‘Bad Boys: Ride Or Die’ Directors Adil El Arbi & Bilall Fallah On Fourthquel’s Fast Track & Lessons Learned From ‘Batgirl’ – Crew Call Podcast

In this week’s episode of The Discourse, host Mike DeAngelo goes on a joyride with one of the stars of “The Bikeriders.” The film follows the members of a Chicago-area biker gang from their innocent inception in the 1960s to their descent into a darker underworld.

Angelique Jackson Following the franchise-topping $426 million success of “Bad Boys for Life” was going to be a tough task for any director. Fortunately, “Bad Boys: Ride or Die” has two — the Belgian directing duo Adil El Arbi and Bilall Fallah, collectively billed as Adil & Bilall. In this fourth installment, Adil & Bilall send Miami PD detectives Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence) on the run, framed for crimes they didn’t commit.

EXCLUSIVE: On the heels of box office success for Bad Boys: Ride or Die, Canadian actor Alexander Ludwig has signed with Gersh for representation in all areas.

Oscar-winning filmmaker Asif Kapadia has revealed that he uses the skillset he previously perfected making commercials to get his feature-length projects across the line.

K.J. Yossman Despite its title, “How to Rob a Bank” is not an instructional video on how to commit crime. Instead, as its co-director Stephen Robert Morse tells Variety, it’s a documentary about “the consequences of crime.” The doc, which dropped on Netflix last week, focuses on a prolific ‘90s Seattle bank robber called Scott Scurlock, whom the FBI soon nicknamed Hollywood due to his penchant for elaborate disguises.

Before Marvel movies would fill slots on a schedule, Jerry Bruckheimer productions did, and still do.

Will Smith’s latest movie Bad Boys: Ride Or Die has been a box office success in its opening weekend.The fourth instalment in the buddy cop action franchise Bad Boys, and sequel to 2020’s Bad Boys For Life, arrived in US theatres on June 6.Reuniting Smith and Martin Lawrence, and marking Smith’s second return to the silver screen following the infamous Oscars slap incident in 2022, the film was positively received.Alongside generally favourable reviews, the film amassed $56million at the domestic box office, and $104.6million globally. However, in a two-star review, NME criticised the film’s subplots, writing: “As the film’s title hints, Marcus also has a bizarre thing where he believes he can’t die … Needless to say, this irritating idea resurfaces time and again, to diminishing returns.”Compared with other major releases this summer, the film, which also stars Eric Dane and Vanessa Hudgens, was a close second to Kingdom Of The Planet Of The Apes in its domestic launch, which garnered an impressive $58million.Ride Or Die, which had a budget of $100million also had a successful opening weekend globally, collecting $19.3million in Europe, and reportedly setting franchise records in the Middle East and Latin America, according to The Hollywood Reporter.The first film in the Bad Boys franchise was released in 1995, and featured Lawrence and Smith as Miami narcotics detectives Mike Lowrey and Marcus Burnett.

Patrick Frater Asia Bureau Chief “Bad Boys: Ride or Die,” a hit in multiple other markets worldwide, crashed on its first lap at the South Korean box office. It failed to make even $1 million in on its opening weekend. Instead, “Wonderland,” a sci-fi fantasy about Artificial Intelligence, took the top spot over the weekend.

Will Smith clearly still has some Ride or Die fans!

In the war on streaming, Will Smith is doing his part to get butts back in theater seats.

opened with an estimated $56 million in theaters over the weekend, handing Hollywood a much-needed summer hit and Smith his biggest success since he slapped Chris Rock at the Academy Awards.Expectations were all over the map for “Ride or Die” given the dismal moviegoing market thus far this summer and Smith’s less certain box-office clout. In the end, though, the Sony Pictures release came in very close to, or slightly above, its tracking forecast.“Ride or Die,” produced by Jerry Bruckheimer and directed by Adil El Arbi and Bilall Fallah, is Smith’s first theatrical test since his 2022 slap of Rock earned him a 10-year Oscar ban.

Bad Boys: Ride or Die is riding high!

Rebecca Rubin Senior Film and Media Reporter Turns out, Bad Boys are good for ticket sales. Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut.

Rebecca Rubin Senior Film and Media Reporter “Bad Boys: Ride or Die” surpassed the $100 million mark globally in its first weekend of release. The fourth installment in Sony’s buddy cop comedy series, starring Will Smith and Martin Lawrence, has collected $104.6 million, including $48.6 million at the international box office. Moviegoers have embraced Smith’s first major film since he assaulted Chris Rock on stage at the 2022 Oscars, though it helped that he returned to theaters with a franchise that has endured over 30 years.

Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.

Will Smith is giving fans a big surprise!

The Numbers reported.The action comedy, which The Post called “mediocre,” is slated to bring in a total of $53 million this weekend, according to Variety.The sum pales in comparison to its predecessor, 2020’s “Bad Boys for Life,”which enjoyed a $62.5 million opening domestically, as per The Hollywood Reporter. “Bad Boys: Ride or Die” marks Smith’s first film since he slapped Chris Rock at the 2002 Oscars, and The Post said the actor was “completely dead behind the eyes,” in the flick.The supernatural horror “The Watchers,” starring Dakota Fanning, landed in second, with earnings of $2.9 million.The film, which was adapted from a 2022 novel by A.M.

J. Kim Murphy The boys are back in town. Sony and Columbia’s “Bad Boys: Ride or Die” got off to a solid start at the box office with $21.6 millionfrom 3,885 locations across Friday and preview screenings.

Will Smith and Martin Lawrence return for the fourth Bad Boys film, Bad Boys: Ride Or Die.Directed by duo Adil & Bilall, who helmed the previous instalment Bad Boys For Life, this latest entry sees detectives Mike and Marcus become fugitives as they try to solve a case of corruption within the Miami PD.Vanessa Hudgens, Joe Pantoliano, Alexander Ludwig and DJ Khaled all reprise their roles from the previous film, while new cast additions include Eric Dane, Ioan Gruffudd, Rhea Seehorn, Melanie Liburd and Tiffany Haddish.The film’s score is by Scottish composer Lorne Balfe, who previously worked with directors Adil & Bilall on Bad Boys For Life.His other credits include Mission: Impossible – Fallout, Black Widow, The Lego Batman Movie, along with video games like Assassin’s Creed 3 and Call Of Duty: Modern Warfare 2.Bad Boys: Ride Or Die also features original track ‘TONIGHT’ by the Black Eyed Peas & El Alfa, along with other songs by various artists.You can check out the tracklist for the soundtrack album below.‘TONIGHT’ – Black Eyed Peas & El Alfa feat. Becky G‘Lights Out’ – BIA & JID‘Mike T’ – ScarLip‘OH NO’ – BIA‘DUH!’ – Flo Milli‘Bam Bam’ – Shenseea & Myke Towers‘Brand New’ – 21 Lil Harold‘Flores Pa Ti’ – Becky G, Luisa Sonza & Papatinho‘Light Em Up’ – Will Smith & Sean Paul‘Bad Boys’ – Sean Paul & Trueno

Owen Gleiberman Chief Film Critic If there are five ages of man, maybe there are four ages of “Bad Boys.” There’s the early age — the original “Bad Boys” came out in 1995 — of youthful effrontery: zappy, flashy, mouthy, decadent. There’s the age when the heroes start to say, “We’re too old for this shit!” There’s the age when they’re too old to even be saying that.