, Tuesday became the second member of K-pop sensation BTS to join the Korean military. Approaching his 30th birthday, J-Hope attended an army camp at Wongju, south of Seoul, and is expected to begin five weeks of basic training there. Local news agencies reported a small crowd of fans, seemingly outnumbered by assembled journalists, waited outside the camp to wish him well. Their number was reported to be diminished by bad weather. Earlier, J-Hope had posted on the Weverse fandom platform words of encouragement and a pair of photos revealing his newly-shorn hair. “I love you all. ARMY, I will return safely,” he wrote. ‘Army’ in that sense is a reference to BTS’s legion of fans, rather than the Korean military services.

Patrick Frater Asia Bureau Chief The battle for corporate dominance of K-Pop has become a drama that never stops giving. After the acrimonious takeover battle between BTS-backer Hybe Corp. and tech giant Kakao for control of SM Entertainment, Korea’s financial regulators are probing the deal-making that eventually led to Kakao’s victory. Korea’s Financial Supervisory Service raided the offices of SM Entertainment on Tuesday, according to the Yonhap news agency. Investigators were looking for evidence of stock price manipulation between February and March when the two camps were skirmishing.

Patrick Frater Asia Bureau Chief Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival. Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.

Universal Illumination’s “The Super Mario Bros. Movie” already broke the animation record for the largest second weekend ever earned at the box office, but after a better-than-expected Sunday, that weekend total has pushed even further to $92.5 million.

Patrick Frater Asia Bureau Chief Jackie Chan-starring nostalgic stuntman comedy film “Ride On” trotted to a second weekend atop the mainland Chinese box office. “The Super Mario” Bros. Movie” remained in fourth place. “Ride On” earned $6.0 million (RMB41.5 million) between Friday and Sunday, a 48% week-on week drop, according to data from consultancy Artisan Gateway. That took it to a $22.6 million total since release on April 7. Below it, Japanese animation “Suzume” and Chinese shaggy dog story “Hachiko” swapped places. “Hachiko,” on its third weekend outing, earned $4.9 million, for a cumulative of $35.1 million. “Suzume” earned $4.5 million in its fourth weekend on release in China, giving it a $109 million cumulative.

Patrick Frater Asia Bureau Chief “John Wick: Chapter 4” easily outgunned Japanese animation film Suzume to claim top spot at the South Korean box office over the latest weekend. The American action title earned $4.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a nearly 50% market share, continuing a polarization or clustering around a single title that has become familiar of late in Korea, a market that formerly had greater diversity and width. Over the five days since its Wednesday opening, “John Wick 4” earned $5.87 million.

There is absolutely no stopping “The Super Mario Bros. Movie.” At a time when many blockbusters in the post-shutdown box office are taking drops of over 60% in their second weekend, the Universal/Illumination animated film is dropping just 45% for an Illumination record $80 million in its second weekend.

Patrick Frater Asia Bureau Chief Is it time for South Korea’s TV drama series to move over and make way for Korean unscripted entertainment — namely game shows and reality shows? While 2003 drama series “Jewel in the Palace,” or the more recent “Crash Landing on You,” “Memories of the Alhambra,” “Mr. Queen,” “Love (ft. Marriage and Divorce)” and “Descendants of the Sun” have for years successfully tugged at emotional heartstrings across Asia, the unscripted category has equally long been a staple of Korean domestic TV. Korean variety shows have been a catch-all with multi-generational appeal. Talent contests have worked well in the home market, but often were too quirky — too much dialogue, or distracting titles flashing across the screen — which meant that they were best exported as formats rather than finished shows.

Patrick Frater Asia Bureau Chief South Korean actor Jung Chae-yul was found dead at her home on Tuesday. She was 26. The news of her death was confirmed by her agency Management S, without disclosing details of the circumstances. “Actress Chae-yul has left our side on April 11, 2023,” Management S, said in a statement on Tuesday. “We pray that Chae-yul, who has always been sincere about acting, is able to rest in peace in a warm place.” It added that, according to the wishes of her family, Jung will have a private funeral. Jung began her career as a model and appeared in 2016 fashion survival show “Devil’s Runway.” She transited into acting and appeared in 2018 Korean movie “Deep.”

Patrick Frater Asia Bureau Chief Competition reality TV format “Lego Masters” has been picked up by Tokyo Broadcasting System for adaptation in Japan. The deal is the 19th for the Banijay Rights-represented format and the third in Asia. Production is currently underway for the show, which will see pairs compete against each other to wow judges with inspiring designs and brick builds. “I am looking forward to working with Banijay Rights and not only learn about the production of the show, but also to closely examine the essence of creation behind it,” said Aso Kunihiro, producer, contents solution department at TBS in a prepared statement.

Patrick Frater Asia Bureau Chief A growing range of Thai, Japanese and Chinese-language films and TV shows are reaching global audiences – joining the by-now well-established international viewership for South Korean shows.Netflix’s Global Top 10 for the week April 3-10, sees made-for-streaming Korean title “Kill Boksoon” on top of the non-English-language films list, with 27.5 million hours watched in its second week of release. It is immediately followed by Thai film “Hunger,” about a young woman apprentice in an upmarket restaurant working under a tough boss. The film is directed by Sitisiri Mongkolsiri and stars “Bad Genius” breakout Chutimon Chuengcharoensukying.

Patrick Frater Asia Bureau Chief Japanese animation “Suzume” held on to top spot for a fifth consecutive weekend at the South Korean box office, as Korean-produced sports film “Rebound” proved to be misnamed. Arriving only in second place, “Rebound” failed to provide any bounce to the beleaguered cinema sector, leaving the weekend as the lowest scoring this year.

Rebecca Rubin Film and Media Reporter It’s-a blockbuster! “The Super Mario Bros. Movie,” an animated adventure based on the classic video game, crushed the competition with its jaw-dropping $204.6 million domestic and $377 million global debut over the long Easter weekend. Those results far exceeded expectations and even surpassed the starts of recent installments in Universal’s biggest franchises, like “Jurassic World Dominion” ($145 million domestically) and “Fast and Furious 9” ($70 million). So, expect a sequel to be announced faster than you can say “Let’s-a go!” “The box office just kept growing and growing,” marvels Jim Orr, Universal’s president of domestic distribution. “It’s a tremendous worldwide debut, and the movie has a clear runway.”

Patrick Frater Asia Bureau Chief The Jackie Chan-starring stunt-man comedy drama “Ride On” pratfalled its way to first place at the mainland Chinese box office with a lowball $11.7 million opening. Still, that was enough to beat another new release, “The Super Mario Bros. Movie,” which ranked fourth over the latest weekend. Chan is an enduring, but fading, star in China and in the past his new release titles were often scheduled for the three biggest holiday seasons. “Ride On,” which sees Chan in an ode to the stunt players he has worked with, was released two days after the Ching Ming (Wednesday 5 April) holiday, when many folks honor their ancestors. Its opening three days were enough to depose “Suzume” from the top spot, where “Suzume” had ranked for the previous two weekends. “Suzume” earned $8.0 million over the latest weekend in China, according to data from consultancy firm Artisan Gateway. That gives it a $103 million cumulative after 17 days in mainland theaters, a China record for a Japanese animation film.

according to IMDB’s Box Office Mojo. The film, which The Post called “lousy,” opened on Wednesday, ahead of the holiday weekend.

Patrick Frater Asia Bureau Chief The Far East Film Festival in Italy’s Udine will open with a double bill of He Shuming’s “Ajoomma” and Kai Ko’s “Bad Education.” It will close with Zhang Yimou’s blockbuster period epic “Full River Red.” In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29. Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”

Who says people don’t go to the movies? That stale cynicism coming out of the pandemic is about to get squashed this weekend as Illumination/Universal’s The Super Mario Bros Movie is about to run up a serious box office score. With a Wednesday opening before Easter around the world, inclusive of 70 offshore markets, the Nintendo co-production is looking ata $225 million-plus opening frame. Separated out, that’s $125M+ in U.S./Canada in 4,000 theaters over Wednesday through Sunday, and another $100M+ abroad.

Patrick Frater Asia Bureau Chief “Dungeons & Dragons: Honor Among Thieves” opened in fourth place at the mainland China box office with a muted $5 million haul. Top honors belonged to Japanese animation film “Suzume” for the second weekend. “Suzume” incurred a 55% week-on-week drop, falling from $49.6 million in its opening weekend, to $22.1 million in is second, according to data from consultancy Artisan Gateway. After ten days in Chinese theaters, “Suzume” now has a cumulative total of $80.6 million. Nevertheless, its lead at the top of the box office chart was unassailable. The weekend’s best-placed new release title was “Hachiko,” a Chinese retelling of the Japanese tale of a dog which faithfully waited at a station for its master years after his death. (The story was previously given a U.S. version with Richard Gere in the lead human role.) It earned $8.9 million (RMB61.2 million) in its opening weekend.

Patrick Frater Asia Bureau Chief Online story platform Wattpad and Thai media firm GMMTV have joined forces to adapt digital comic “My ID Is Gangnam Beauty!” for TV. The show will begin production this summer and be known as “Beauty Newbie” when it begins airing on GMMTV in early 2024. The adaptation will follow Liu, a young woman who feels the need to get plastic surgery, and Guy, who is seen as having a perfect face. The show asks whether, in a world that judges and criticizes based on appearance, romance can blossom between two people who see themselves so differently?  The underlying webtoon by Maenggi Ki has been viewed 1.4 billion times and has a significant following in Thailand, where Korean culture is popular and beauty pageants remain a mainstay of mass TV.