Berlin’s Mae West, Rosalind Russell and Carole Lombard Retro Delivers Sparkling Pics for Unsparkling Times

This Much I Know to Be True, the latest feature from Andrew Dominik which recently debuted at the Berlin Film Festival, has been set for a May theatrical release by Trafalgar Releasing.

EXCLUSIVE: IFC Films has set a July 8 stateside release date for Claire Denis’ Berlin Film Festival winner Fire, starring Juliette Binoche and Vincent Lindon.

Naman Ramachandran The Berlin Film Festival has called for peace over the situation in Ukraine, which is currently in a state of military conflict after Russian forces struck on Thursday morning.“We — festival workers, artists, filmmakers — think fondly of our friends in Ukraine and we are by their side in a call for peace,” the festival said in a statement issued on Thursday. “One week ago, the Berlin International Film Festival was celebrating a complicated yet successful edition.

Resembling more of a personal tribute than exhaustive biography, Pietro Marcello‘s Lucio Dalla documentary, “For Lucio,” takes its title as an invitation. A rambling eulogy that is just as often confusing as it is profound, Marcello’s wisp of a film (running less than 80 minutes) may be missing key context for those not already versed in the life and music of the politically-oriented Italian singer-songwriter.

Many of Hong Sang-soo’s films are structured around a woman’s solitary wanderings. The single ladies played by Kim Min-Hee in “On the Beach at Night Alone” or “The Woman Who Ran,” or Lee Hye-Young in “In Front of Your Face,” are free radicals, moving from encounter to encounter and disrupting the equilibrium of the people they meet, as meandering conversations reveal a friend’s dissatisfaction or a couple’s disagreement.

Gail Halvorsen was a United States Air Force pilot known as the “Candy Bomber” for dropping candy over Berlin from his airplane during the Berlin airlift in 1948.  Gail Halvorsen joined the Air Force as a pilot during World War II, serving as a transport pilot in the South Atlantic. After World War II, Berlin was divided into four sections occupied by the United States, France, England, and Russia.

Leaves rustle in the wind, sand swiftly lifted from the ground as it resumes its nomadic journey, taking from one place to give to another. Around it, all seems to be consumed by stillness, but, in the safety of this deceiving quietness, life bursts through settled roots to create anew.

Premiering in the Special Gala section of this year’s Berlinale, the latest film from Italian director Dario Argento is surprising in more ways than one. Rather than copy the style of the giallo films from the 1970s and 1980s that made him famous (“The Bird with the Crystal Plumage,” “Deep Red,” and “Suspiria,” to cite just a few), his “Dark Glasses” finds ingenious ways to retain the core of the giallo while adapting to our current times.

The Berlin International Film Festival confirmed today it has recorded 128 positive Covid cases from 10,938 tests taken at testing stations around fest hub Potsdamer Platz.

It sounds like the set-up to a French New Wave film: a French au pair falls in love with an Irish pickpocket leading to a whirlwind romance that changes both their lives. It might be twee, but Joan Verra (Isabelle Huppert) lived it, and on a long, rainy, nighttime drive reflects on the intense, yet fleeting relationship of her youth.

Sat in front of a computer, musician Nick Cave reads a few questions aloud. These are deeply existential musings sent in by people he has never met.

Ben Croll To follow-up his 2016 debut “Marija,” Swiss filmmaker Michael Koch set his sight skyward, fixing his vision on a remote Alpine farming community both untouched and victim to time. The filmmaker immersed himself in that world, working with village locals, collecting stories and living off the land, and would then channel those experiences into his sophomore feature.Now premiering in competition in Berlin, “A Piece of Sky” follows a taciturn farmhand, Marco (Simon Wisler), and a single mother, Anna (Michèle Brand), who find strength in each other as they build a life in the punishing Alpine range.

Despite her young age, Indian-born British actress Alia Bhatt has sustained herself as a leading lady in Hindi cinema for the past decade, racking up credits including Gully Boy, Raazi and Highway.

The streets outside her window are dripping with hope, and yet Élisabeth (Charlotte Gainsbourg) is lost. It is Paris, 1981, a new president has been elected, and Élisabeth’s husband has left, claiming the thrillingness of motion by moving in with a new girlfriend while his ex is left with the stagnance of remaining, the apartment where they’ve raised their children, Judith (Megan Northam) and Matthias (Quito Rayon-Richter), at once comfortingly familiar and dreadfully new.

Of all the unsolved mysteries in Claire Denis‘ new Berlin Competition film, the biggest may just be its U.S. retitling to a generic and not particularly representative “Fire.” The film’s English title in the rest of the world, “Both Sides of the Blade” — a line from the terrific Tindersticks track that ends the film —is not just cooler and more compelling.

Few directors are better equipped to make an interesting and entertaining film in the middle of a pandemic than Quentin Dupieux. Seemingly unperturbed by this “new normal,” the French filmmaker continues on his recent string of cost-effective but impactful films, each revolving around a simple but conceptually bold ‘what if’ scenario, with “Incredible But True,” premiering in the Special Gala section of this year’s Berlin International Film Festival.

Manori Ravindran International EditorMia Wasikowska will take on the lead role in “Little Joe” director Jessica Hausner’s cult thriller “Club Zero,” Variety can reveal.The Australian actor will portray an unusual schoolteacher in Hausner’s second English-language film, which begins shooting in the U.K. and Austria in July.Wasikowska was most recently seen in Mia Hansen-Løve’s Cannes-premiering film “Bergman Island.”In “Club Zero,” Wasikowska’s teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.Discussing the film at the Doha Film Institute’s Qumra event last year, Hausner described the film as “a lot about eating,” relating to eating disorders and “eating behaviors.” This will be Hausner’s sixth feature.

Demystifying and questioning the very notion of authenticity, Jason Kohn’s informative and oddly riveting, diamond-documentary “Nothing Lasts Forever” is ostensibly about the oft-antagonistic relationship between natural and synthetic diamonds. Yet, diamonds are an in-road as Kohn explores the commodification of such abstractions as love and desire, questioning how exactly a shiny rock — one that isn’t even that rare — became a physical manifestation of commitment.

“There’s nothing wishy-washing about working with Phyllis Nagy,” Elizabeth Banks tells Deadline of working with the Call Jane director. “She’s very gentle with her direction but she’s also firm with what she expects or wants out of something, which I really appreciate.”

Just as the Tiktok-ers and Instagrammites of the world had completed the mainstreaming of ASMR, master of the tactile Peter Strickland has returned to restore the unsettling, alien quality to sensation. In “Flux Gourmet,” his latest and most bizarre film — a hotly contested title he earns with this feverish stew of murdered turtles, torrid orgies, and heartrending fart-tending — texture is everything.