Bluey, Teenage Mutant Ninja Turtles, Indonesian Creators Among Highlights of Singapore Comic Con

Melissa Barrera is continuing to voice her support from Palestine, following her firing from Scream 7 due to social media posts she made regarding the Israel-Palestine conflict.

Adam Driver is officially a dad of two! And we are over-the-moon happy for the guy with this great news coming in a flash!!

Demon Slayer won’t have to wait long for the release of its upcoming fourth season.Demon Slayer: Kimetsu no Yaiba season four will follow the Hashira Training Arc, the anime’s X (formerly Twitter) account confirmed last night (December 10), and is set to premiere in Japan in Spring next year with an hour-long episode. A concrete release date for the series has yet to be announced.Demon Slayer: Kimetsu no Yaiba Hashira Training Arc TV series will be premiering in Spring 2024 with an Hour-Long Episode!#DemonSlayer pic.twitter.com/euEX9lv5ZI— Demon Slayer: Kimetsu no Yaiba (English) (@DemonSlayerUSA) December 10, 2023However, a number of Demon Slayer fans won’t have to wait until Spring to catch the first episode of the Hashira Training Arc as the upcoming Demon Slayer: Kimetsu no Yaiba – To the Hashira Training world tour kicks off in February across select countries.The world tour will screen the final episode of season three (the Swordsmith Village arc) and the first episode of the Hashira Training arc in cinemas this February in 4K and IMAX.

Naman Ramachandran The Singapore Film Commission (SFC) celebrated its 25th anniversary during the 34th Singapore International Film Festival (SGIFF) with a lavish party attended by the great and the good of the industry. Though the local box office for Singaporean films has yet to regain its pre-pandemic heights, they are doing well internationally with 2023 alone seeing selections at all the top festivals, including Sundance, Berlin, Cannes, Locarno, Busan and San Sebastian.

Naman Ramachandran One of the most popular events at the 34th Singapore International Film Festival (SGIFF) was a panorama event where six of the country’s leading indie film lights shared a panel to discuss opportunities and challenges. Opportunities are plentiful, with the festival world embracing Singaporean films and filmmakers warmly. Hong Kong-based Anthony Chen has had a stellar year with his directorial efforts “Drift” and “The Breaking Ice” which premiered at Sundance and Cannes, respectively.

Beginning as a simple two-hander in which a young working-class caretaker comes under the spell of his returning boss — a charismatic military man who has designs on getting into local politics — Makbul Mubarak’s debut film Autobiography soon develops into a tense psychological thriller about the way populist leaders groom and abuse their people. It works on its own terms, as a simple yet dark father-son allegory set within Indonesia’s military culture, but there’s a universality here that’s hard to miss.

Naman Ramachandran Singapore‘s Robot Playground Media (RPM) and Valencia-based co-producer TV ON Producciones (TOP) have commenced production on animated feature film “The Violinist,” it was revealed at the Asia TV Forum and Market. The film was unveiled at a presentation attended by the representatives of Singapore’s Infocomm Media Development Authority (IMDA) and the Spanish Embassy in Singapore.

Patrick Frater Asia Bureau Chief The Singapore Film Commission and the Taiwan Creative Content Agency (TAICCA) have agreed to back training and development program Emerge, which supports writers, directors and producers to develop Chinese-language original films. The announcement was unveiled on Friday within the context of the Asia Television Forum (ATF) in Singapore.

Naman Ramachandran Singapore’s MediaCorp and Taiwanese production company Mission International have signed a memorandum of understanding for content development at the Asia TV Forum and Market (ATF). Mission International is led by producer Angie Chai, best known for hit teen idol drama “Meteor Garden” and forming successful boyband F4.

Hollywood dealmaking is becoming more reliant on the international market. That’s the word from production execs from Universal International Studios, Fremantle, Anonymous Content and Studiocanal talking on an Asia TV Forum & Market panel in Singapore today. 

Naman Ramachandran Action comedy film “Baby Hero” was launched at Singapore’s Asia TV Forum and Market on Thursday. The film is a co-production between Singapore’s Hong Pictures and Bangkok-based Hollywood (Thailand). Principal photography will commence in the first quarter of 2024 with a view to releasing the film in 2025.

Naman Ramachandran Singapore‘s Mediacorp has begun introducing virtual sets into its scripted content, starting with two Chinese drama series, it was revealed during the ongoing Asia TV Forum & Market (ATF). “Strangers in the Dark” is about an outcast in school, who uses her vivid imagination to help solve various mysteries.

Patrick Frater Asia Bureau Chief Singapore is launching a new fund to support international coproduction of TV series. It will also expand government investment into virtual production (VP). The two moves were announced on Wednesday by senior minister of state for communications and information Tan Kiat How at the opening ceremony of the Asia Television Forum and Market (ATF).

Naman Ramachandran “Sunday,” which has its world premiere at the Singapore International Film Festival, marks the feature directorial debut of Sean Ng. Ng previously directed a few shorts and his producing credits include feature documentary “André and His Olive Tree” (2020), which was Taiwan’s highest-grossing documentary that year. “Sunday” was developed at TorinoFilmLab.

Naman Ramachandran Chai Yee-Wei’s “Wonderland” comes to the Singapore International Film Festival after debuting at the San Diego Asian Film Festival where it won the audience award. Chai’s credits include “Blood Ties” (2009), “Twisted” (2011) and “That Girl in Pinafore” (2013), which premiered at the Shanghai International Film Festival. “Wonderland” is his fifth feature.

Naman Ramachandran Shaun Neo’s feature debut “My Endless Numbered Days,” a study of urban alienation, has its world premiere at the Singapore International Film Festival. Neo’s directorial short debut “Happily Ever After” (2015) screened at the 26th SGIFF and was nominated for best screenplay at the National Youth Film Awards 2016. “My Endless Numbered Days” follows Mitsue who returns to Japan after the disillusionment of a work opportunity in Singapore.

Naman Ramachandran The consultation process for the upcoming Indian broadcasting bill that will regulate streaming will be “fair and independent,” the head of India‘s media regulatory body says. In September, the Telecom Regulatory Authority of India (TRAI) invited industry stakeholders for consultation on the formulation of a national broadcasting policy. In recent days there have been concerns that some streamers would oppose the bill on the grounds that it would impose restrictions on them.

Patrick Frater Asia Bureau Chief Webtoons, the vertical-scrolling iteration of digital comics that emerged some twenty years ago in Korea, along with the smartphone, are now a global medium. But they are only at the beginning of their global journey, says Charlie Park, CEO of Kakao Entertainment-owned Tapas. Park was speaking Tuesday at the Asia Television Forum in Singapore in a session moderated by industry consultant Jimmy Kim. Park explained that the webtoon segment was for several years a niche fan-driven activity with few opportunities for monetization.

Naman Ramachandran Singapore’s Infocomm Media Development Authority (IMDA) is teaming with AI Singapore and the Agency for Science, Technology and Research to launch the S$70 million ($52.3 million) National Multimodal LLM Program (NMLP). The initiative, funded by Singapore’s National Research Foundation, will develop the country’s research and engineering capabilities in multi-modal large language (LLM) models. It will help to plug a critical gap because current LLM models are heavily Western originated.

Patrick Frater Asia Bureau Chief Singapore actor and filmmaker Alaric Tay (“Zombiepura”), through his Very Tay Media company has joined forces with two Philippines companies Black Ops Studios Asia and PsyOps Studios to produce a slate of films aimed at international markets. The venture, that was facilitated by Hong Kong-based producer Mike Leeder, was announced on the eve of the Asia Television Forum (ATF) in Singapore. They aim to put together a combined slate across diverse genres, including action, sci-fi, horror and comedy and have suggested a timeline extending to the fourth quarter of 2026. The joint venture also includes partnerships with other Asian companies including Screen Ops (HK), Fly Entertainment, Causeway Media Productions and IAmCasting. “Singapore and the Philippines have the individual potential to execute projects with commercial appeal,” said Tay. “But by building stories together with like-minded visionaries beyond our own shores, we can elevate the types of projects that are being produced in our collective countries.” Tay was the star and executive producer of 2018 Singapore zombie movie “Zombiepura.” He was also co-producer and director of HBO Asia’s first comedy drama series “SeNT” and is best known for playing multiple characters on Mediacorp satirical series “The Noose.” Headed by director Pedring Lopez and producer Rex Lopez, Black Ops Studios Asia and PsyOps Studios focus on action films and series.