The CW is officially moving into true-crime.
02.09.2023 - 15:29 / variety.com
Catherine Bray Night time in Rome. Wildfires rage on the horizon of the vast city.
A blackout strikes, and block by block, the urban landscape is plunged suddenly into darkness, illuminated only by traffic and the roaring blaze in the distance. When a city’s infrastructure fails, it feels like the visible, outward sign of dysfunction or rot.
What better way to plunge the audience into “Adagio,” Stefano Sollima’s crime drama dealing with cynicism and corruption, and the repercussions of past actions, as they echo through the generations? Premiering in Competition at Venice, this is a solidly assembled yarn about the on-the-ground consequences of a moral breakdown at the heart of the state, about fiddling the books while Rome burns. The notional protagonist is 16-year old Manuel (newcomer Gianmarco Franchini), in over his head in a world he doesn’t understand.
But he’s a protagonist almost entirely moved and motivated by the actions of the real power players: a mixture of ex-cons, criminals and cops, hardly any of whom can be trusted. This is natural territory for Italian helmer Sollima, whose big Hollywood moment, the 2018 Benicio Del Toro starrer “Sicario: Day of the Soldado,” showed international audiences that he could handle action, having long been recognised in his homeland as the go-to guy if you want to take a trip into various gritty underworlds.
The CW is officially moving into true-crime.
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John Carpenter remains one of horror’s most revered filmmakers despite not making a film since 2010’s “The Ward” (or a good movie since arguably 1994’s “In The Mouth Of Madness.” But his name still carries weight, and so it dons Peacock‘s “John Carpenter’s Suburban Screams,” which premieres on the streamer next month. READ MORE: Fall 2023 TV Preview: Over 35+ Most Anticipated Shows To Watch According to Peacock, the six-episode series explores true tales of terror that took place in seemingly perfect American towns.
John Carpenter remains one of horror’s most revered filmmakers despite not making a film since 2010’s “The Ward” (or a good movie since arguably 1994’s “In The Mouth Of Madness.” But his name still carries weight, and so it dons Peacock‘s “John Carpenter’s Suburban Screams,” which premieres on the streamer next month. READ MORE: Fall 2023 TV Preview: Over 35+ Most Anticipated Shows To Watch According to Peacock, the six-episode series explores true tales of terror that took place in seemingly perfect American towns.
The Mail on Sunday newspaper reports that , in all likelihood, will not return to screens following a near-fatal crash involving one of its star presenters, Freddie Flintoff. Following the show being put “on hold” in March, the paper claims that the hit show’s production team has been dismantled.
Everyone wants to be David Fincher when you’re making a capital S serious, severe procedural, and grim murder mystery like Netflix’s uneven but still fascinating “Reptile.” And to be sure, gray and sinister —like all good serial killer or intricate murder thrillers are these days— director Grant Singer might reference a Fincher shot here and there or try inventively add a little Steven Soderbergh paranoia ala “KIMI.
For All Mankind,” which is set to make its release via the streamer on Nov. 10. “Rocketing into the new millennium in the eight years since Season 3, Happy Valley has rapidly expanded its footprint on Mars by turning former foes into partners.
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Nick Vivarelli International Correspondent Italian genre specialist Stefano Sollima – who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and the TV series “Gomorrah” – is in the Venice competition for the first time with Rome-set crime drama “Adagio.” This beautifully shot picture features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). It’s the tale of three old – and once mighty – mobsters searching for redemption in a cutthroat contemporary Rome that is literally burning. They find it in the form of a 16 year old named Manuel who is being blackmailed after venturing too deep in a rotting Roman underworld world that he doesn’t understand.
Can Finbar Murphy escape his past? “In The Land of Saints and Sinners” presents a mysterious man with a dark past who faces a crisis between doing what’s right and facing his own mistakes. Liam Neeson stars as Murphy, a man searching for solace and redemption; it’s yet another film that sees the actor carefully balance his dramatic roots with his recent success in high-profile action hits.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
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In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.
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Despite its soft-sounding title, Stefano Sollima’s crime drama is a gripping call-back to the heyday of poliziotteschi movies, a peculiarly Italian genre that dealt with inter-gang wars in a country where the police were often more venal than the bad guys. Adagio, though, takes a unique tack, borrowing from Martin Scorsese’s fatalistic masterpiece The Irishman to portray to tell a story in which a trio of gangsters — one blind, one suffering early-onset dementia, and another with terminal cancer — are forced to reunite against a team of bent cops involved in an elaborate blackmail plan.
The crime drama Heist 88 starring two-time Emmy winner Courtney B. Vance (The People v. O.J. Simpson: American Crime Story) has set its linear and streaming premiere dates. Inspired by one of the largest bank robberies in U.S. history, the film is set to debut exclusively on Paramount+ with Showtime on September 29. It will make its way to Showtime for its linear debut at 9 p.m. ET/PT on October 1st.
Strictly Come Dancing professional Amy Dowden has opened up about 'making the most of the good days' amid cancer battle.