As The Box Office Battles Back, Is No. 1 Circuit AMC About To Buckle? Don’t Bet Against Adam Aron…At Least Not Yet – CinemaCon Curtain Raiser

Patrick Frater Asia Bureau Chief Korean comedy action film “The Roundup: Punishment” destroyed all competition in local theaters on its Wednesday opening day. The film earned $4.92 million from 821,000 ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a crushing 97% share of the day’s theatrical market. Including a smattering of previews over the latest weekend, the film finished Wednesday with a cumulative of $5.26 million earned from 862,000 spectators. Earlier, it was reported that the film had broken the Korean record for advanced ticket sales.

Ben Stiller opens up about Zoolander 2‘s box office when it premiered, saying he felt “blindsided” by the results.

Back in 2016, writer/director Shane Black (“Kiss Kiss Bang Bang”) released “The Nice Guys,” a comedic two-hander that starred Ryan Gosling (“Blade Runner 2029”) and Russell Crowe (“Gladiator”) in an unlikely team-up an odd-couple pair of private eyes investigating a missing girl and the mysterious death of a porn star. However, while the film was considered a solid effort, it didn’t do gangbusters at the box office, only earning $71.2 million globally against a budget of $50 million.

Patrick Frater Asia Bureau Chief ‘Kung Fu Panda 4’ retained its lead at the top of the South Korean box office on what was the quietest cinema-going weekend in more than a year. The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

J. Kim Murphy It’s a close contest at the domestic box office, with the opening day gross of Universal’s ballerina vampire film “Abigail” leading Lionsgate’s fellow new release “The Ministry of Ungentlemanly Warfare” and the second frame of A24’s dystopian thriller “Civil War.” “Abigail” earned $4 million from 3,384 theaters across its opening day and preview screenings, making it the top performer of the weekend so far.

With spring break simmering to 8% K-12 on break, and 1% colleges off, it’s hodgepodge at the weekend box office until 20th Century Studios’ Kingdom of the Planet of the Apes arrives to a $50M+ opening during the second weekend of May.

Broadway‘s spring newcomers continued pulling in the city’s tastemakers, tourists and the merely curious last week, with overall box office down about 10% from the previous week but most new shows filling at least 90% of their seats.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.”“Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros.

AMC CEO Adam Aron continued to pour cold water on any notion that his No. 1 circuit is headed for Chapter 11.

Rebecca Rubin Senior Film and Media Reporter Will pink and black loom large this week in Las Vegas? After all, this Monday kicks off CinemaCon, the annual exhibition industry trade show and weeklong opportunity for studios and theater operators to wax poetic about the magic of going to the movies. And in 2023, there was no greater manifestation of the claim that the movie business is back than the cultural craze of “Barbenheimer.” The inextricably linked “Barbie” and “Oppenheimer,” complete with double features of the cotton-candy-coated and ultra-dark blockbusters, dominated the zeitgeist for months on end. But just as the past can serve as a reminder of the collective joy of moviegoing, last year’s events may also plague the industry.

“Godzilla x Kong: The New Empire” easily swatted away a pair of challengers to hold on to the top spot at the box office for the second week in a row, according to studio estimates Sunday.After its above-expectations $80 million launch last weekend, the MonsterVerse mashup brought in $31.7 million over its second weekend, a 60% drop from its debut.The Warner Bros. and Legendary Pictures release, directed by Adam Wingard, has thus far outperformed any of the studio’s recent monster films except for 2014’s “Godzilla.”But with $361.1 million worldwide in two weeks, “Godzilla x Kong” could ultimately leapfrog the $529 million global haul of 2014’s “Godzilla.”The latest installment, in which Godzilla and Kong team up, cost about $135 million to produce.“Godzilla x Kong” extended its box-office reign as another primate-themed movie arrived in theaters.

Sony Pictures Classics’ Wicked Little Letters grossed an estimated $1.5+ million in a big second week expansion for the R-rated British period comedy to 1,000 screens from five. The Thea Sharrock-directed film starring Olivia Colman (also a producer) and Jessie Buckley, no. 8 at the domestic weekend box office, has a $1.6+ million cume.

Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record. 

AMC Entertainment chief executive Adam Aron saw a 2023 compensation package of $25.4 million — up from $23.7 million a year ago – inflated by stock awards worth $17.9 million along with a cash bonus of $6 million bonus and a $1.5 million base salary.

No dart gun, or First Omen, or Monkey Man will put Legendary/Warner Bros’ Godzilla x Kong: The New Empire to sleep this weekend. The pic, after an unexpected $80 million Easter weekend start, will continue to rumble with a 55%-60% second-weekend drop to between $32M-$36M. Through four days, the Adam Wingard-directed Monsterverse title stands at $87.7M, fueled by 57% of K-12 schools out Monday and another 14% colleges. Expect more cash today as, per Comscore, there are 28% of K-12 school out, and 5% universities.

Broadway box office soared last week, as five productions joined the roster, one returned and no fewer than 30 of the 32 shows saw attendance at 90% of capacity or more. Twenty productions were sell-outs.

Godzilla x Kong: The New Empire is huge!

Rebecca Rubin Film and Media Reporter After three days of release, “Godzilla x Kong: The New Empire” stands as the third-highest-grossing movie of the year. It has collected a mighty $194 million globally in its opening weekend, ranking behind only “Dune: Part Two” ($626 million after five weeks of release) and “Kung Fu Panda 4” ($347 million after four weeks of release) in terms of overall ticket sales. The monster mashup, from Warner Bros.

whopping $37 million during its first week in theaters, according to IMDB’s Box Office Mojo. The Rebecca Hall-helmed big budget beastly buddy film, which The Post said has “a brain-busting plot,” opened in 3,861 theaters, and follows 2021’s “Godzilla vs.

J. Kim Murphy Some movie stars don’t lose their luster. A 90-year-old ape and a 69-year-old reptile are taking over domestic charts this weekend, as Warner Bros.