Alejandro González Iñárritu Dismisses ‘Bardo’ Streaming Fears & Says Returning To Mexico Was Like ‘Re-Meeting A Friend’ — Venice

Luke Bell’s cause of death has officially been revealed.

Patrick Frater Asia Bureau Chief Disney+ and Amazon Prime Video compete for second position behind Netflix in Australia, the Asia-Pacific region’s most developed streaming market. But, increasingly, all premium SVOD suppliers are focusing on profitability rather than simple growth. A new report from consultancy and research firm Media Partners Asia, “Australia Online Video Consumer Insights & Analytics” shows that Australian consumers streamed 24 billion minutes of premium online video between January and August this year. SVOD platforms accounted for 70% of viewing time, while broadcaster-operated platforms (BVOD) claimed 30%. The numbers reflect a mixture of measured usage and a panel of viewers.

John Hopewell Chief International Correspondent Thanks in part to a strong co-production drive, 13 Mexican-nationality movies play at San Sebastian this year, a major presence.  Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.”  Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.   In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.

Casa Del Sol immediately stands out. The company, which launched in 2021 and has Eva Longoria as President, is not only focused on making the best tequila they can; Casa Del Sol makes it its mission to highlight Mexico, the birthplace of tequila, and to empower women by having them involved in various important positions.Casa Del Sol values tequila’s roots and history while proudly charting new territories.

Habla Loud” is a movie about Latino creatives. The documentary, which is a part of the “Habla” series, will premiere on HBO Max this October 7, and it will feature a variety of filmmakers, actors, writers, and more, who open up and discuss their experiences of being Latino and making their voices heard in the entertainment industry.Melissa Fumero and Olga Merediz to star in ‘Blockbuster’ seriesThe New York Latino Film Festival is back this monthThe series was created by Alberto Ferreras, who also directs, and premiered recently at the New York Latino Film Festival.

Paramount Pictures has unveiled the first stills from Babylon, the latest feature from Oscar winner Damien Chazelle (La La Land), which hits theaters in limited release on Christmas Day, going wide on January 6th.

Zack Sharf Alejandro Gonzalez Iñarritu does not like superhero movies. The Oscar winner said in 2014 while promoting “Birdman” that superhero movies were a form of “cultural genocide,” adding, “I don’t respond to those characters. They have been poison because the audience is so overexposed to plot and explosions and shit that doesn’t mean nothing about the experience of being human.” Robert Downey Jr. weighed in on Iñarritu’s comment in 2015 during an interview with The Guardian to promote his turn as Iron Man in the Marvel blockbuster “Avengers: Age of Ultron,” but the actor’s retort was somewhat controversial. Downey Jr. noted that he “respects the heck out of” Iñarritu but also mocked Iñarritu’s Spanish roots by saying, “For a man whose native tongue is Spanish to be able to put together a phrase like ‘cultural genocide’ just speaks to how bright he is.”

Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.

Christopher Vourlias The journey to the Lido has been longer than most for Ukrainian director Antonio Lukich, whose sophomore feature, “Luxembourg, Luxembourg,” has its world premiere Sep. 7 in the Horizons strand at the Venice Film Festival. Since the Russian invasion of Ukraine on Feb. 24, Lukich’s life has been upended. Forced to flee Kyiv at the start of the war, the director spoke to Variety from Sweden, where he’s among four Ukrainian filmmakers who were granted a residency with the support of the Göteborg Film Fund. It is, he acknowledges, a world removed from the one he left behind. “It’s a great opportunity to develop Ukrainian stories when you cannot develop them right now in Ukraine,” he said.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Clayton Davis At 8:45 PM mountain time, the Werner Herzog theater looked about halfway full with patrons sitting down for the North American premiere of Alejandro Gonzalez Iñárritu’s latest film “Bardo (or False Chronicle of a Handful of Truths)” at the Telluride Film Festival. Maybe it was the 174-minute runtime after a long day of screenings that kept viewers at bay. Nevertheless, just shy of midnight, there was a round of applause as the credits rolled. Though, it’s unclear what exactly what everyone was clapping for. Perhaps themselves for having survived this rambling opus of cinematic over-indulgence.   After debuting in Venice, where the Oscar hopeful was pummeled by critics, the Netflix awards pony was looking for a comeback stateside to at the very least lift its Rotten Tomatoes score, which currently sits in the low 50s. Those numbers are likely to remain depressed. To be frank,  Iñárritu probably doesn’t need to clear out his calendar this awards season. It would be hard to imagine “Bardo” having the chops to even represent Mexico for the international feature category, let alone make the shortlist. But it’s not clear what else the country would even choose.

To love is to want to consume someone whole, to pick their skin and sinews out of the gaps between your teeth, to swallow their pancreas and wash it all down with gulps of throat-fizzing stomach acid. Take the age-old question that dominates the Grindr lexicon: do you want to be someone, be with them, or be inside them? “Bones and All,” Luca Guadagnino’s typically sumptuous, deeply romantic American parable — about a pair of teen cannibals, coming of age against the backdrop of ‘80s Reaganism — literalizes this allure, as any great anthropophagist love story should.

Manori Ravindran International Editor It’s Timothée Chalamet Day in Venice. This isn’t a national holiday, but perhaps it should be. It’s just past 1:30 p.m. outside the Venice Film Festival’s Sala Casino, and a crowd of youth have set aside work and school commitments to travel into the Lido to catch a glimpse of the American superstar arriving for a press conference. Every generation has their movie star heartthrob — from Jonathan Taylor Thomas to Brad Pitt in the ’90s and Robert Pattison at the dawn of the Twilight movies. For many young women, Chalamet represents the pinnacle of Gen Z cool. The Chalamet stans arrived as early as 7 a.m. on Friday to catch a glance of Timothée. They are, not surprisingly, mostly female. They describe their favorite performances as “Call Me By Your Name” and “The King” but are mostly drawn to Chalamet because of his kind and friendly nature.

Alpha Violet founding co-heads Virginie Devesa and Keiko Funato are in Venice this year with Indonesian filmmaker Makbul Mubarak’s first film Autobiography, which plays in Horizons ahead of trips to TIFF and London BFI  among other festivals.

Alejandro G Iñárritu‘s three-hour-long opus Bardo (False Chronicle of a Handful of Truths) received a warm reception at its Venice Film Festival world premiere on Thursday night. Six minutes of applause began inside the Sala Grande as the credits rolled, with attendees standing for the Oscar winning filmmaker for about four of those.

The stars are giving us major fashion moments at the 2022 Venice Film Festival!

Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.

Owen Gleiberman Chief Film Critic “Bardo, False Chronicle of a Handful of Truths” is a movie longer than its title, and maybe even more pretentious. It’s the first film that Alejandro G. Iñárritu (“Birdman,” “The Revenant”) has made in his native Mexico in 22 years, and you feel, in every scene, the sweat and ardor of his ambition. He wants to make an epic statement — about life and death, fiction and reality, history and imagination. He wants to make a confessional autobiographical fantasia about the fears and dreams hidden behind his façade as a famous and celebrated film director. He also wants to complement and compete with his fellow filmmaker and transplanted countryman Alfonso Cuarón, who in 2018 returned to Mexico and drew on his own life to make “Roma,” the world’s artiest Oscar-bait movie, getting it bankrolled by the deep pockets of Netflix. (“Bardo” is, if possible, an even artier Oscar-bait movie, also bankrolled by the deep pockets of Netflix.)