You WILL NOT Believe The Reason This Soccer Star Got Demoted!

Camila Cabello has a big issue with the audience members during her latest performance.

Camila Cabello is hitting back at the “very rude” fans who were singing over her opening performance at the 2022 UEFA Champions League Final.

Camila Cabello is hitting back at the «very rude» fans who were singing over her opening performance at the 2022 UEFA Champions League Final. The «Bam Bam» singer rocked the stage Saturday at Stade de France in Paris ahead of the Champions League Final match between Liverpool and Real Madrid. While she was performing, however, fans in the stadium were chanting their respective teams' anthems rather than enjoying her nearly six-minute ensemble. Taking to Twitter to address the disturbance, Camila wrote, “Playing back our performance and I can’t believe people were singing their teams anthem so loud during our performance. Like my team and i worked tirelessly for so long to bring right vibes and give a good show.Not long after, she tweeted again, on a more positive note, “Very rude but whatever.

Vangelis, composer and producer. Born: 29 March 1943 in Agria, Greece. Died: 17 May 2022 in Paris, France, aged 79Evángelos Odysséas Papathanassíou – or Vangelis as he is known to the film soundtrack lovers of the world – was an untutored musical seeker whose 50-year career encompassed cosmic concept albums, commissions from international space agencies and the occasional pop classic.

Michele Morrone is showing off some great fashion at the 2022 Cannes Film Festival!

Breaking his silence. Austin Butler finally talked about Vanessa Hudgens after their breakup. The Elvis star talked to GQ about how the end of their relationship felt on his part.

The Cannes Film Festival has had its third red carpet protest in the space of a week.

Peter Debruge Chief Film CriticIn “Leila’s Brothers,” a once proud, now pathetic Persian family teeters on the brink of ruin, held together by the assertive sister who’s tired of relying on men to decide her fortune. Taking matters into her own hands may be empowering to watch — there’s no question that “The Salesman” alum Taraneh Alidoosti, who plays Leila, towers over this male-dominated ensemble — but it’s also a recipe for potential tragedy in Iranian writer-director Saeed Roustaee’s novelistic, nearly-three-hour saga, his first to be selected for Cannes.Some audiences may recognize Roustaee from another turbulent family portrait, “Life and a Day” (2016), whereas it was his terrific cop thriller “Just 6.5” (2019) — the closest thing Iran has produced to “The French Connection,” still unreleased in the U.S.

LIVE – Updated at 09:58Day Two of the French Open featured an all-star line-up with Emma Raducanu making her senior debut on clay as she overcame an almighty scare against Czech qualifier Linda Noskova. Raducanu trailed by a set and a break at one stage in a gruelling match that lasted over two and a half hours, but the Briton eventually prevailed 6-7 7-5 6-1 to seal her place in the second round. There was good news on the British front for Cameron Norrie too, who made it safely through to the second round with a straight sets victory over Manuel Guinard.

Elsa Keslassy International CorrespondentMia Hansen-Løve, the French writer-director whose last film “Bergman Island” competed at last year’s Cannes, is back at the festival with “One Fine Morning,” a romance drama headlined by Lea Seydoux. The movie world premiered at Directors’ Fortnight and has earned stellar reviews with Variety‘s Guy Lodge describing it as a “wistful, wandering character study” and “gently moving reflection on parenting one’s children and parents at once,” which marks Hansen-Løve’s “returns to French, and to form.” “One Fine Morning” stars Seydoux as a long-single mother who’s coping with her father’s degenerative illness while embarking on a new, uncertain romance with a charming, yet emotionally unavailable man (Melvil Poupaud).

Elsa Keslassy International CorrespondentGaumont has locked major territory deals on “Father & Soldier,” Mathieu Vadepied’s WWI action-drama about headlined by “Lupin” star Omar Sy. The movie world premiered on opening night of Cannes’ Un Certain Regard.

EXCLUSIVE: As Roman Abramovich-backed Tchaikovsky’s Wife unspools this week at the Cannes Film Festival, the French Ministry of Economy and Finance has clarified its position regarding movies backed by sanctioned oligarchs.

Peter Debruge Chief Film CriticA slight but satisfying choice to open Director’s Fortnight at the Cannes Film Festival, Pietro Marcello’s “Scarlet” isn’t quite a fairy tale, although it certainly feels like one at times. For example, roughly midway through the movie, a woman who might be a witch meets the film’s fanciful young heroine, Juliette (Juliette Jouan), in the woods and predicts her fortune, explaining that one day this girl — who’s destined for greater things than the provincial Normandy farm where she’s dutifully passed her adolescence — will be whisked away by a ship flying scarlet sails.Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-COVID — is smaller, sweeter and more sensitive than Marcello’s earlier work.

“Out of the Corner,” that her then-boyfriend said he didn’t think she would get the coveted part of Frances “Baby” Houseman on the night before her audition in 1986.“He said this odd thing, as if to reassure himself, like he wasn’t aware he was using his ‘out loud voice,'” Grey wrote, recalling him saying: “‘I don’t know what I’m worried about. There’s no way you’re gonna get it.

Cannes Film Festival chief Thierry Frémaux took part in a ‘meet the press’ session with journalists in Cannes yesterday afternoon.

The Cannes Film Festival officially kicks off tomorrow. One of the big films to be screened there is David Cronenberg‘s body horror “Crimes of The Future,” which stars Lea Seydoux (“No Time To Die“) alongside the filmmaker’s longtime muse Viggo Mortensen.