‘The Punishment’ Wins Beijing Film Festival’s Top Award, as ‘Shadowless Tower’ Takes Five Prizes – Global Bulletin

Uma Thurman had a special date on hand as she kicked off her time at the Cannes Film Festival!On Tuesday, the 53-year-old  Fiction actress walked the carpet during the opening ceremony at Palais des Festivals with her 21-year-old son, Levon Thurman-Hawke. The mother-son duo was picture perfect as they made their high-fashion arrival. Thurman was stunning in a floor-length gown, that she completed with a red drape that had a dramatic train trailing behind her.

Helen Mirren knows just how to make an entrance! On Tuesday, the actress graced the carpet at the 2023 Cannes Film Festival opening ceremony with a head-turning look.Blue was the hue for the 77-year-old star, who was all smiles as she arrived at the Palais des Festivals. For her look, Mirren wore a custom blue gown by Del Core.

Patrick Frater Asia Bureau Chief Funding from Singaporean state sources is involved in two features that make their debut at the Cannes Film Festival this month. A third film, “The Breaking Ice,” is directed by Singapore-born filmmaker Anthony Chen. “We are absolutely thrilled that we have the most number of Made with Singapore films debuting in Cannes this year,” said Justin Ang, assistant chief executive of media, innovation, communications and marketing at Singapore’s InfoComm Media Development Authority.Malaysian-produced “Tiger Stripes,” which will play in the Critics’ Week section, and Vietnamese-made “Inside the Yellow Cocoon Shell,” which will play in the Directors’ Fortnight section, both received cash injections from the Southeast Asia Co-Production Grant under the ‘Media Talent Progression Programme,’ which is backed by the Singapore Film Commission and the IMDA.

Patrick Frater Asia Bureau Chief The Hong Kong Disneyland theme park managed a 22% increase in visitor numbers in its most recent financial year allowing it to modestly reduce its annual losses. The park, which is jointly owned by the Hong Kong government and Walt Disney, with the government holding a narrow majority, reports a financial year to the end of September – and does so more than seven months in arrears. It has been loss-making for the past eight financial years and has made profits in only three years since its opening in 2005. The 2021-2022 financial year was again complicated by the city’s strict anti-COVID restrictions. It was fully closed for three and a half months (longer than the previous financial year) and operated under other social distancing and pandemic measures. Additionally, inbound tourism was heavily curtailed, especially from mainland China. That meant that during the reporting period, the park and hotels were largely visited by locals only.

Patrick Frater Asia Bureau Chief “Guardians of the Galaxy Vol 3” enjoyed a second weekend on top of the mainland China box office, as all top five placed films remained unchanged and audiences await “Fast & Furious 10.” “Guardians Vol 3” earned $19.0 million between Friday and Sunday, according to data from consultancy Artisan Gateway. That was a decent week-on-week hold, representing a drop of only 32% from its debut weekend, following a solid but unspectacular start. And it gives the film a total of $58.7 million after ten days in mainland Chinese theaters. Imax screens accounted for $3 million of the film’s weekend score in China and lifted the film’s Imax total in China to $10.4 million, which Imax calculates as 18% of its China total.

BBC smash The Traitors has won the BAFTA TV Award for Reality & Constructed Factual.

Patrick Frater Asia Bureau Chief Box office headlines have lately been dominated by Hollywood movies like Universal’s “The Super Mario Bros. Movie,” which has become the first movie of the year to hit $1 billion, and Disney’s “Guardians of the Galaxy Vol 3.” But a closer look at the global box office recovery indicates that Tinseltown does not have the field to itself. In fact, international films and markets — not the United States — are driving the current global box office recovery. In some territories, local-language titles are even dominant over Hollywood releases. And the overall scale of overseas ticket sales now dwarfs that of North America by more than two to one.

Patrick Frater Asia Bureau Chief Alexi Tan, a screenwriter and director who was a protégé of John Woo, has teamed with artist Charles Simpson to launch comic book “Monk Wars.” The “Monk Wars” universe is a dystopian gritty world filled with martial arts action and a broad array of diverse characters. The first book will follow Monk Ma, who has ancient animal powers, as he assembles his followers to take on the Rat-Men soldiers.

The Sundance Institute announced that the 40th edition of the Sundance Film Festival will be January 18-28, 2024. Sundance returned to an in-person event for the first time since 2020 with a rich online component this year.

Patrick Frater Asia Bureau Chief Pema Tseden, the Tibetan art house film director known for “Jinpa” and “Balloon,” has died. He was 53. It is understood that he was in Tibet when he died suddenly of an unspecified illness. Some unconfirmed Chinese-language media said that he had a heart attack. The news was reported by the China Academy of Art, where he taught as a professor. “Pema Tseden, a famous Tibetan director, screenwriter and professor at the Film School of the China Academy of Art, died in Tibet in the early hours of May 8 due to an acute illness. Due to the sudden incident, the school will work with Mr Tseden’s family to deal with the follow up matters. The relevant information will be announced in due course,” the Academy said in a statement.

Patrick Frater Asia Bureau Chief “Guardians of the Galaxy Vol. 3” made $28 million of gross box office on its opening weekend in mainland China. That was a solid result in present circumstances, rather than an overwhelming one. The film easily displaced two of the weaker Chinese titles that had been released a week earlier to take advantage of the five-day May Day holiday season. “Born to Fly,” a patriotic action adventure about Chinese test pilots, nose-dived by 75% as it fell from a $40 million first place debut to a $11.2 million third-placed second flap. Its cumulative after two weekends is $77.3 million, according to weekend data from consultancy Artisan Gateway.

Brie Larson, Paul Dano and Julia Ducournau are among the eight people chosen to complete the main competition jury at the 2023 Cannes Film Festival, Cannes organizers announced Thursday morning in Paris.Swedish director Ruben Ostlund, who won the Palme d’Or last year for “Triangle of Sadness,” was previously announced as president of the jury. The presence of Ducournau, who won the top award for “Titane” in 2021, means that the last two Palme winners will be part of the deliberations to determine who succeeds them this year.Other jurors will be Moroccan writer-director Maryam Touzani, who was in Cannes last year with “The Blue Caftan”; French actor Denis Menochet, who recently appeared in Ari Aster’s “Beau Is Afraid”; Zambian/British writer-director Rungano Nyoni, whose “I’m Not a Witch” premiered in Cannes; Afghan novelist and writer-director Atiq Rahimi, whose film work often adapts his own bestselling books; and Argentinian writer-director Damian Szifron, who landed an Oscar nomination for his 2014 Cannes film “Wild Tales.”The jury’s 5-to-4 split between men and women is typical for Cannes in recent years.

Mumford & Sons played their first public gig since becoming a trio this weekend (April 28) at Pharrell’s Something In The Water festival – check out fan-shot footage below.Mumford & Sons’ Winston Marshall originally took a break from the band in March 2021 following backlash after the guitarist publicly praised a book written by right-wing agitator Andy Ngo.However, Marshall then left the group permanently in June of that year. “This is a difficult decision first brought about by an unintentional Twitter storm,” he wrote at the time.

Glastonbury tickets through a ‘Willy Wonka’ style competition – watch below.Tony’s Chocolonely, the impact company on a mission to end modern slavery and child labour in the chocolate industry, is currently giving fans another chance to attend this year’s sold-out festival.The Dutch confectionery manufacturer has teamed up with Glasto’s charity partner Oxfam, which is selling a limited-edition Tony’s chocolate bar in its stores and online.Hidden inside five of the bars is a pair of tickets to Glastonbury Festival 2023. All profits from the product will go to Oxfam and its ongoing mission to beat poverty.Yesterday (April 25), a couple uploaded footage of themselves unwrapping one of the special bars.

Naman Ramachandran U.K. broadcaster Channel 4 has released a first look image of its new comedy series, “Big Mood” (working title), produced by Fremantle‘s Dancing Ledge Productions. The six-part series explores the intricacies of female friendship when confronted with the complexities of serious mental illness. Starring in the show are Nicola Coughlan and Lydia West. Joining the ensemble cast are Niamh Cusack, Eamon Farren, Luke Fetherston, Kate Fleetwood, Rob Gilbert, Rebecca Lowman, Sally Phillips, Ukweli Roach, and Amalia Vitale. The cast also includes Olu Adaeze, Max Bennett, Skylar Betteridge, David Bedella, Tim Downie, Ron Donachie, Sarah Durham, Lara Grace Ilori, Neil Edmond, Amy Gledhill, Maddie Grace Jepson, Tom Rhys Harries, Layla-Belle Matthews, Simon Meacock, David Mumeni, David Newman, Freya Parker, Shuna Snow, Sid Sagar, Stephen Sobal, Lottie Tolhurst, Isobel Thom and Robin Weaver.

EXCLUSIVE: The UK Asian Film Festival has set Bollywood stalwarts Poonam Dhillon and Rajkummar Rao as special guests for its Closing Gala, which takes places May 14 at the BFI Southbank in London.

Patrick Frater Asia Bureau Chief Director Stanley Tong (“Rumble in the Bronx”) is to team up with Jackie Chan for the tenth time on “The Legend.” State media in China report that Chan, who recently reached the top spot in the mainland Chinese box office with aged stuntman comedy “Ride On,” will play an archaeologist on a quest through time and space. With production by Bona Film Group, “The Legend” is pitched as being in the same vein as Tong and Chan’s 2005 effort “The Myth,” which was a fantasy love story. Tong and Chan have worked together on other titles including “Police Story 3,” “Supercop” and “Vanguard.” India’s Jio Studios is backing “Khashaba,” a Marathi-language film on the life of India’s first Olympic medalist Khasaba Dadasaheb. After delivering the sleeper hit Sairat and Fandry, the new film will be directed by Nagraj Manjule. The title is considered as part of Jio Studio’s ambition to deliver more than 100 stories this year. With production to begin shortly, the film will be mounted on a large scale. “Along with entertaining the audience, this film will also introduce the audience to a brave and exceptional athlete who made India proud all over the world,” said Manjule. “Khashaba” will be presented by JioStudios and produced by Aatpat Production, Jyoti Deshpande and Manjule.

Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)

Patrick Frater Asia Bureau Chief Global cinema box office recovered strongly in the first three months of the year, driven by the performance of “The Super Mario Bros. Movie” in many territories and a bumper Chinese New Year season in mainland China. The upbeat news was delivered on the eve of CinemaCon Las Vegas by specialist research firm Gower Street Analytics, which has now increased its forecast of the cinema industry’s full year. The firm now projects that 2023 gross revenues will reach $32 billion, a 10% increase on its earlier estimate of $29 billion. “A $32 billion global box office in 2023 would represent an approximate +23% improvement on 2022. It remains 20% behind an average of the last three pre-pandemic years (2017-2019), but it shows how post-pandemic recovery of our business continues to improve,” said Gower Street.