Zendaya’s Tennis Drama ‘Challengers’ Set To Kick Off The Venice Film Festival

The Venice Film Festival will close with the world premiere of J. A. Bayona’s Netflix survival thriller La Sociedad De La Nieve (Society Of The Snow).

Nick Vivarelli International Correspondent Spanish director J.A. Bayona’s “Society of the Snow,” a reconstruction of a 1972 plane crash in the Andes that forced survivors to take extreme measures, including cannibalism, has been set as the Venice Film Festival’s closing film. The deeply immersive Spanish-language saga is a Netflix original film shot in Andalusia’s Sierra Nevada, mainland Spain’s highest mountain range, using a 300-person crew. “Society of the Snow” will world premiere on the Lido out-of-competition on Sept. 9th. Its official screening will be held in the Palazzo del Cinema after the awards ceremony. In 1972 Uruguayan Air Force Flight 571, which had been chartered to bring Montevideo’s Old Christians Rugby Club team to Chile, crashed at an altitude of 11,712 feet in the Andes.  Of its 45 passengers – which consisted mostly of the rugby team, friends and family – 29 survived. Without food, the survivors, who belonged to Uruguay’s elite, were forced to eat the flesh of the deceased to stay alive. 19 survived an avalanche. 72 days after the crash, 16 finally made it out alive. 

Fans are going to have to a wait a few more months before Zendaya‘s next movie hits theaters.

Bad news out of the Venice Film Festival: Variety reports that Luca Guadagnino‘s “Challengers” will no longer be the opening film on the Lido this year. What’s more, MGM/Amazon Studios have pushed back the tennis love triangle drama’s US theatrical release to next spring, too.

Challengers,” starring Zendaya, which had been set as the Venice Film Festival opener, has been pulled from the festival due to promotional complications prompted by the SAG-AFTRA strike. Venice has announced that the sexy sports comedy — in which Zendaya plays a former tennis prodigy turned coach entangled in a love triangle with two pro tennis players, played by Josh O’Connor and Mike Faist — has changed its distribution strategy. The film’s promotion has been disrupted by the current actors strike, which prohibits SAG-AFTRA union members from doing any type of promotional activity. This means Zendaya, O’Connor and Faist would not have been able to launch the film on Aug. 30 on the Venice red carpet.

Zendaya tennis drama Challengers has become a high-profile casualty of the SAG-AFTRA strike with confirmation that its Venice Film Festival world premiere has been cancelled.

Leo Barraclough International Features Editor Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival. The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday. “The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.

Leo Barraclough International Features Editor The 80th Venice Film Festival has revealed its selection of projects for Venice Immersive, the XR-Extended Reality section of the festival, which runs Aug. 30 – Sept. 9. The program will include VR experience “Wallace & Gromit in the Grand Getaway” and a Fatboy Slim project. Venice Immersive is devoted to immersive media and includes all XR means of creative expression: 360° videos and XR works of any length, including installations and virtual worlds. The program, which will take place on the island of Lazzaretto Vecchio, will present 44 projects from 25 countries, and 24 works in the Worlds Gallery section. It will comprise:

Leo Barraclough International Features Editor Forty-nine films will compete for the Heart of Sarajevo awards at the 29th Sarajevo Film Festival, which runs in Bosnia and Herzegovina from Aug. 11 to 18. The Feature Film Competition will present 11 titles, with two world premieres, one international and five regional premieres. World premieres include “Europa” from Austrian-Iranian filmmaker Sudabeh Mortezai, whose credits include 2018 Venice Days entry “Joy,” the Best Film winner at London Film Festival, and “Macondo,” which competed for the Golden Bear at Berlin Film Festival in 2014. The other world premiere is “Medium,” from Greek director Christina Ioakeimidi, whose debut feature was “Harisma” in 2010.

Filmmaker James Mangold’s “Indiana Jones And The Dial Of Destiny” is in theaters now, and while it seemed to underwhelm at the global box office in its opening weekend, the film has grossed $305 million worldwide so far, so maybe there’s hope it can have some minor legs. If anything, it maybe shows how making a blockbuster with an 80-year-old star can only take you so far with audiences.

Inter Miami now that Lionel Messi has joined the team. Although the team lost on Saturday, July 15, 3-0 to St. Louis, they have a long season ahead of them with thousands of fans in their corner.

Nick Vivarelli International Correspondent The Venice Film Festival will pay tribute to late Italian icon Gina Lollobrigida, who died in January, with a pre-opening event featuring a double bill of freshly restored works in which she stars. The Lido’s annual pre-opening event on Aug. 29 will feature a 27-minute short by Orson Welles titled “Portrait of Gina.” In 1968, Welles interviewed Lollobrigida in her villa on the Appian Way as the pilot for an ABC TV series — a U.S. version of “Around the World With Orson Welles”– that ABC rejected. Welles’ portrait of the diva remained in the vaults until 1986, when it was screened at the Venice Film Festival one year after Orson Welles’ death. This piece has been defined by Welles as a “personal essay” on Lollobrigida. Interestingly, when Lollobrigida saw “Portrait of Gina” in Venice in 1986, she reportedly tried to have it banned. The short’s restoration was done by the Munich Film Museum and Italy’s Cinecittà.

Leo Barraclough International Features Editor Seven films have been selected for the 11th edition of Final Cut in Venice, the works-in-progress section of the 80th Venice Film Festival. Final Cut in Venice, which runs Sept. 3-5, provides support for the completion of films from Africa and five Middle Eastern countries: Iraq, Jordan, Lebanon, Palestine and Syria. It is one of the programs run by the festival’s industry section, Venice Production Bridge. Over three days, the working copies of the selected films will be presented to producers, buyers, distributors, post-production companies and film festival programmers. The first two days are devoted to screenings, and then one-to-one meetings between the producers of the projects and the professionals attending the Venice Production Bridge will take place on the third day. The program will conclude with the awarding of prizes in kind or in cash, the purpose of which is to provide support for the films’ post-production.

wouldn’t they do that?”  As of press time on Thursday, the studios’ festival gameplan is still unclear. Sources indicate there are ongoing discussions about pulling films from fall festivals entirely and moving their release dates. Alternately, if festival premieres are maintained, they’ll likely happen without the support of their actors. For Venice — a festival recognized for its mega-watt star power and glitzy red carpets — this is going to hurt.  “The titles around Venice are star-driven,” said one senior PR source. “You need the actor shots for Venice because there are famous photos of them coming in on the boats, and it’s such an important platform for future awards titles. A lot of the competition titles are director-driven, so it wouldn’t necessarily affect the films’ awards future, but it would lose some of that glamor,” the PR added.   A U.S.-based industry veteran predicted optimistically that, unlike the WGA strike, the actors strike could be resolved in as early as a few weeks, but that “it’s still going to be a total shit show at Venice and Toronto.”    “I wouldn’t want to be Alberto Barbera trying to put together the lineup right now,” they noted.   For Venice, it’s shaping up to be a wait-and-see situation. “We hope that, in the interests of the entire audio-visual industry, the parties will reach an agreement quickly,” the fest’s parent organization, the Venice Biennale, said in a statement. But the prospects that the SAG-AFTRA strike will subside before the Lido launches are grim. 

The Venice Film Festival has unveiled the names who will join Damien Chazelle on the main Competition jury of its 80th edition, running Aug 30 — Sep 9.

Nick Vivarelli International Correspondent Jane Campion, Laura Poitras, Mia Hansen-Løve and Martin McDonagh are among high-caliber members of the Venice Film Festival’s main jury. The prominent directors, most of whom are Venice regulars – Poitras last year scored the Golden Lion with documentary “All the Beauty and the Bloodshed” – will be joined on the Venice jury panel by Palestinian actor Saleh Bakri (“Wajib”); Chinese star Shu Qi (“The Assassin”); Italian director Gabriele Mainetti, who was at Venice last year with “Freaks Out”; and Argentinian auteur Santiago Mitre whose “Argentina, 1985” also launched from the Lido last year. They will join Damien Chazelle who – as previously announced – will serve as president of the Venice competition jury. 

Todd Hayes’ May December will open the New York Film Festival on September 29, organizers said today.

EXCLUSIVE: Amid all the strike news and Emmy noms on the horizon, here’s something wild we heard recently and that’s that the Sundance Film Festival has been fielding bids from a handful of cities to relocate the festival from its Park City, UT home base.

Dominic Fike opens up about his sobriety battle while filming “Euphoria”.