Zee Studios’ Shariq Patel On Push Into Web Series, Festival Films with Berlin selections ‘Brown’ and ‘Aatma Pamphlet’

K.J. Yossman Mercury Studios, the production company behind recent Abbey Road Studios doc “If These Walls Could Sing,” have unveiled their new feature, about composer Felix Mendelssohn’s genius sister Fanny. Although Felix, who is best known for writing “The Wedding March,” is still world-renowned 175 years after his death, his sister Fanny was also a prolific musician, composing 450 works – including her own wedding music – before she died in her early 40s. “Fanny: The Other Mendelssohn” tells her story. Sheila Hayman (“Mendelssohn, The Nazis and Me”) directs the doc, which also stars classical artist Isata Kanneh-Mason bringing Mendelssohn’s works to life. Filming has taken place in Berlin, New York, London, Oxford and Buckingham Palace, where Kanneh-Mason played Queen Victoria’s piano.

fan footage, the embattled entertainer selects a ticketholder to take a seat while he sensually performs his 2007 song “Take You Down.”The excited woman pulls out her phone and positions it selfie-style to try and record Brown standing behind her. Unimpressed, he calmly takes the phone out of her hand and places it in her lap, so she can fully enjoy the moment. A short time later, she tries again — and Brown quickly grabs the phone and launches it into the crowd.

Sideshow and Janus Films have acquired North American rights for German director Christian Petzold’s new film Afire, following its award-winning world premiere in competition at the Berlin Film Festival.

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

Manori Ravindran Executive Editor of International Sideshow and Janus Films have acquired North American rights to the Berlin-premiering family drama “Tótem,” written and directed by “The Chambermaid” helmer Lila Avilés. Winner of the festival’s Ecumenical Jury Prize, the film follows seven-year-old Sol, who spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they’re throwing for her father, Tonatiuh, who is terminally ill. However, as night descends, a strange and chaotic atmosphere takes over, shattering the bonds that hold the family together, and Sol will come to understand that her world will change dramatically.

can be found here.MAIN COMPETITIONGolden Bear for Best Film: “On the Adamant” (“Sur l’Adamant”), Nicolas PhilibertSilver Bear Grand Jury Prize: “Afire” (“Roter Himmel”), Christian PetzoldSilver Bear Jury Prize: “Bad Living” (“Mal Viver”), Joao CanijoSilver Bear for Best Director: Philippe Garrel, “The Plough”Silver Bear for Best Leading Performance: Sofia Otero, “20,000 Species of Bees”Silver Bear for Best Supporting Performance: Thea Ehre, “Till the End of the Night”Silver Bear for Best Screenplay: Angela Schanelec, “Music”Silver Bear for Outstanding Artistic Contribution: Hélène Louvart for the cinematography of “Disco Boy”ENCOUNTERSBest Film: “Here,” Bas DevosBest Director: “The Echo,” Tatiana HuezoSpecial Jury Award: “Samsara,” Lois PatiñoSpecial Jury Award: “Orlando, My Political Biography,” Paul B. PreciadoGWFF Best First Feature Award: “The Klezmer Project,” Leandro Koch, Paloma SchachmannSpecial Mention: “The Bride,” Myriam U.

Guy Lodge Film Critic The official awards ceremony of this year’s Berlin Film Festival is under way, with Kristen Stewart’s jury set to announce their winners from the Competition selections. This post will be updated as they’re announced.Previously announced: AUDIENCE AWARDS Panorama Audience Award: “Sira,” Apolline TraoréSecond Prize: “The Burdened,” Amr GamalThird Prize: “Midwives,” Léa Fehner Panorama Documentary Audience Award: “Kokomo City,” D. SmithSecond Prize: “The Eternal Memory,” Maite AlberdiThird Prize: “The Cemetery of Cinema,” Thierno Souleymane Diallo

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

European Film Market which at one and the same time has underscored the challenges still facing the international independent film business.  Following by way of an industry wrap, a dozen takeaways on the 2023 Berlin market, including its Berlinale Series Market, an ever more building proposition at the Festival.  The Verdict If the European Film Market is anything to go by, broadly, the international movie market is in some ways making a international comeback, despite still vastly challenging circumstances. On Thursday, the EFM reported “record results” of a total of over 11,500 market participants from 132 countries. “It was a rather busy market, with no single must-have, but much mid-sized product,” recognizesConstantin’s Martin Moszkowicz of this year’s Berlin European Film Market, noting that Constantin received about 90 project submissions prior to market, “which is a lot.” “There’s been more deals happening at the EFM than at Sundance and we sense a new vibrancy in the international markets,” says Nick Shumaker, at Anonymous Content’s AC Independent.

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Shayeza Walid “Autobio Pamphlet” (“Aatmapamphlet”), debuting in the Berlin Film Festival’s youth-focused Generation 14plus strand competition, takes on the twin tasks of telling the coming of age story of both its young protagonist and of India. The Marathi-language film marks the directorial debut of Ashish Bende, who previously assisted on several films in India’s flourishing Marathi industry, including award-winning 1970s-set coming of age film “Shala” (2011). The film depicts momentous occasions in the life of Ashish, a so-called “lower caste” boy from the Dalit community in 1980s and 1990s Maharashtra, who falls in love with his classmate from the so-called “upper caste” Brahmin community. The narrative is largely based on Bende’s childhood and teenage years. It follows Ashish and his friends – who are from a variety of castes and religions – as they realize the divisive nature of the caste system, and overcome the challenging socio-political changes around them through kinship and a celebration of differences. 

Makoto Shinkai’s latest pic Suzume is the first Japanese animated picture to play in competition at Berlin in two decades. However, Shinkai told a press conference in Berlin that a successful festival run has never been high on his list of priorities.

It’s been more than a month since Julian Sands was reported missing and the San Bernardino County Sheriff’s Department has an update regarding the search efforts.

Christopher Vourlias The crime noir genre gets a distinctly South African twist in the new series “Donkerbos,” which premiered its first episodes this week as part of the Berlinale Series Market Selects lineup at the European Film Market. The show begins when the bodies of six children are found in the forests of a provincial backwater town, and a local detective (Erica Wessels) is called in to investigate the shocking crimes. But as the series unfolds, she’s forced to wrestle with her dark past, her family and a distrustful community to catch the killer before another child is taken. Written and directed by Nico Scheepers, “Donkerbos” is produced by Nagvlug Films and sold globally by MultiChoice, which bowed the show last year on its SVOD platform Showmax.

K.J. Yossman S.N.A.P. Films have unveiled their new development slate, including a film and true crime limited series about the first female mob boss Bessie Starkman. The Canadian production company, founded by Sergio Navarretta and Alessandra Piccione, has also secured Dr. Bernie Siegel’s life rights with a view to working on a documentary and feature film about what they describe as “America’s most controversial doctor in the field of mind-body healing and patient empowerment” as well as optioning the rights to the book “Rocco Perri: The Story of Canada’s Most Notorious Bootlegger” by Antonio Nicaso, which they are also planning to adapt as a feature.

Ed Meza @edmezavar “Snow,” an Austrian-German co-production and one of 16 titles presented in the Berlinale Series Market Selects showcase, weaves the timely issue of climate change and local folklore into a suspenseful mystery drama set in the picturesque Austrian Alps. Brigitte Hobmeier stars as Lucia, a physician who with her husband and children moves to the village, where she is replacing the local doctor, who is retiring. Things take a troubling turn when her daughter is visited by a strange woman at night. The series presentation at the EFM event brings the title back to Berlin, where it came together in 2020 at the Berlinale Co-Production Market’s Co-Pro Series event.

Elsa Keslassy International Correspondent Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer. Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of ISIS . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”

Patrick Frater Asia Bureau Chief The Vesoul International Film Festival of Asian Cinema has unveiled its 85-title lineup for the edition that starts later this month (February 28 to March 7, 2023). Elements include a 10-film competition section, a 10-film documentary film section, a tribute to the Turkish director Semih Kaplanoglu; a thematic section “Asian Diaspora Cinema” offering a panorama of works by directors from Asian countries living in exile; and a Philippines cinema sidebar. Fiction films in competition include: Azerbaijan’s “Cold as Marble,” by Asif Rustamov; China’s “In Our Prime,” by Liu Yulin; Korea’s “A Letter from Kyoto,” by Kim Min-ju; India’s: “Behind Veils,” by Praveen Morshhale; Iran’s “No End,” by Nader Saievar; Mongolia’s “The Sales Girl,” by Sengedorj Janchivdorj; The Philippines’s “Feast,” by Brillante Mendoza; Singapore’s “#LookAtMe,” by Ken Kwek; and Vietnam’s “Memento Mori: Earth,” by Marcus Vu Manh Cuong. The president of the jury is Lee Yong-kwan, president of the Busan film festival.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Naman Ramachandran Bollywood star Karisma Kapoor has made a triumphant return to acting with Zee Studios’ noir thriller “Brown,” the only Indian show at the Berlin Series Market Selects platform. Kapoor, one of the top movie stars in India in the 1990s and early 2000s, took a hiatus to devote time to her young family. She made a comeback with parenting-themed series “Mentalhood” for streamer ALTBalaji in 2020. “Brown” is her first acting gig since then. The series is based on the 2016 novel “City of Death” by Abheek Barua, adapted by Digvijay Singh, Sunayana Kumari and Mayukh Ghosh and directed by Abhinay Deo (“24: India”). It follows Rita Brown (Kapoor), a world-weary, recovering alcoholic, ace detective in the Kolkata police force belonging to the city’s small but influential Anglo-Indian community, who is assigned to the murder case of a young woman from a well-connected family.