‘Barbie’ & ‘Oppenheimer’ Box Office Mania Begins: Doll Eyes Around $20M, Nolan Epic $9M In Previews

Barbie at the global box office. That's a whole lotta dream houses. , starring and , previously became the biggest blockbuster of the summer on Wednesday, when it surpassed 's Guardians of the Galaxy Vol.

Barbie has hit the $1billion dollar mark at the global box office, just two weeks after its release.Greta Gerwig‘s film is the 53rd movie of all time to hit the milestone, and the first ever to be solely directed by a woman.The dual release of Barbie and Oppenheimer on July 21 led to a sizeable uptick in UK box office numbers last month.On the films’ first weekend, Gerwig’s comedy brought in $110million (£86.6million) at the US box office, over twice the expected takings of Christopher Nolan’s biopic about the creator of the atomic bomb.Barbie is currently the third-highest grossing film of 2023, behind The Super Mario Bros. Movie and Guardians Of The Galaxy Vol.

Rebecca Rubin Film and Media Reporter “Barbie” towered over the box office for the third consecutive weekend, taking down newcomers “Teenage Mutant Ninja Turtles: Mutant Mayhem” and “Meg 2: The Trench.” Grega Gerwig’s fantasy comedy added a remarkable $52 million in its third weekend of release, a decline of just 43% from its prior frame. “Barbie” has generated $459 million in North America and will imminently cross the $1 billion mark globally. Christopher Nolan’s “Oppenheimer,” too, stayed strong in its third outing with $28.7 million, dropping only 39% from last weekend and bringing domestic ticket sales to $228 million.

Brent Lang Executive Editor “Meg 2: The Trench” sunk its pearly whites into $3.2 million in Thursday previews, as the followup to the 2018 Jason Statham hit is hoping to premiere to $30 million. Critics have feasted on the film, giving it a dreadful 28% “rotten” rating on Rotten Tomatoes, but the pulverizing reviews may not have much impact on audiences who don’t turn up to these type of movies out of a desire to see a pioneering work of cinema. Instead, they’ll get a chance to witness a 75-foot-long megalodon, and other sea creatures who prefer human flesh to plankton, make short work of a group of scientists.

Rebecca Rubin Film and Media Reporter Leonardo, Donatello, Raphael and Michelangelo are facing off against Barbie and Ken at the box office. Paramount’s animated adventure “Teenage Mutant Ninja Turtles: Mutant Mayhem” is projected to pick up $35 million to $45 million in its first five days of release. But those ticket sales won’t be enough to dethrone “Barbie,” which is expected to top the box office for a third weekend in a row.

The Barbenheimer hype continues.

Rebecca Rubin Film and Media Reporter It’s a “Barbenheimer” world, and we’re just living in it. The collective force of “Barbie” and “Oppenheimer” continued to rule the box office in their second weekends of release, providing another needed jolt as two Hollywood strikes threaten the fragile exhibition industry. Greta Gerwig’s cotton candy-colored fantasy comedy again led the way, adding a massive $93 million between Friday and Sunday.

according to IMDB’s Box Office Mojo.The Greta Gerwig-directed flick, which opened on July 21, made more than $200 million at the domestic box office in its first five days in theaters, according to Forbes. The film The Post called “lousy” beat out “Oppenheimer,” which debuted on the same day, for the second week in a row.

EXCLUSIVE: The UK box office is booming thanks to Barbenheimer.

The ‘Barbenheimer’ reign has no end in sight!

Rebecca Rubin Film and Media Reporter “Barbenheimer” fever continues to sweep the box office. After five days of release, the inextricably linked “Barbie” and “Oppenheimer” have reached notable theatrical milestones, with ticket sales for Greta Gerwig’s fantasia romp crossing $200 million and Christopher Nolan’s somber, three-hour biopic “Oppenheimer” surpassing $100 million. “Barbie” added another $26 million on Tuesday, bringing its North American tally to $214.1 million.

After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through yesterday is $226.3M, bringing the global Kenergy to $414.4M.

Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M.

Moviegoers were thinking pink this weekend!

, Greta Gerwig's movie exceeded box-office expectations and outsold Christopher Nolan's . The trade publication projects that Barbie opened with $155 million — and is one of the biggest opening weekends of the year. With the global numbers, — starring Margot Robbie and Ryan Gosling — capped out at $337 million. It wasn't a bad weekend for Nolan's historic drama, starring Emily Blunt, Matt Damon and Cillian Murphy.

Barbie‘s historic opening weekend at the box office proves we’re all living in Barbieland.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

Rebecca Rubin Film and Media Reporter “Barbenheimer” is more than just a meme. It’s a full-fledged box office phenomenon. Over the weekend, moviegoers turned out in force for Greta Gerwig’s neon-coated fantasy comedy “Barbie,” which smashed expectations with $155 million to land the biggest debut of the year. But they also showed up to see Christopher Nolan’s R-rated historical drama “Oppenheimer,” which collected a remarkable $80.5 million in its opening weekend. Hundreds of thousands of ticket buyers refused to choose between the seemingly different blockbusters with twin release dates. So they opted to attend same-day viewings of “Barbie” and “Oppenheimer,” turning the box office battle into a double feature for the ages. The craze known as “Barbenheimer” worked together to fuel the biggest collective box office weekend of the pandemic era, as well as the fourth-biggest overall weekend in history. It’s worth noting the top three weekends were led by the debuts of sequels in massive franchises, “Avengers: Endgame,” “Avengers: Infinity War” and “Star Wars: The Force Awakens.”

The Barbenheimer numbers are in!

panned as a “self-absorbed and overwrought disappointment,” brought in $22.2 million in preview ticket sales on Thursday, followed by another $48.2 million with its Friday premiere on more than 4,200 screens, according to IMDB’s Box Office Mojo.Director Christopher Nolan’s biopic “Oppenheimer,” which delves into the life of the developer of the atom bomb, exploded into the number two spot, raking in $33 million in opening day sales, including $10.5 million from Thursday previews.  The historical drama, starring Cillian Murphy as scientist J.