‘Blonde’ Review: Andrew Dominik’s Fictionalized Biopic Of Marilyn Monroe Is A Relentless, Brutal Statement On Celebrity

Die Hard star stepped away from acting earlier this year after being diagnosed with aphasia – a condition that affects language and speech. Now, Bruce, 67, has become the first Hollywood star to sell his rights to the tech firm Deepcake, allowing his moving and talking image to be used in films and TV and for movie actors past and present to star on screen together. As revealed in the documentary Tech To The Future, the groundbreaking deal paves the way for dead performers to be brought back to life, with Bruce previously ‘starring’ in a Russian phone advert with engineers attaching his digitally-created head to a human body double.

Bruce Willis could feature alongside Marilyn Monroe in a Hollywood blockbuster with the magic of artificial intelligence. The 'Die Hard' star, who stepped away from acting earlier this year after being diagnosed with aphasia – a condition that affects language and speech – has become the first Hollywood star to sell his rights to the tech firm Deepcake, allowing his moving and talking image to be used in films and TV. Movie actors past and present are now able to star on screen together, as revealed in a new documentary 'Tech To The Future'.

's portrayal of Marilyn Monroe in (streaming Friday, September 30 on Netflix) is all anyone can talk about these days. But the movie, which chronicles Monroe's career as well as her tumultuous relationships, is just one of many modern interpretations of the late actor's life.

Liza Foreman When Cuban-Spanish actor Ana de Armas was asked to play Marilyn Monroe in Andrew Dominik’s Netflix feature “Blonde,” she spent months preparing and studying for the role. “It was very important to discover the real woman and bring all of those elements together,” she said Saturday at the San Sebastian Film Festival. “My idea of Marilyn in the past was quite elementary,” she said at a press conference. “I knew her films and little more. To get to know her story was fascinating for me. She represented the dream that we all want to be. So what could go so wrong? I now respect her much more, and understand her better and could humanize her much more, and give her more credit for the effort she put into things.”

Few movie dramas in recent years have generated as much fevered online speculation as Andrew Dominik’s Marilyn Monroe movie Blonde.

When it comes to biopics, they don’t get much more intensely intimate than Andrew Dominik‘s “Blonde.” And the film’s world premiere at the Venice Film Festival earlier this month confirmed that Ana de Armas expertly channels Marilyn Monroe in her performance. In fact, de Armas got so close to Monroe during the film’s production the actress attempted to contact the deceased starlet, in a way.

Ana de Armas is opening up about her experience on the set of the highly anticipated Netflix film ‘Blonde’ and it seems things got a little strange. The Hollywood star revealed that she felt very close to Marilyn Monroe, while portraying the movie legend. “I truly believe that she was very close to us.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

Marilyn Monroe biopic “Blonde” starring Ana de Armas premiered at the Venice Film Festival Thursday, earning praise from several critics for its portrayal of the 1950s blonde bombshell. Adapted from the Joyce Carol Oates novel of the same name, the film runs nearly three hours and received a 14-minute standing ovation from the crowd, which caused de Armas to break down into tears, according to Variety.“Andrew Dominik’s Venice Film Festival competition entry ‘Blonde’ takes a blowtorch to the entire concept of the Hollywood biopic and arrives at something almost without precedent,” Deadline’s critic said.“[‘Blonde’] is simply inventing fresh indignities for the most positively, permanently persecuted heroine outside of a John Waters movie ever to have to suffer.” As Netflix’s first film with an NC-17 rating, “Blonde” sparked backlash almost instantly when it debuted its first trailer in July over the casting of de Armas due to the fact that she is Cuban and her accent was not “authentic.”Variety’s critic Owen Gleiberman disagreed in his review, saying the film is “built around a performance, by Ana de Armas, of breathtaking shimmer and imagination and candor and heartbreak.

Ana de Armas chose to pay tribute to not one but two a classic Marilyn Monroe style moments. The Cuban actress hit the Venice Film Festival red carpet for the premiere of  'Blonde' where she plays the legendary 1950’s film star in the upcoming Netflix biopic.  Apparently Ana broke down in tears at the end of the screening, after receiving a 14-minute standing ovation for her dazzling portrayal of Marilyn.

Marilyn Monroe Biopic “Blonde” is already raking in the praise.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.

Ana de Armas channeled Old Hollywood glamour at the Venice Film Festival premiere on Thursday, honoring her onscreen character, Marilyn Monroe, with an elegant pink gown and understated white jewelry. The film is a nearly three-hour adaptation of Joyce Carol Oates' 700-page novel of the same name. De Armas told this week that the film «changed my life,» adding that «I did this movie to push myself, because I thought it was a gift.» De Armas floated down the carpet in a flowing coral pink dress with a deep neckline and tie at the waist.

Sophie Monks Kaufman of IndieWire writes that Dominik doesn’t quite give enough effort in saying or showing something about the pop culture icon. “The film is Dominik’s finger pointed at everyone who had a hand traumatizing his leading lady, from her mother trying to drown her in the bath aged 7 to her death from an overdose of barbiturates at 36 after being used and abused by the Hollywood machine,” Kaufman adds.Vanity Fair’s Richard Lawson also points out the exploitation employed in the movie, noting the “boldly and complexly mounted” technique “could actually be in service of something far simpler and more base.”“‘Blonde’is a film partly about exploitation that might be exploitative itself. If the film is aware of that meta function, then there’s something interesting happening in it,” Lawson’s review continued.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.