Asia Films, Series Take Bigger Share in Netflix’s Global Top Ten Rankings

Patrick Frater Asia Bureau Chief The Argentina-Chile coproduction “The Punishment,” directed by Matias Bize, was named best feature over the weekend at the close of the Beijing International Film Festival. Mexico’s Lila Avilés won the Tiantan Award for best director for her film “Totem.” Antonia Zegers and Line Renaud shared the best actress award for “The Punishment” and “Driving Madeleine,” respectively. The best actor award went to Xin Baiqing for Chinese movie “The Shadowless Tower.” The film, which premiered in February in Berlin, was the numerical winner. With the best screenplay, music, cinematography and artistic contribution awards, it won a total of five prizes.

Patrick Frater Asia Bureau Chief Toho, Japan’s most powerful movie studio, is launching a production services offshoot intended to assist and grow foreign film and TV shoots in the country.Toho Tombo Pictures is a joint venture with Japan-based producer Georgina Pope, who has worked with the top entertainment companies around the globe for more than 30 years. The new company will be headed by Shimada Mitsuru, who currently serves as president of Toho Studios, as representative director of Toho Tombo Pictures. Pope, Ueda Koji and Toho Studios executive Sudo Tetsushi will serve as directors. Ueda is GM of international business of Toho and VP of U.S. subsidiary, Toho International, Inc.

Patrick Frater Asia Bureau Chief The Cannes Market has hitched up with the Ties That Bind and Focus Asia organizations to launch Spotlight Asia, a new industry support structure. Debuting during this year’s Cannes film festival, the program aims to foster greater film collaboration between Asia and Europe. Spotlight Asia will take the form of a series of round table discussions, short presentations and networking events between May 16-24. They will cover genres ranging from fiction to animation. The collaborative events will especially focus on the tools that potential co-producers from Europe and Asia need to equip themselves with in order to navigate the different forms of cooperative working, ranging from introducing existing funding opportunities to helping navigate each country’s specific laws and production functionalities.

Patrick Frater Asia Bureau Chief Global streaming giant Netflix has publicly committed to spending $2.5 billion (approx. KRW3.34 trillion) on South Korean film and TV production over the next four years. The total is double the amount it has spent in Korea since 2016, the company said. The promise was made by Ted Sarandos, co-CEO of Netflix, at a meeting in Washington DC with South Korean President Yoon Suk Yeol. “We were able to make this decision because we have great confidence that the Korean creative industry will continue to tell great stories. We were also inspired by the President’s love and strong support for the Korean entertainment industry and fueling the Korean wave. I’d like to personally thank the President for his kind response letter,” Sarandos said in a statement.

Patrick Frater Asia Bureau Chief Director Stanley Tong (“Rumble in the Bronx”) is to team up with Jackie Chan for the tenth time on “The Legend.” State media in China report that Chan, who recently reached the top spot in the mainland Chinese box office with aged stuntman comedy “Ride On,” will play an archaeologist on a quest through time and space. With production by Bona Film Group, “The Legend” is pitched as being in the same vein as Tong and Chan’s 2005 effort “The Myth,” which was a fantasy love story. Tong and Chan have worked together on other titles including “Police Story 3,” “Supercop” and “Vanguard.” India’s Jio Studios is backing “Khashaba,” a Marathi-language film on the life of India’s first Olympic medalist Khasaba Dadasaheb. After delivering the sleeper hit Sairat and Fandry, the new film will be directed by Nagraj Manjule. The title is considered as part of Jio Studio’s ambition to deliver more than 100 stories this year. With production to begin shortly, the film will be mounted on a large scale. “Along with entertaining the audience, this film will also introduce the audience to a brave and exceptional athlete who made India proud all over the world,” said Manjule. “Khashaba” will be presented by JioStudios and produced by Aatpat Production, Jyoti Deshpande and Manjule.

Patrick Frater Asia Bureau Chief The Indian Film Festival of Los Angeles is expanding its efforts to engage the industry side of the business and in June will host its inaugural IFFLA Industry Day. The festival was founded in 2002 and, now in its third decade of operation, has pivoted to a strategy of year-round programming and events. The center piece of the IFFLA Industry Day will be a pitch competition that involves selected emerging and established film and TV writers and directors who pitch their upcoming project to a panel of executives from different sectors of the industry. The executives and a live public audience will provide feedback and heighten the sense of discovery. The winner will receive a $10,000 development grant.

Patrick Frater Asia Bureau Chief The Sydney Film Festival will present ‘Jane Campion – Her Way,’ a retrospective of films by the pioneering director. Campion herself will appear in conversation with David Stratton on June 10 at the 2023 edition of the festival, its 70th anniversary presentation (June 7-18). Held in association with ACMI and the National Film and Sound Archive, ‘Jane Campion – Her Way’ will encompass screenings of all nine of Campion’s feature films, as well as a selection of her short films. The selection will go on to tour the ACMI in Melbourne (June 15 – July 2) and at NFSA in Canberra (July 20-30). “For our 70th edition, we wanted to present a retrospective commensurate with the milestone, reflecting the audacious and boundary pushing filmmaking synonymous with our festival and region. Campion is a ground-breaking filmmaker who has made a profound impact on cinema with her daring and unforgettable films,” said Sydney Film Festival director Nashen Moodley.

Patrick Frater Asia Bureau Chief Leading indie sales agent Finecut has picked up international rights to “In Our Day” by idiosyncratic South Korean director Hong Sang-soo. The film is set as the closing title of the Directors’ Fortnight sidebar of the Cannes festival. Hong, who works on low budgets, controls much of the production process and makes repeated use of a small pool of actors, is one of the most prolific feature directors in the world. This is already his second feature this year. His earlier, “In Water” played in the Encounters section at Berlin in February His films are known for their minimalist style, a focus on female characters, serial chance encounters and oblique references to the media industry. On paper, “In Our Day” fits exactly in that groove.

Patrick Frater Asia Bureau Chief “John Wick: Chapter 4” easily outgunned Japanese animation film Suzume to claim top spot at the South Korean box office over the latest weekend. The American action title earned $4.05 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a nearly 50% market share, continuing a polarization or clustering around a single title that has become familiar of late in Korea, a market that formerly had greater diversity and width. Over the five days since its Wednesday opening, “John Wick 4” earned $5.87 million.

Patrick Frater Asia Bureau Chief Is it time for South Korea’s TV drama series to move over and make way for Korean unscripted entertainment — namely game shows and reality shows? While 2003 drama series “Jewel in the Palace,” or the more recent “Crash Landing on You,” “Memories of the Alhambra,” “Mr. Queen,” “Love (ft. Marriage and Divorce)” and “Descendants of the Sun” have for years successfully tugged at emotional heartstrings across Asia, the unscripted category has equally long been a staple of Korean domestic TV. Korean variety shows have been a catch-all with multi-generational appeal. Talent contests have worked well in the home market, but often were too quirky — too much dialogue, or distracting titles flashing across the screen — which meant that they were best exported as formats rather than finished shows.

Patrick Frater Asia Bureau Chief Jio Studios, the content arm of Reliance Industries Limited, has unveiled a huge slate of 100 new films and TV shows that will play on Reliance’s streaming platforms. They range from the previously-announced Shah Rukh Khan-starring Bollywood movie project “Dunki,” through Adil Hussain’s Bengali-language art-house picture “The Storyteller,” which appeared at the Busan Film Festival last year, to a range of web originals and mini-series. Contents are made as originals in a range of local languages including Marathi, Bengali, Gujarati and Bhojpuri. Genres range from action, drama, thriller and romance to horror and musicals.

Patrick Frater Asia Bureau Chief U.K.-based sales agent Mister Smith Entertainment has picked up international rights to “Grafted,” a New Zealand-set horror film which marks the feature directing debut of Sasha Rainbow. The film is now in production. Mister Smith will launch sales next month in Cannes. The film tells story of a Chinese student who travels to New Zealand to complete the scientific work of her deceased father only to find a new way of achieving popularity, one body at a time.

Patrick Frater Asia Bureau Chief The Far East Film Festival in Italy’s Udine will open with a double bill of He Shuming’s “Ajoomma” and Kai Ko’s “Bad Education.” It will close with Zhang Yimou’s blockbuster period epic “Full River Red.” In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29. Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”

Patrick Frater Asia Bureau Chief “Beijing 2022,” the official documentary about the 2022 Winter Olympic Games, has been set as the opening film of the revived Beijing International Film Festival. It is directed by noted narrative and documentary film maker Lu Chuan (“Kekexili,” “City of Life and Death” and Disney’s “Born in China”) and will have its world premiere at the festival. The festival will run April 22-29 and be based in the Huairou district which has become an out of town hub for the film industry, as well as other venues in the Chinese capital. For the past three editions the BJIFF has been held online due to disruptions caused by China’s strict anti-COVID measures.

Patrick Frater Asia Bureau Chief The Sydney Film Festival, which this year will celebrate its 70th edition, has unveiled its first dozen selections. Seven are feature films, five are documentaries. “The 2023 program will expand on this legacy, promising to ignite stimulating dialogues and present powerful ideas that will broaden audience perspectives,” said festival director Nashen Moodley. He noted that over the previous 69 editions the Sydney festival has showcased more than 10,000 films. Highlights among the documentaries are two Australian titles. “Rachel’s Farm” follows actor-director Rachel Ward as she revitalizes her beef farm using sustainable farming practices. In “The Last Daughter” Wiradjuri woman Brenda Matthews documents her search to uncover the truth about her government-ordered abduction as a child and to find her white foster family. Both Matthews and Ward will attend the festival in person.

Patrick Frater Asia Bureau Chief Michelle Yeoh, star of the globally acclaimed Oscar-winning film “Everything Everywhere All At Once,” will serve as guest of honor and advisor at the fifth Meihodo International Youth Visual Media Festival, a platform for young visual artists and one of the largest short film festivals in the world. The festival takes place in Fukuoka, Japan. Other new guests include Maggie Q (“Mission Impossible: III,” the “Divergent” franchise and CW series “Nikita”), film editor Gabriella Cristiani and Stephen Castor (“Spider-Man”), co-CEO of It’s Just Us Productions, Rocket Science 3D and Rocket Science Motion Capture Studios, franchise.

Patrick Frater Asia Bureau Chief C More has commissioned a second, six-episode season of ITV Studios Finland’s glossy detective drama “Helsinki Crimes” (aka “Harjunpää”). The first season of Helsinki Crimes became one of C More’s most-watched crime series to date. After its launch on Netflix last year, in regions across CEE, Benelux, Austria and the Nordics, the series was one of the top ten most-watched series, and the third most-watched in Finland.  In the new season, Chief Constable Timo Harjunpää, portrayed by Olli Rahkonen, and his murder team investigate bloody clashes between street gangs, love scams and a wave of burglaries.

Patrick Frater Asia Bureau Chief Organizers of Thailand’s Suphannahong National Film Awards on Friday evening reversed an earlier rule change that had caused several filmmakers to call for a boycott. Earlier this week it emerged that a recent rule change effectively disqualified independent or low-budget titles. The criteria stipulated that, to qualify for nomination, movies must be shown in cinemas (direct to streaming titles do not qualify), must have had a release in at least five regions or big cities, and attract audiences of at least 50,000 spectators. At least, one local media report said that the rules were introduced in 2019. But the change had little impact in the intervening years due to low levels of film production.

Patrick Frater Asia Bureau Chief Richard Roxburgh (“Elvis,” “The Crown”) and Rebecca Gibney (“Halifax: Retribution,” “Back to the Rafters,” “Wanted”) star in Prosper, a Lionsgate-Stan series about a family with huge wealth that builds a powerful mega-church. Production has now started in Sydney, Australia. First announced in September last year, “Prosper” follows the founding family of an Australian church as it is poised to break into the U.S. and harvest yet more wealth and power. But, while preaching a message of faith, love and acceptance to their followers, behind closed doors the Quinn the family is protecting shameful secrets.

Patrick Frater Asia Bureau Chief “The Bad Kids,” a hit series from Chinese streamer iQiyi, is to be remade as a Japanese feature film “Gold Boy.” The 12-episode gritty crime thriller depicts the troubles that arise after three children accidentally film a murder. The series was previously licensed to Japanese pay-TV group Wowow.