Daniel Giménez Cacho Latest Celebrity News & Gossip

EXCLUSIVE: Vix has begun production on 7 new original titles during the second quarter of the year including 6 series and one film. They include the Sofia Vergara-led Koati: Animated Series and the Benicio del Toro-produced film Matar Al Jockey (Kill The Jockey).

Anna Marie de la Fuente Colombian-Mexican filmmaker Rodrigo García has wrapped his first Spanish-language feature, “Familia,” which was shot in Valle de Guadalupe, Mexico for Netflix. García, who has directed such acclaimed films as “Mother and Child” and “Albert Nobbs,” and whose TV credits include “Six Feet Under,” “Big Love” and “In Treatment,” said: “Shooting ‘Familia’ has been a great experience.” He added: “Great producers, collaborators, several of my favorite Mexican actors and actresses and Netflix’s full support have made this project an unforgettable trip back home.” This is the first time García, who is the son of Colombian Nobel Laureate Gabriel García Marquez, has directed a film in Mexico. He’s an executive producer in Netflix’s upcoming adaptation of his father’s literary classic “100 Years of Solitude,” which will be shooting in Colombia.

Mexico has selected five-time Academy Award winner Alejandro G. Iñárritu’s Bardo, False Chronicle of a Handful of Truth as its official entry to the best international film category of the Oscars.

Set to the tune of Beatles classic “I Am The Walrus,” a new trailer for Alejandro G. Iñárritu’s Bardo – full title: Bardo, False Chronicle of a Handful of Truths – dropped today, giving viewers a taste of what Venice festgoers experienced earlier this month.

“Bardo, False Chronicle of a Handful of Truths,” and it looks positively trippy.Backed by The Beatles’ “I Am the Walrus,” the trailer is completely dialogue-free and instead offers up a bevy of images from the film, which by most accounts is a semi-autobiographical story from the “Birdman” and “The Revenant” director in the vein of “8 1/2.”Described as an “epic, visually stunning and immersive experience” the story follows Silverio (Daniel Giménez Cacho), a renowned Mexican journalist and documentary filmmaker living in Los Angeles, who, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit. The official synopsis continues: “The folly of his memories and fears have decided to pierce through to the present, filling his everyday life with a sense of bewilderment and wonder.”Iñárritu works with cinematographer Darius Khondji (“Seven,” “Uncut Gems”) for the first time on “Bardo,” which was shot on 65mm film.

What is life beyond our memories? Celebrated filmmaker Alejandro G. Iñárritu journeys through recollections and the truths they conceal in “Bardo, False Chronicle of a Handful of Truths.” The film, which focuses on an award-winning  journalist/documentarian, seems to be a thematic successor to Iñárritu’s “Birdman or (The Unexpected Virtue of Ignorance).” Part illusion, part reality — the principal aspects of ‘Bardo’ push the audience to question everything.  Continue reading ‘Bardo, False Chronicle Of A Handful of Truths’ Trailer: Alejandro G.

If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.

Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.

If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.

Rebecca Rubin Film and Media Reporter Noah Baumbach’s black comedy “White Noise,” Alejandro Iñárritu’s “Bardo (Or False Chronicle of a Handful of Truths)” and Lindsay Lohan’s romantic comedy “Falling for Christmas” will debut on Netflix this fall. On Tuesday, the streamer announced the release dates for those films — and plenty more — including “Roald Dahl’s Matilda the Musical,” “The Swimmers” and “Mr. Harrigan’s Phone.” Some of those titles, like “Bardo” and “White Noise,” will have limited theatrical runs before debuting on Netflix, while others, such as “Falling for Christmas,” will land directly on the streaming service. “Bardo” will debut on Dec. 16 following its world premiere at Venice Film Festival. Prior to landing on the streamer, it’ll play in movie theaters in Mexico starting on Oct. 27, as well as select North American theaters on Nov. 4. Described as a “nostalgic comedy,” the film stars Daniel Giménez Cacho follows a renowned Mexican journalist and a documentary filmmaker who returns to his native country at an existential crossroads.

Clayton Davis It’s late summer, so it’s time to start talking about awards season. Cannes issued the first slate of contenders in the international feature Oscar race, and now Venice and Toronto are ready to screen another batch, which begs the question: What looks like the breakout pics from the festival circuit that should contend for kudos? More than 90 countries have been submitting films for Academy consideration for the past few years, in order to walk away with the coveted best international feature Oscar. Coming off the Cinderella story of Japan’s “Drive My Car” from Ryûsuke Hamaguchi, which was also nominated for three other Oscars including best picture, it became the tenth film to be recognized for both best picture and international feature.

Netflix has officially secured another high-profile Oscar contender after Jane Campion‘s fantastic western “The Power of The Dog” landed the filmmaker a Best Director prize at the Academy Awards earlier this year. The streamer has announced they’ve bought the next feature film from Oscar-winning director Alejandro G.

Netflix has officially secured another high-profile Oscar contender after Jane Campion‘s fantastic western “The Power of The Dog” landed the filmmaker a Best Director prize at the Academy Awards earlier this year. The streamer has announced they’ve bought the next feature film from Oscar-winning director Alejandro G.

), “BARDO” will enjoy a theatrical release on a global scale later this year including in Mexico, its country of origin, as well as the US, Canada, UK, Italy, Spain, Germany, Argentina, Brazil, Australia, New Zealand, Scandinavia, the Netherlands, Japan and Korea, among many more before debuting on Netflix.Iñàrritu previously worked with cinematographer Emmanuel Lubezki on his last two films to Oscar-winning effect.“BARDO” stars Daniel Giménez Cacho and Griselda Siciliani. In addition to Khondji, the film features a below-the-line team that includes production design by the Oscar-winning Mexican designer Eugenio Caballero (“Pan’s Labyrinth”) and costume design by Anna Terrazas (“ROMA”).Netflix previously released noteworthy titles like Alfonso Cuaron’s “ROMA,” Martin Scorsese’s “The Irishman” and Adam McKay’s “Don’t Look Up” in theaters before the films were available to stream on Netflix, and for Iñárritu’s first Netflix feature it appears he’s being given a similar rollout strategy – although it’s unclear if “BARDO” will have an exclusive theatrical window or if the film will release on streaming and in theaters on the same day.This is Iñárritu’s first film since 2015’s “The Revenant,” which earned him a Best Director Oscar on the heels of 2014’s “Birdman” which won Best Director, Picture and Original Screenplay.

And just like that, Alejandro G. Iñárritu has wrapped production on his new film in Mexico City.

EXCLUSIVE: Grantham Coleman is set to join Alejandro Gonzalez Iñárritu latest film, which is currently shooting in Mexico City. The Spanish-language movie going by the title Limbo also stars Daniel Giménez Cacho, the Mexican actor who starred in Lucrecia Martel’s Zama.

Just days after the season 1 premiere, Netflix has confirmed a season 2 renewal of Spanish mystery drama series Who Killed Sara? It’s slated to premiere May 19 on the streaming service.

Danielle Turchiano Senior Features Editor, TVJust days after “Who Killed Sara?” premiered on Netflix, the streamer announced the show is officially renewed and the second season will launch May 19.Additionally, Matías Novoa, Daniel Giménez Cacho and Antonio de la Vega have joined the cast for the second season.“Who Killed Sara?” follows Alex Guzmán (Manolo Cardona), who, after 18 years of incarceration, finally sets out to get revenge on the family he feels is responsible for the death of his

When a filmmaker like four-time Oscar winner Alejandro González Iñárritu (a two-time Best Director winner and nine-time nominee total; plus a Special Achievement Academy Award for the VR film “Flesh and Sand“) makes a new film, the world, and the trades generally know about it first. But like Alfonso Cuaron, who made “Roma” away from the Hollywood system, when someone like Iñárritu makes a film in his native Mexico, it usually goes somewhat uncovered by the American media for months.

Alejandro G. Iñárritu is underway on his first feature in the director’s chair since he won three Oscars for The Revenant.