'Berlin Alexanderplatz' Leads German Film Awards With 11 Nominations

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The German Film and Television Academy Berlin (DFFB), one of Germany’s most prestigious film schools, has sacked its British director, Ben Gibson, following an incident during the Berlin Film Festival in which he exposed his backside to a female student during a heated argument.

By Tom Grater

A Jewish prisoner pretends to be Iranian to escape being shot and is then forced to teach Farsi, a language he doesn’t speak, to a Nazi superior inPersian Lessons, the new film from Ukrainian-born, Canada-based director Vadim Perelman (The House of Sand and Fog).

An impoverished laborer returns home one day to find that social services have taken his children, after the family’s increasingly dire circumstances push his wife to commit a desperate act. With a corrupt local administrator blocking the way to a fair hearing to get them back, the man decides to cross the country on foot in order to plead his case to the government in Belgrade.

A small but splendid Indian tale inspired by poems written by Lalleshwari, a 14th century woman mystic from Kashmir, as well as a Rajasthan folk story, Pushpendra Singh’s The Shepherdess and the Seven Songs(Laila aur satt geet) takes the viewer deep into the heart of northwest India, where a young nomadic bride plays with her desires and toys with the lust of a young ranger.

Overshadowed by a grisly, racially motivated shooting in western Germany and the growing pains of new festival leadership, this year’s Berlinale served to illuminate the market dynamics and global issues set to impact the international film and television industry in the run-up to Cannes — provided coronavirus stays away from the Croisette.

Lois Patino consolidates his reputation as a leading European exponent of poetic moving images with his second feature length effort, Red Moon Tide (Lua vermella). A challenging work which punctuates taxing stretches of austere stasis with interludes of sublime beauty — including a ravishingly spectacular underwater finale — it uses a slight fable of a story as framework for some extravagant sensory stimulations.

Arriving between Pawel Pawlikowsi's Cold War and Limonov — the award garlanded second and eagerly anticipated third segments of the boxy-monochrome trilogy begun with Oscar winner Ida — Ivan Ostrochovsky's steely drama Servants somewhat bravely adopts a very similar approach in terms of style and editing.

Iranian auteur Mohammad Rasoulof, whose sixth feature “There is no Evil” won the Berlin Film Festival’s Golden Bear on Saturday, is one of his country’s most prominent directors even though none of his films have screened in Iran where they are banned. In 2011, the year he won two prizes at Cannes with his censorship-themed “Goodbye,” Rasoulof was sentenced with fellow director Jafar Panahi to six years in prison and a 20-year ban on filmmaking for alleged anti-regime propaganda.

Dissident Iranian director Mohammad Rasoulof won the top prize at the Berlin film festival for There Is No Evil, a searingly critical work about the death penalty in Iran. Rasoulof, 48, is currently banned from leaving Iran and was unable to accept the Golden Bear in person.

BERLIN (Reuters) - A drama film shot in secret to evade government censorship that highlights the moral dilemmas faced by those caught in the web of Iran’s capital punishment machine won the Berlin Film Festival’s Golden Bear award on Saturday.

Dissident Iranian director Mohammad Rasoulof won the top prize at the Berlin film festival for There Is No Evil, a searingly critical work about the death penalty in Iran. Rasoulof, 48, is currently banned from leaving Iran and was unable to accept the Golden Bear in person.

Dissident Iranian director Mohammad Rasoulof won the top prize at the Berlin film festival for There Is No Evil, a searingly critical work about the death penalty in Iran. Rasoulof, 48, is currently banned from leaving Iran and was unable to accept the Golden Bear in person.

Dissident Iranian director Mohammad Rasoulof won the top prize at the Berlin film festival for There Is No Evil, a searingly critical work about the death penalty in Iran. Rasoulof, 48, is currently banned from leaving Iran and was unable to accept the Golden Bear in person.

Iranian director Mohammad Rasoulof’s drama “There Is No Evil” took home the top Golden Bear prize at the 2020  Berlin Film Festival.

It’s a brave young director who has the gumption to revisit Alfred Doblin’s 1929 Weimar Republic classic Berlin Alexanderplatz. A 1931 film version directed by Piel Jutzi was notably followed by Rainer W.

In the moody French policier Night Shift (Police), three officers are tasked with escorting an illegal immigrant to Charles de Gaulle airport, where he will be forced onto a plane and sent back to his homeland. According to statistics, this is something that happens all too frequently in France, where nearly 24,000 people were deported last year alone.

Director Burhan Qubani has always lived between two worlds. The son of Afghan refugees, Qubani was born in 1980 in the small town of Erkelenz in western Germany and grew up Muslim in a deeply Catholic society.

By Nancy Tartaglione