Box Office: ‘Demon Slayer’ Sequel Earns $1.8 Million in Thursday Previews

Sydney Sweeney got her turn as host of Saturday Night Live and was not afraid to address all the rumors surrounding her life.

J. Kim Murphy It’s a “Dune” boon for the box office. “Dune: Part Two” touched down with an impressive $32.1 million gross on opening day from 4,071 locations, a figure that also includes $12 million from Thursday evening and earlier event preview screenings.

FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets.

UPDATED FRIDAY AM, POST EXCLUSIVE: Legendary/Warner Bros Dune Part Two has now grown to $12M+ per Warners. That’s from 4,500 locations, and Imax alone delivered $4.5M of that number or 38%. Of that preview figure, $2M came from an Imax fan screening on Feb. 25. Audience reactions have hit Rotten Tomatoes and they’re at 95%, which is great. Denis Villeneuve’s first Dune saw 83% certified fresh from RT critics and 90% from RT audiences.

Jordan Moreau It’s finally time to return to Arrakis. Denis Villeneuve‘s “Dune: Part Two” has arrived, making a mighty $12 million in previews at the box office from more than 3,400 theaters. Big-screen Imax showings made up $4.5 million of that huge haul.

EXCLUSIVE: Welcome back to the cinema, everyone.

Rebecca Rubin Film and Media Reporter Ticket sales at the box office this weekend will be flowing as freely as spice on the desert planet of Arrakis. Director Denis Villeneuve‘s big-budget sequel “Dune: Part Two,” where “spice” is an all-powerful commodity, is targeting $70 million to $80 million in its opening weekend. Warner Bros., the studio behind the sci-fi epic, is conservatively projecting a $65 million start, though most box office prognosticators believe that revenues could near the $90 million mark.

Imax saw sales dip in the fourth quarter to $86 million from $98 million, in line with Wall Street forecasts, as the company focused on the full year and its accelerated global expansion. The stock in up in after-market trading.

The box office may still be doing its best to return to its pre-pandemic heights, but there continue to be encouraging signs all around. The latest is Yorgos Lanthimos’ “Poor Things” crossing $100 million at the global box office.

We’ve been waiting for this one for quite some time.

“Bob Marley: One Love” continues to exceed expectations by claiming the No. 1 spot at the box office, overcoming two debut films and Sony’s “Madame Web” that’s still producing subpar numbers.The Paramount film starring Kingsley Ben-Adir pulled in $13.5 million during its second week of release.The project, which was produced for about $70 million, already eclipsed that mark, grossing nearly $72 million domestically in North America.It’s an impressive achievement for the Reinaldo Marcus Green-directed Marley’s musical biopic that’s focused on the Rastafarian legend’s story during the making of his 1977 album “Exodus” while leading up to his impactful concert in his native Jamaica.“Some of his greatest hits came out nearly 50 years ago, but his music still resonates through this film,” said Paul Dergarabedian, senior media analyst for data firm Comscore.“One Love” drew nearly $2 million more than “Demon Slayer: Kimetsu No Yaiba – To the Hashira Training” which placed No.

Patrick Frater Asia Bureau Chief Occult drama-thriller “Exhuma,” dominated the South Korea box office in its opening weekend with a scarily good debut approaching $17 million. The film, about two shaman, a feng shui master and a mortician who attempt to undo the mysterious events happening to a U.S.-based Korean family, grabbed $14.5 million between Friday and Sunday, representing a 77% share of the overall box office market. Including the earnings since its Wednesday debut, the film earned $16.8 million in its full opening session, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Rebecca Rubin Film and Media Reporter Score one for true love! Sydney Sweeney and Glen Powell’s romantic comedy “Anyone But You” hit a notable box office milestone with $200 million globally. It stands as the highest-grossing romantic comedy in years, outperforming recent star-driven entries in the genre like Julia Roberts and George Clooney’s “Ticket to Paradise” ($168 million) and the Sandra Bullock-led “The Lost City” ($192 million). “Anyone But You” is the first rom-com in half a decade to cross $200 million, since 2018’s PG-13 “Crazy Rich Asians” ($239 million), and the first of the R-rated variety since 2016’s “Bridget Jones’s Baby” ($211 million).

Rebecca Rubin Film and Media Reporter Paramount’s musical biopic “Bob Marley: One Love” ruled again over a barren box office landscape. The film added $13.5 million from 3,925 North American theaters in its second weekend of release, a 53% decline from its debut. “One Love” has been a surprise box office success with $71.1 million domestically and $100 million globally.

according to IMDB’s Box Office Mojo.The action flick, based on a manga series, opened in theaters on Feb. 2.It managed to beat out “Bob Marley: One Love,” which moved down to second place this week with sales of $3.7 million.The biopic, based on the life of the famous Reggae singer-songwriter, has taken in over $100 million globally since its Valentine’s Day release.“Ordinary Angels,” starring Hilary Swank, landed in third with a $2.3 million-dollar take.The film, which Variety said “tugs at the heartstrings,” is based on a true story of a Kentucky hairdresser who helped a widower whose daughter needed a liver transplant during a blizzard.The suspense thriller “Madame Web,” which was in second place last week, fell to fourth, taking in $1.575 million.

J. Kim Murphy Paramount’s “Bob Marley: One Love” will retain its holding as the top film on domestic charts this weekend, besting a trio of new releases in the manga adaptation “Demon Slayer Kimetsu no Yaiba — To the Hashira Training,” the faith-based Hilary Swank drama “Ordinary Angels” and Ethan Coen’s lesbian crime caper “Drive-Away Dolls.” “One Love” added $3.7 million to its domestic haul on Friday, marking a modest 51% drop from its gross seven days ago. After opening on Valentine’s Day, the Bob Marley biopic has now earned a solid $61 millionacross its first 10 days in North American theaters.

FRIDAY EVENING: Paramount’s Bob Marley: One Love remains on uppers at the weekend box office with a $3.6M Friday, and a 3-day of $13.4M at 3,597 theaters, -53% which will get the Reinaldo Marcus Green directed title to $71M by Sunday. That’s a great piece of counterprogramming business in a struggling marketplace. Say what you will, S&P Global about putting Paramount Global on “credit watch negative,” but the film studio has a vibrant theatrical release schedule this year with Gladiator 2, Quiet Place: Day, If and Smile 2 to name a few.

Rebecca Rubin Film and Media Reporter Despite two new releases, Paramount’s Bob Marley biographical drama “One Love” is projected to top the box office again. This weekend’s newcomers, Hilary Swank’s inspirational drama “Ordinary Angels” and director Ethan Coen’s comedic thriller “Drive-Away Dolls,” are targeting single digits in their debuts. With those paltry ticket sales, “Bob Marley: One Love” looks to repeat No.

There will be more wide releases at the box office this weekend –three, in fact– but they’re not expected to make a dent before Legendary/Warner Bros.’ Dune: Part Two brings everybody back on March 1 with a hopeful $80M start.

according to IMDB’s Box Office Mojo.The biographical musical film, based on the life of the pioneer Reggae singer-songwriter, which stars Kingsley Ben-Adir, was released on Valentine’s Day. The film opened to a poor Rotten Tomatoes rating and some negative reviews, with The Guardian saying “the reggae superstar deserves a better film than this,” and RogertEbert.com calling it “a flattened biopic devoid of a perspective or originality.”In second place was the suspense thriller “Madame Web,” with $4.3 million in sales.