Arashi Pre-Hiatus Final Concert Film ‘Record Of Memories’ To Hit AMC Theatres For One Night Only From Picturehouse

A.D. Amorosi To complement Japanese director Ryûsuke Hamaguchi’s grieving, soft-spun vision for “Drive My Car,” which has received four Oscar noms including director and best picture, the choice of composer to create a melodramatic and delicate score was crucial.Enter Eiko Ishibashi, an experimental Japanese multi-instrumentalist whose 2018 “The Dream My Bones Dream” was a turning point in an already decade-long career of scores for theater and short films.Ishibashi’s 2018 album of haunting soundscapes and its electro-acoustic mix of noise, oddball pop, improvisational jazz and minimalist, modern classical music made her a cinematic force equal to Hamaguchi.

Marta Balaga Despite forging her own way as a successful actor and singer, acclaimed for her collaborations with Lars von Trier, Charlotte Gainsbourg has been compared to her father Serge and mom Jane Birkin all her life, she says. In directorial debut “Jane by Charlotte,” she comes back to the subject on her own terms.

CUPERTINO, Calif. -- Apple will enter the live sports coverage arena with “Friday Night Baseball.”Apple and Major League Baseball announced Tuesday that Apple TV+ will carry a weekly doubleheader on Friday nights in eight countries when the regular season begins.

At Contenders Film: The Nominees, Deadline presented a panel with the director and star of perhaps the most historic nominated film at this year’s Oscars, Drive My Car, which represents Japan’s first-ever Best Picture nomination. It’s an astounding feat for a three-hour Japanese-language film, about a stage director’s personal crisis interweaved with his trip to Hiroshima to direct a production of Chekhov’s Uncle Vanya.

Contenders Film: The Nominees, a one-stop-shop experience featuring a smörgåsbord of Oscar-nominated talent discussing their top-tier projects, kicks off Saturday beginning at 8 a.m. PT as a virtual event, the latest in Deadline’s rapidly expanding Contenders series. Stars, creatives and craftspeople behind 24 films will take part in moderated panels discussing the roads that led them to the doorstep of the Academy Awards.

Peter Debruge Chief Film CriticCritics matter. That’s how I interpret the love the Academy showed for “Drive My Car” this year, nominating the three-hour Japanese drama in four separate categories: best picture, director, adapted screenplay and international film, and in so doing, effectively issuing a referendum to the Spike Lee-led Cannes jury that awarded the Palme d’Or to the relatively divisive “Titane.”Sure, other non-U.S.

Drive My Car,” a three-hour Japanese film; “Lunana: A Yak in the Classroom,” only the second Oscar submission (and first nom) from Bhutan; Paolo Sorrentino’s “Hand of God,” the Italian helmer’s second visit to the Academy Awards; Denmark’s “Flee,” an animated tale of an Afghan refugee; and Norway’s “The Worst Person in the World.”Three of the films even broke out of the international film race, with “Drive My Car” drawing noms for best pic, adapted screenplay and director; “Flee” also earned nominations for animation and doc, while “The Worst Person in the World” nabbed a nom in original screenplay.Joachim Trier, who directed “Worst Person in the World” says of the noms: “The Academy wants a broader spectrum of people from across the world looking at films and voting. It’s a more international community.

Brad Pitt‘s upcoming movie Bullet Train will be released in theaters this summer and the first trailer is finally going to arrive next week.

Red Velvet have announced their first concert in over two years as a full group, The ReVe Festival: Prologue, will take place next month.The K-pop girl group last gave an in-person concert in February 2020 when they performed in Fukuoka, Japan. However, they were without singer Wendy for the show, who was recovering from a stage accident that happened in December 2019.Red Velvet’s full line-up – completed by Seulgi, Joy, Yeri and Irene – will bring The ReVe Festival: Prologue concert to Seoul’s Olympic Handball Gymnasium on March 19 and 20.

“James Bond tried to take the ‘largest explosion in the world’,” Bay said in an interview with Empire Magazine. “Bulls—. Ours is.”By “ours,” Michael Bay is referring to his WWII film “Pearl Harbor,” released 14 years before “Spectre” and which features a 40-minute re-enactment of the Japanese bombing of Pearl Harbor in Honolulu.

Patrick Frater Asia Bureau ChiefThe Osaka Asian Film Festival has unveiled its biggest ever program – a total of 76 films – to unspool next month (March 10-20, 2022).Its competition section includes the acclaimed Korean debut film “Aloners,” which offers an exacting critique of the alienating effects upon life of modern capitalist economies; Hong Kong biopic “Anita”; the world premiere of “Angry Son,” which combines LGBT and mixed race themes in a heartwarming comedy; Kong Dashan’s new take on “Journey to the West,” as a ragtag group of people on a UFO hunt; “Mama’s Affair,” the second film by Kearen Pang, whose 2017 debut “29+1” won Osaka’s audience award, “No Land’s Man” from Mostofa Sarwar Farooki and festival circuit hit “Barbarian Invasion.” The spotlight section includes ten titles. Among them are “The Ground Beneath her Feet” from Bangladesh’s Mohammad Rabby Mridha; “A Room of Her own” from China’s Xie Yiran; and Carlo Francisco Manatad’s “Whether the Weather is Fine.”The largest component section is the twenty-title Indie Forum, a platform for Japanese indie films that allow the winner to claim the Japan Cuts Award.

Patrick Frater Asia Bureau Chief“The Novelist’s Film,” which Wednesday earned Korean director Hong Sang-soo the Grand Jury Prize in Berlin, has scored multiple rights deals. With Seoul-based Finecut handling the rights sales, the film was licensed to Ama Films for Greece and Cyprus, Mimosa Films for Japan, L’Atalante Cinema for Spain, Arizona Films Distribution for France and to The Cinema Guild for the U.S.Finecut also did European Film Market business with “Contorted,” an unorthodox horror about a family tragedy.

Elsa Keslassy International CorrespondentLoco Films, the Paris-based world sales and production company, has unveiled the trailer for Yulia Trofimova’s feature debut “The Land of Sasha” which is premiering today at the Berlinale, in the Generation 14plus strand.“The Land of Sahsa” tells the story of an indecisive 18-year-old struggling to pursue his desire to become a painter as his mother urges him to choose a safer career path. The sudden appearance of the boy’s estranged father complicates things further. But when Sasha has an unexpected encounter with an unusual girl called Zhenia, he realizes he has no choice but to finally grow up.“The Land of Sasha” was produced by Katerina Mikhaylova and Konstantin Fam for Moscow-based Vega Film.

Mark Schilling Japan CorrespondentLeading Japanese entertainment firms Toho, Toei, Studio Khara and Tsuburaya Productions are joining forces to launch the Shin Japan Heroes Universe, a project modeled on the Marvel Cinematic Universe. Shin Japan Heroes brings together such iconic characters as Godzilla, Ultraman and Kamen Rider, as well as the world of anime maestro Anno Hideaki’s Evangelion sci-fi franchise.Details in Monday’s announcement were scanty, but the project team has revealed an emblem and visual showing all four “heroes” together, as well as a website.A starting point for the project was “Shin Godzilla” (translation: “New Godzilla”), the 2016 smash hit live-action film that Anno scripted and co-directed. It was followed by last year’s hit anime “Evangelion: 3.0+1.0 Thrice Upon a Time,” which was also directed by Anno for his Studio Khara anime house as the fourth and final film in the “Rebuild of Evangelion” film franchise.

Elsa Keslassy International CorrespondentMK2 Films, the banner behind Joachim Trier’s “The Worst Person in the World,” has boarded “Love Life,” the anticipated next film of laureled Japanese director Koji Fukada. Fukada’s credits include the 2016 movie “Harmonium” which won the jury prize at Cannes’ Un Certain Regard, as well as “A Girl Missing” which played at Toronto. His latest film, “The Real Thing” was part of Cannes 2020’s Official Selection.

Mark Schilling Japan CorrespondentTokyo has been the nerve center of Japan’s movie industry for more than a century. Kyoto, the country’s ancient capital, has a proud filmmaking tradition, especially for samurai period films, but all the major film companies — Toho, Toei, Shochiku, Nikkatsu and Kadokawa — are headquartered in Tokyo and operate studios in either Tokyo or the Tokyo metro region.

Fresh off the gold medal wins for Nathan Chen and Chloe Kim, NBC’s coverage of 2022 Winter Olympics ventured to new heights with Thursday earning the highest demo of the games so far.