The Match Factory has locked multi-territory deals on Berlinale titles Architecton by Victor Kossakovsky and Dying by Matthias Glasner, which picked up the festival’s Silver Bear for Best Screenplay.
20.02.2024 - 06:05 / variety.com
Holly Jones Simmering teen angst meets social awareness in “Red Flags,” an Atresplayer Original created by award-winning author and playwright Nando López, whose novel “The Age of Anger” was previously adapted for television by Lucía Carballal (“Locked Up”) and backed by The Mediapro Studio (“The Head”) and Atresmedia TV (“Money Heist”). The project features within the second annual Next From Spain Sessions part of the Berlin Film Festival’s Berlinale Series Market, providing a first look at anticipated Spanish-language programming from industry heavy hitters that include the series producers Atresmedia TV and Zeta Studios.
“’Red Flags’” is a teen drama that portrays with honesty, and without taboos or paternalism, the emotional life of Generation Z,” Miguel García Sánchez, sales director at Atresmedia, told Variety. “The series fearlessly explores the everyday realities of four friends, delving into their experiences of loneliness, interpersonal interactions and their strong fellowship created through social networks,” he continued. Distributed by Atresmedia TV International Sales, García Sánchez notes that “Red Flags” “is already generating significant interest thanks to the direct and natural way it addresses these themes.” The eight-episode drama kicks off as adolescent firebrand Erika (Mar Isern) unwittingly provokes a wave of introspection after an uncut video of her Rubenesque body goes viral.
The Match Factory has locked multi-territory deals on Berlinale titles Architecton by Victor Kossakovsky and Dying by Matthias Glasner, which picked up the festival’s Silver Bear for Best Screenplay.
A high-politicized edition of the Berlin Film Festival ended Saturday, but divisions surrounding political messaging during the festival appear to be ongoing.
Good afternoon Insiders, Max Goldbart here steering you away from Berlin and towards London for the Screenings. Please do read on, and sign up here.
Guy Lodge Film Critic With the possible exception of “Tora! Tora! Tora!,” any film with an exclamation point in the title should by rights be a spangly, full-scale musical. A frothy tale of warring classical music sensibilities in a Venetian girls’ refuge, “Gloria!” stops short of complete commitment to that rule — but it’s when it fully suspends reality for all-singing, all-stamping choral ecstasy that Margherita Vicario‘s uneven debut is most exciting.
Rocco Siffredi claims that after making roughly 1,400 hardcore films — with titles like “The Ass Collector” and “Rocco’s Perfect Slaves” — over the past four decades, he has finally found “the peace of his senses.” “I could crack a bad joke and say I can’t get it up anymore,” says Siffredi, 59, speaking on a video call from the Budapest office of his Rocco Siffredi Production company, which houses the Siffredi Hard Academy, touted as the world’s first “university of porn.” “But that’s not the case. Quite the contrary,” the hardworking “Italian Stallion” hastens to add. I’ve asked Siffredi about being — or having notoriously been — a sex addict.
Hillary Clinton and Sharon Stone shared the stage at the annual Cinema for Peace funder raiser in Berlin on Monday night with the latter presenting the former U.S. secretary of state with the NGO’s Cinema for Peace Award.
Lissy (Corinna Harfouch) is huddled on the floor in her nightgown, trying to ring her son. Her legs and nightgown are smeared brown with her regular nightly incontinence, but it is her husband who worries her: Gerd (Hans-Uwe Bauer) has wandered outside again, not sure where he is and wearing no pants. Her neighbor is at the door, insisting on being helpful, while Lissy just wants her to cut short this humiliation; has she spotted that even the phone is now daubed with excrement?
Christopher Vourlias Oscar nominee Abderrahmane Sissako (“Timbuktu”) returns to the screen for the first time in nearly a decade with his latest feature, “Black Tea,” a lushly lensed romantic drama about a love spanning cultural divides that world premieres Feb. 21 in competition at the Berlin Film Festival.
A group of pro-Palestinian supporters staged a protest against Israel’s ongoing military action in the Gaza Strip in the main Marius Gropius Bau venue of the Berlin Film Festival European Film Market on Sunday.
Christopher Vourlias Greek filmmaker Yorgos Zois, who’s set to bow his sophomore feature, “Arcadia,” in the competitive Encounters strand of the Berlin Film Festival Feb. 18, is developing his first TV series. “Play” follows a lone cinephile who joins a mysterious group of strangers that reenact scenes from movies in real life.
Lena Dunham and Stephen Fry joined filmmaker Julia von Heinz for a press conference for new tragic comedy Treasure, which debuts this weekend in the Special Gala section at the Berlin Film Festival.
Something eerie is afoot in the small Irish town of Wexford, where coal merchant Bill Furlong (Cillian Murphy) raises five young daughters alongside his wife, Eileen (Eileen Walsh). It’s Christmastime 1985, the busiest time of the year for the Furlong family business, but Bill is not feeling like himself.
Ellise Shafer When Lena Dunham first read the script for Julia von Heinz’s “Treasure,” it hit home. The “Girls” creator’s grandmother had just died at 96, and Dunham found herself thinking a lot about her heritage. “Treasure,” based on the 1999 novel “Too Many Men” by Lily Brett, follows Ruth (Dunham), a journalist who travels to Poland with her Holocaust survivor father (Stephen Fry) to confront their family’s tragic past.
Nick Vivarelli International Correspondent Gael García Bernal and Renate Reinsve (“The Worst Person in the World”) star as lovers caught in an unusual bind in Italian director Piero Messina’s unconventional sci-fi film “Another End,” which is competing in Berlin. Set in a near-future when a new technology exists that can put the consciousness of a dead person back into a living body in an attempt to ease the grief of separation, the English-language film sees Bernal play Sal, a man who loses his wife. Reinsve plays Zoe, the woman who rents her body for the implantation of Bernal’s wife’s consciousness.
Labyrinthine corridors connect the sprawling worlds within The Grill, a traditional eatery by the hustle and bustle of Times Square in “La Cocina.” Open one door, and you are in the kitchen, a boiler room of rage and frustration tamed only by the often frail bonds of camaraderie; turn a corner, and you’re spat straight onto the busy restaurant floor, where waitresses in matching outfits move like a ballet between tables occupied with birthday boys and men as foreign to politeness as hawks are to the sea.
EXCLUSIVE: Jaime Camil (Jane the Virgin, Schmigadoon!) has joined the cast of NBC‘s Lopez vs. Lopez for Season 2 in a recurring role that highlights both his acting and musical skills.
Ellise Shafer Directors Maryam Moghaddam and Behtash Sanaeeh were banned by Iranian authorities from traveling to this year’s Berlin Film Festival, where their film “My Favourite Cake” is premiering in competition. At the film’s press conference on Friday morning, actors Lily Farhadpour and Esmail Mehrabi delivered a powerful message from the directors in the form of a letter as a photo of the two was propped up besides their empty seats. “Today, a film which we have spent three years of our lives making will be shown here, unfortunately, without our presence.
The Berlin Film Festival officially kicked off this evening with an eventful opening ceremony at the Berlinale Palast theater in the German capital.
Nick Vivarelli International Correspondent Iranian director duo Maryam Moghaddam and Behtash Sanaeeha were recently banned by Iranian authorities from traveling to this year’s Berlin Film Festival, where their drama “My Favourite Cake” is premiering in competition. The film is about a 70-year-old woman named Mahin who has been living alone in Tehran ever since her husband died and her daughter left for Europe. Suddenly an incident prompts Mahin to break her solitary routine and revitalize her love life.
Nick Vivarelli International Correspondent Italy’s Fandango Sales has taken global distribution rights outside Italy to Carlo Sironi’s coming-of-age drama “My Summer With Irène,” which will premiere in the Berlin Film Festival‘s Generation section. Sironi, whose first feature “Sole” made a splash on the international fest circuit, is back with this relationship drama starring rising French indie star Noée Abita (“Slalom”) and Maria Camilla Barandenburg (“Slam Italia”) playing two 17-year-olds named Clara and Irène who both have health issues.