AfterShock Media’s Rive Gauche Taps David Siguarani As EVP Film & TV, Max Zupanovic, Director Domestic Development

Guy Lodge Film CriticIn a small Arabic village in Israel, at what is meant to be the emotional crescendo of a crowded, elaborate wedding, several cages are opened to release a flight of doves into the air. Except “a waddle of doves” might be a more appropriate term, given the birds’ reluctance to spread their wings, as they tip-claw tentatively into the outside world.

EXCLUSIVE: Talent agency veteran William Lowery has departed Endeavor Content to launch Brigade Media Capital, Deadline has learned.

Brent Lang Executive Editor of Film and MediaJane Campion’s “The Power of the Dog” has been tapped as the centerpiece selection for the 59th New York Film Festival.The film stars Kirsten Dunst, Jesse Plemons, and Benedict Cumberbatch and will be released by Netflix. The streamer has awards ambitions for the Western, a historical drama that unfolds on a Montana cattle ranch in the 1920s.

Vince Staples has stated that he “won’t be supporting” an upcoming rap film inspired by Mac Miller, which was recently called out by the late rapper’s family.The movie, which stars Machine Gun Kelly, was set to be titled Good News, a direct nod to Mac’s first posthumous single, and the storyline was reportedly inspired by artists such as Miller himself, Juice WRLD and Pop Smoke who have all faced untimely demises.Kelly is set to portray an artist making his way in the industry, but the

Erin Brockovich, Pretty Woman and Notting Hill. Though Roberts has been a key player in Hollywood, away from the limelight she lives a more quiet, private life.

Erin Brockovich, Pretty Woman and Notting Hill. Though Roberts has been a key player in Hollywood, away from the limelight she lives a more quiet, private and stable life.

Julia Roberts has been at the forefront of Hollywood for more than three decades, journeying her way into audience's hearts with beloved roles in Erin Brockovich, Pretty Woman and Notting Hill. Though Roberts has been a key player in Hollywood, away from the limelight she lives a more quiet, private life.

“For Free,” by David Crosby (BMG)David Crosby gets by with a little help from his friends, including Donald Fagen of Steely Dan and former Doobie Brother Michael McDonald, on “For Free,” a deeply felt, and expertly conceived album that drops just shy of Croz's 80th birthday.Crosby's son, James Raymond, produced the album and also penned the touching final track “I Won't Stay for Long."“I’m facing the squall line/Of a thousand year storm," Crosby sings.

Julia Roberts has been at the forefront of Hollywood for more than three decades, journeying her way into audience's hearts with beloved roles in Erin Brockovich, Pretty Woman and Notting Hill. Though Roberts has been a key player in Hollywood, away from the limelight she lives a more quiet, private and stable life.

Bruno Dumont’s peculiar blend of the transcendental with a clumsy kind of realism was a natural fit to “Jeannette” and “Joan of Arc,” both films dealing with the same presumed miracle — an ordinary little girl claiming to be guided by Saints.

Julia Roberts has been at the forefront of Hollywood for more than three decades, journeying her way into audience's hearts with beloved roles in Erin Brockovich, Pretty Woman and Notting Hill. Though Roberts has been a key player in Hollywood, away from the limelight she lives a more quiet, private and stable life.

Julia Roberts‘ daughter is all grown up and she just made her very first red carpet appearance!

for everyone but it is about everyone – what we’re doing here on this earth and the spirits with whom we share it for whatever transient, ungraspable time we’re here. It’s not the sort of thing that needs poster quotes and star ratings.

The Robert Bresson quote that opens the anthology film “Year of the Everlasting Storm” — “you don’t create by adding, but by taking away” — makes a tidy adage of the time-honored idea that deprivation breeds innovation.

Nick Vivarelli International CorrespondentAsghar Farhadi, an Oscar winner for “A Separation” and “The Salesman,” is in Cannes with “A Hero,” the Iranian auteur’s fourth film to world premiere in the festival’s competition after “The Past,” “The Salesman” and Spanish-language “Everybody Knows.”“A Hero,” which sees Farhadi returning to filmmaking in Iran, is about a man named Rahim who is in prison because of an unpaid debt.

Cinema’s love affair with trains goes back, of course, to the very origins of the art form, and more than a century later, the flame shows no sign of dimming. To recent examples such as “Snowpiercer” (2013), “Train to Busan” (2016), and the latest of many adaptations of “Murder on the Orient Express” (2017) can now be added “Compartment no.6” (“Hytti Nro 6”) from Finnish director Juho Kuosmanen, premiering in Competition at this year’s Festival de Cannes.

“Once upon a time,” begins any good fairy tale. Though it too begins with this simple phrase, “Mothering Sunday” is no such fairy tale.