AMC Networks’ HIDIVE Anime Streamer Gets Exclusive Rights to Japan’s MBS Programming Slate (EXCLUSIVE)

Pink Parrot, for example, unveiled a bevy of pre-sales on comedy romp “4 Days Before Christmas,” led by deals with Germany’s Splendid and Kaleidoscope in the U.K. FilmSharks has closed Latin America with The Walt Disney Co./Star Distribution on “Dalia and the Red Book,” as well as Germany, Russia/CIS and Taiwan with the U.S., France, Japan, Spain and Italy in discussions. Open-market international sales for theatrical distribution have sagged terribly in the past two decades on all but standout titles. One exception, which can still deliver seven figure returns, is animation.  Despite a slowing sales cycle, Mafiz and the Spanish Screenings still saw a dizzying slew of announcements. Following, a selection: 

Todd Spangler NY Digital Editor Satellite radio and podcast company SiriusXM extended its relationship with Kevin Hart and his entertainment company, Hartbeat, in a new multiyear deal. Under the agreement, Hartbeat will continue to curate content on Hart’s Laugh Out Loud Radio (SiriusXM channel 96), where all of Hartbeat’s audio programs will premiere exclusively — and the channel will have the exclusive first window on a previously unreleased stand-up album from late comedy legend Bernie Mac. Hart, who first struck a deal with SiriusXM in 2017, will continue to host his show and podcast, the newly renamed “Gold Minds With Kevin Hart” (formerly called “Comedy Gold Minds”), which debuts its new season Wednesday (March 15) at 7 p.m. ET exclusively on SiriusXM. In the season premiere, the comedian-actor-producer-entrepreneur will host filmmaker Ryan Coogler, and the duo will discuss his career journey, working with Michael B. Jordan across multiple projects including “Creed III,” and receiving guidance from the likes of Denzel Washington, Forest Whitaker, Sylvester Stallone and Christopher Nolan along the way.

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Good Move Media has added Japanese music drama “Plastic” to its FilMart slate. The film is directed by Miyazaki Daisuke, the Japanese helmer behind “Yamato (California),” which had festival play in 2016, and 2019 slacker youth title “Tourism” in 2019. The new picture is the story of teenagers Juna and Ibuki, who set out to find the psychedelic rock band Exne Kedy. Exne Kedy is a fictional creation from musician Ide Kensuke, who previously released punky album “Kensuke Ide With His Mothership — Contact From Exne Kedy and the Poltergeists,” but the band is actually credited as performing and providing part of the music track in the film. “Plastic” is recently completed and headed for a theatrical release in Japan in July.

Patrick Frater Asia Bureau Chief Warner Bros. Discovery and Japan’s U-Next have announced an extension of their relationship with a renewed deal to supply content to the SVOD platform. The agreement sees U-Next continue as the streaming home of HBO in Japan. Featuring exclusive content rights for HBO, HBO Original and HBO Max Original series, the strengthened agreement includes: current and future seasons of HBO’s “House of the Dragon,” “The Last of Us” and “Succession” as well as returning HBO Original and HBO Max Original series “True Detective: Night Country,” “Winning Time: The Rise of the Lakers Dynasty” and “And Just Like That…”

Thinus Ferreira Guest Contributor In the chase for scale in streaming, it’s the technology behind NBCUniversal’s Peacock that could be the saving grace for African SVOD service Showmax. Pan-African pay-TV operator MultiChoice revealed on Thursday that it will be relaunching its regional streamer Showmax with Peacock technology. NBCUniversal and the U.K.’s Sky will take a 30% share in a new company that will redevelop and overhaul Showmax for African audiences. Launched in 2015, Showmax has been feeling the intense pressure of lower-priced global streamers like Netflix, Disney+, Amazon Prime Video and Apple TV+ scooping up subscribers across the African market. (HBO Max is yet to launch and Paramount is still working on a Paramount+ rollout for the continent.)

Todd Spangler NY Digital Editor Corporate synergy! Crunchyroll, the global anime streaming service owned by Sony, is now just a button press away for owners of Sony’s 2023 Bravia lineup of HDTVs. Crunchyroll, which has more than 10 million paid subscribers, provides more than 18,000 hours of anime content comprising more than 44,000 episodes and feature films. In addition to a dedicated button to launch the Crunchyroll app on Bravia TVs, the remote control for the new models include buttons for Netflix, Disney+, Amazon’s Prime Video and Google’s YouTube. “Anime is a global phenomenon, and this partnership between Sony Corporation and Crunchyroll will make anime available faster than ever before,” commented Rahul Purini, President of Crunchyroll. “We’re excited for fans worldwide to use the Crunchyroll button on Bravia remote controls to enjoy their favorite anime series, welcoming them into our community.”

Banijay Rights extensive and wide-ranging lineup at what promises to be one of the biggest presentations at this week’s London TV Screenings. Further scripted titles will take in “This Town” and “The Sixth Commandment” for the BBC, “Domina” for MGM+ and Sky, and “Safe Home” for SBS, as well as doc feature “Lara.” Given the iconic talent behind some titles – “It’s a Sin’s” Russell T. Davies serves as an executive producer on “Three Little Birds – scripted is likely to command large buyer attention. 

The latest entry in the Pokémon franchise is coming.

Jordan Moreau Netflix has gotta catch ’em all. The streamer is teaming up with The Pokémon Company to create “Pokémon Concierge,” an upcoming stop-motion animated series. The series will follow “Haru, a concierge at the Pokémon Resort, and her interactions with Pokémon and their owners who visit as guests,” the logline says. A short teaser for “Pokémon Concierge,” announced on Monday, Feb. 27, a.k.a. Pokémon Day 2023, showed a blissful, sandy beach with a Psyduck waddling along the shore. “This is the Pokémon Resort. Pokémon are the guests here. Here is the story of the resort’s concierge,” a narrator says. The official poster for the show revealed Haru, a young, red-headed girl in a floral, Hawaiian-style shirt (covered with grass-type Oddishes), with her Psyduck.

Netflix and The Pokémon Company announced on Monday that the two are teaming up for a new stop-motion animated series called “Pokémon Concierge,” revealing a short teaser for the new show.Expanding the Pokémon world, the story follows Haru, a concierge at the ‘Pokémon Resort,’ and her interactions with Pokémon and their owners who visit as guests. You can see her hanging with Psyduck in the first teaser video above.The ambitious project is a collaboration between Netflix, The Pokémon Company and dwarf studios, which is handling production.“Netflix is looking forward to delighting fans in Japan and around the world with ‘Pokémon Concierge,’ an entirely new visual and storytelling experience featuring ground-breaking stop-motion animation set in the Pokémon world in close collaboration with The Pokémon Company,” Minyoung Kim, Vice President of Netflix Content in Asia, said in a statement.

Netflix has teamed with The Pokémon Company on a stop-motion animated series marking 17 years since the release of the firstPokémon game. Scroll down for a teaser.

Patrick Frater Asia Bureau Chief Multi-territory Asian streaming service Viu has publicly disclosed key performance metrics for the first time and said that it was cash flow positive on an annual basis in 2022. The company, which operates in 16 Asian and Middle East markets and is seen as a rare success story in regional streaming, counts Hong Kong conglomerate PCCW as its principal shareholder, which also unveiled its own profits and loss figures for the 2022 calendar year. Viu which operates both ad-supported and paying tiers, said that it had 66.4 monthly active users in 2022, an increase of 13% year-on-year. Paying subscribers increased by 45% to 12.2 million over the same period.

There are scores of apps aiming to help us monitor our mental health, but sometimes the best approach is to turn off technology. Getting outdoors in parks, woodland and other natural settings has long been known to improve people’s mood – the Japanese call it shinrin-yoku, or “forest bathing”. But recently researchers have been investigating whether spending time with animals can have similar benefits.

Ben Croll Three-time Grammy winner Cécile McLorin Salvant will team with French studio Miyu Productions and Belgian animator Lia Bertels on “Ogresse,” a wry and irreverent fairytale inspired by a narrative performance piece the musician has toured since 2019. Described as a murder ballad set to a jazz tempo, the animated musical will hit tragicomic notes as it follows a forest-dwelling ogress, ostracized because of her physical difference and pursued by a young hunter determined to claim her heart in either love or combat. Salvant and Bertels — one a lauded vocalist and one a festival acclaimed auteur – will co-direct, marking their joint feature debut adapting the show for the big screen.

Naman Ramachandran Classic cult film streamer Cultpix has struck a 31-film deal from three immensely popular franchises with Japan’s Kadokawa Daiei Studio at Berlin’s ongoing European Film Market (EFM). The deal includes 20 Zatoichi films, eight Gamera films and three Daimajin films. The deal is for the Nordic countries initially, but the aim is for wider distribution eventually. In addition, timed with Nikkatsu’s 50th anniversary of their “Roman Poruno” films, Cultpix rediscovered six previously virtually unknown Nikkatsu productions, shot in Sweden between 1971-1973, with everything Japanese apart from the actors and the locations. The screenwriter, director and behind-the-camera talent were all flown in from Japan. The films were to emulate the popular “Swedish sin” films of the time, as there was a market need for them in Japan.

Mark Schilling Japan Correspondent One of Japan’s most commercially successful and highly acclaimed animators, Shinkai Makoto has been called a successor to anime titan Miyazaki Hayao. Known for his mix of photo-realistic visuals and gorgeously realized fantasies, Shinkai surpassed the master when his 2016 smash “Your Name” became the highest-earning Japanese film of all time worldwide, beating Miyazaki’s 2001 “Spirited Away.” (That record was later broken by the 2020 anime sensation “Demon Slayer.”) His latest film, “Suzume,” about a teen girl’s quest to halt an apocalypse triggered by the opening of magical doors all over Japan, is also the first Japanese animated feature to screen in the Berlin competition since “Spirited Away” in 2002. Variety sat down with Shinkai to hear his views on his own work and the state of the anime industry.

fourth quarter earnings call Friday. “I don’t see anybody who has the answer to this yet.

James Dolan, interim executive chairman of AMC Networks, made a rare appearance on the company’s quarterly earnings call with Wall Street analysts, addressing a major exec change and the strategy for facing a complicated operating environment.

AMC Networks posted strong fourth-quarter results, with total revenue rising 20% over the prior-year quarter to $964.5 million, while earnings per share jumped almost fivefold to $2.52.

Jennifer Maas TV Business Writer AMC Networks reported its fourth-quarter 2022 earnings Friday, two days after naming Kristin Dolan, wife of the company’s owner, James Dolan, its new CEO. The company says it ended 2022 with 11.8 million paid streaming subscribers across all of its targeted streamers: AMC+, Acorn TV, Shudder, Sundance Now, ALLBLK and HIDIVE. Those digital offerings are in addition to the company’s linear channels AMC, BBC America (a joint venture with BBC Studios), IFC, SundanceTV, WE tv and IFC Films. That’s a slight increase of 700,000 customers from the end of Q3, when AMC Networks reported it had reached 11.1 million subs. Meanwhile, U.S. ad sales fell 12% in the quarter.