‘9-1-1: Lone Star’s’ Ronen Rubinstein and Rafael Silva on Tarlos Wedding Twist, Surviving That Tragedy in Season 5

Jennifer Maas TV Business Writer Could 2023 be the year of genre? Thanks to a pandemic that created a deep desire for escapist TV, there are more shows that fit into that box now than ever, many of which are eligible for Emmys this season. They include Amazon Prime Video’s “The Boys” and “The Lord of the Rings: The Rings of Power,” HBO’s “House of the Dragon” and “The Last of Us,” Showtime’s “Yellowjackets,” Disney+’s “Andor” and “The Mandalorian,” Paramount+’s “Star Trek: Picard,” Netflix’s “The Sandman” and AMC’s “Interview with the Vampire.” Of the eight series that Variety senior awards editor Clayton Davis has predicted will get a nomination in the drama category, three would fall into the sci-fi or fantasy field: “Game of Thrones” offshoot “House of the Dragon,” video game adaptation “The Last of Us” and critical darling “Yellowjackets.”

Jennifer Maas TV Business Writer Gordon Ramsay’s team has been inundated with emails from C-suite execs at food businesses across the U.S. over the past week, following the premiere of his latest Fox competition series, “Gordon Ramsay’s Food Stars.” With the unscripted series having already shot its first season in its entirety, these people are already itching to get on a potential second season of “Food Stars,” which, in a twist for Ramsay isn’t a show about how well you cook, plate or serve — it’s ultimately about how you play the business game. And the winner gets $250,000 investment from the celebrity chef himself. “As you know, 68% percent of businesses fail in the first 18 months. And so I have to judge this on the business acumen, but more importantly, the decisions and the quickness of how decisive they need to be in the cutthroat business world,” Ramsay told Variety ahead of Episode 2 of “Food Stars” airing Wednesday at 9 p.m. on Fox “So I need to get behind the character to understand the business. And then as always, stress test those businesses and look for weaknesses. I’ve made mistakes in business, but I’ve never made that same mistake twice. Everything I’ve learned and the restaurants I’ve opened, and the huge success and the issues I’ve had to deal with, across the whole sector, has gone into this shows. It’s been fascinating, because the feedback has been extraordinary. Just on LinkedIn alone, the amount of CMOs and CEOs and COOs in the first 24 hours that my team was inundated with, thousands of requests. It’s been pretty incredible.”

Jennifer Maas TV Business Writer Former President Barack Obama opened Netflix’s livestream event for his new docuseries, “Working: What We Do All Day,” on Thursday with a more aggressive statement of support for the Writers Guild of America (WGA) than what he initially said in solidarity with the ongoing writers strike. Before the panel, which aired on LinkedIn at 5 p.m. ET/2 p.m. PT, got underway, moderator Ira Glass revealed Obama had prepared remarks he wanted to deliver about the WGA’s work stoppage, which is currently in its fourth week. “Part of what this show ‘Working’ is about is how certain things are constant about the work experience. People trying to find work that’s satisfying, people trying to pay the bills,” Obama said. “Unfortunately one of the things that’s also been constant is the struggle for people to make sure their employers are treating them fairly and they’re getting a fair share of the pie. I think what we’ve seen throughout American history is that unions and worker organizations have had to make demands on their employers, those that are controlling whatever industry they’re in, to make sure they’re treated fairly and entertainment is no exception. My hope would be that in a time of big technological change, where you’ve got big mega corporations that are doing really well, that they keep in mind the creative people who are actually making the product that consumers appreciate and that gets exported all around the world.

Jennifer Maas TV Business Writer Colin Farrell, Mariska Hargitay, Danny Strong, Paula Pell, Rachel Dratch, Michael Kelly and Craig Zobel were among the stars who came out to the writers strike picket line outside Paramount Global’s New York City office in Times Square Thursday. Sen. Kirsten Gillibrand, D.-N.Y., and local politicians spoke at the event in support of the Writers Guild of America’s (WGA) cause against the Alliance of Motion Picture and Television Producers (AMPTP) that has led to a four-week-and-counting work stoppage due to the organizations’ inability to ink a new contract May 1. “This is about what’s right. We’ve seen income inequality grow exponentially over the last decade; and in your business, it has never been more present,” Gillibrand said to the crowd, filled with not only WGA members, but also those from SAG-AFTRA, IATSE and Teamsters, among other unions. “We see writers working hard every day to produce content and we have an unfair playing field. Not only does AI want to displace our writers, they simply can’t. AI generates content based on what’s been written before the work you did last year, and the year before. It’s not original. It’s not imaginative. It doesn’t come from the human heart. It’s not about a human experience. It’s not about what people actually want to learn about or know about or see or experience. That is what writers bring to the equation every single time. So this strike is so important for the future of this country. It’s about the value of workers; workers and what they create is fundamentally valuable.”

Jennifer Maas TV Business Writer Fox is serving up a new season of Joel McHale’s mystery baking competition “Crime Scene Kitchen” next week and bringing several celebrity new guest judges along for the ride. Variety can exclusively reveal that the lineup of Season 2’s famous faces includes “Real Housewives of Atlanta” alum NeNe Leakes, country music star Martina McBride, “Next Level Chef” (a Gordon Ramsay-led Fox food competition) and “Top Chef” star Richard Blais and NBA champ and “Special Forces” (yet another Fox competition) contestant Dwight Howard. Those guest judges will pop in during different episodes this season to join host McHale and full-time judges Curtis Stone and Yolanda Gampp in their evaluations.

Jennifer Maas TV Business Writer Showtime research and scheduling chief Kim Lemon is exiting his post after 34 years with the company. Upon his exit, MTV Entertainment Studios and Paramount Media Networks’ Laurel Weir will be adding oversight of the Showtime brand (soon to be renamed Paramount+ With Showtime) to her purview. Most recently executive vice president of data strategy, research, scheduling and programming, Lemon began his career at Showtime more than three decades ago as a manager of marketing research. “Throughout his tenure, Kim has played an integral role in Showtime’s evolution from a linear network to a bonafide streaming service, establishing a first-in-class data science group,” wrote Showtime/MTV Entertainment Studios and Paramount Media Networks president Chris McCarthy and Paramount’s executive vice president and chief research officer Colleen Fahey Rush in a memo to staff Tuesday, which was obtained by Variety. “He is a pioneer in brand strategy, always prioritizing our content and being mindful of how it would inform our growth while showing great reverence for the creative process and our audience’s feedback.”

Jennifer Maas TV Business Writer SAG-AFTRA has struck a deal with celebrity video platform Cameo to cover the brand deals that members make through Cameo for Business (C4B) under a guild contract. The new pact, “C4B x SAG-AFTRA Agreement,” will allow SAG-AFTRA members to count C4B earnings toward health and pension benefits, just as those earnings become a growing concern for out of work actors while the Writers Guild of America’s strike against Hollywood studios and their organization, Alliance of Motion Picture and Television Producers (AMPTP), rages on. SAG-AFTRA has been a big supporter of WGA on the picket line over the first three weeks of the strike, with SAG-AFTRA president Fran Drescher being very vocal ahead of the the actors guild entering its own contract negotiations with the AMPTP on June 7.

Tom Sandoval had heads turning when he was spotted several times with a new mystery woman — but it may not be what it seems!

Jennifer Maas TV Business Writer For its first-ever upfronts presentation, Netflix took a page out of broadcast networks’ traditional playbook and boasted about not just what series it has launching in the coming months, or even through the end of the year, but specifically calling out its fall 2023 slate. A staple of upfronts week — though not as much lately, first because of the COVID-19 pandemic and now because of the writers strike — has been the unveiling of ABC, NBC, CBS and Fox’s fall lineups. This was done so advertisers knew what they were buying ads against and therefore what demos and audience size it would be most likely to reach by promoting products during those programs.

Jennifer Maas TV Business Writer Additive Creative Partners, the digital-focused talent management arm of Brent Montgomery and Jimmy Kimmel’s Wheelhouse DNA, has signed nine top digital content creators as clients, including Lauren Kettering, Legit Tim, YouTube collective TKOR, James Wright and Carrie Berk. Wheelhouse DNA launched last year out of Kimmel and Montgomery’s media company Wheelhouse, as the division focused on digital-first and influencer content. The new talent signed by the company will be repped by Additive Creative managers Michael Senzer and Adden Laughlin. Senzer will continue to run Additive Creative’s day-to-day operations, with Wheelhouse DNA managing director Fanny Baudry will oversee the talent management division.

Jennifer Maas TV Business Writer Warner Bros. Discovery kicked off its 2023 upfront presentation in a no-frills way, with an overall brand sizzle and ad chief Jon Steinlauf giving a few remarks on stage at the Theater at Madison Square Garden Wednesday. While the presentation covering HBO, Max, CNN, Food Network, HGTV, Discovery and more Warner Bros. Discovery brands was shorter than last year’s show (which was the company’s first since the merger that created it last April) the tight 90-minute presentation still covered each of its key divisions. Albeit, with much less sizzle, with no stars in attendance amid the writers strike. “Let me just start by saying I am hopeful that a fair resolution is found soon with the writers,” HBO and Max chief Casey Bloys said, adding that he hopes for a return of talent to the stage, “making this a far more entertaining show” compared to “me and my clips.”

Note: This story contains spoilers from the “9-1-1: Lone Star” Season 4 finale.“9-1-1: Lone Star” finally gave fans the Tarlos wedding they deserved. But a devastating twist put a damper on the celebrations, setting off a potentially dark parth for the newlyweds’ future.Actors Ronen Rubinstein and Rafael L.

Jennifer Maas TV Business Writer SPOILER ALERT: This interview reveals major plot points from the “9-1-1” Season 6 finale, which aired Monday on Fox. Buck (Oliver Stark) helped bring a very special baby boy into the world on the sixth season finale of “9-1-1.” The little guy, whom Buck donated sperm to help his friends conceive, was born on Buck’s new couch (if you know, you know) — with Buck delivering the infant during one of the most large-scale disasters “9-1-1” fans have ever seen. “9-1-1” is moving to ABC for its seventh season, meaning, unfortunately, that any future crossovers in the franchise are “extremely unlikely,” according to Fox boss Michael Thorn. For the final episode of “9-1-1” that will ever air on Fox, Stark spoke with Variety about his experience filming it, and what he hopes for Buck’s future.

BreAnna Bell As Upfronts begin, it’s time to take a look at the current shows scheduled to return in the upcoming broadcast season as cable networks continue to take stock of their successes. For those keeping up, CBS previously announced several cancellations including the popular show “SWAT,” which will close after its seventh season.

Just last month, fans were shocked to hear that Fox had officially cancelled 9-1-1, which had been the network’s most popular primetime television series for six seasons.

Jennifer Maas TV Business Writer The last-ever episode of “9-1-1” on Fox airs Monday, and it’s a bittersweet occasion for Oliver Stark, who has starred as Evan “Buck” Buckley on the Ryan Murphy-produced first-responder drama since its debut six seasons ago. While the show is ending its run on one network, it will be alive and well next season on ABC — the broadcaster that is owned by Disney, the parent company of “9-1-1” studio 20th Television, which not too long ago was owned by Fox — so Stark isn’t saying goodbye to his character, so much as a family he and his co-stars have established behind-the-scenes. Here, Stark discusses with Variety his reaction to the move to ABC for Season 7, and if he thinks spinoff “9-1-1: Lone Star” (which also hails from 20th Television) remaining at Fox for its fifth season means the chance at another crossover episode between the two series is slim.

Jennifer Maas TV Business Writer “I don’t know but I’ve been told, NBC has a heart that’s cold,” Writers Guild of America pickets shouted outside Radio City Music Hall Monday, making some noise about the writers strike in front of NBCUniversal’s upfront presentation to advertisers. Approximately 200 pickets, some members of SAG-AFTRA joining the WGA in solidarity, used other chants personalized for the occasion, including, “NBC, you’re no good, pay your writers like you should,” to try to get the attention of those in attendance at the event, which is used to launch NBC’s fall schedule and woo advertisers into spending their dollars on spots with NBCU brands. The WGA is on Day 14 of a strike after failing to ink a deal with the Alliance of Motion Picture and Television Producers (AMPTP) before the clock ran out May 1.

In one of the biggest twists of the 2023 upfront, Fox opted not to renew its highest rated scripted series, 9-1-1. The drama, produced by 20th Television, was instead picked up for a seventh season by 20th TV sibling ABC.

Fox is closing out the 2022-23 television season with a ratings win in delayed viewing.

Call Me Kat,” after its third season finale failed to draw sufficient numbers. The last episode of “Fantasy Island,” titled “MJ Akuda & The 1st, 2nd, and 3rd Wives Club,” earned 1.8 million viewers and a 0.2 rating in the demo.“We were very pleased with ‘Fantasy Island’s’ fun and escapist creative, which we had hoped would gain strong traction among viewers,” the network said in a statement shared with TheWrap.