‘X’ Review: ’70s Horror Meets ’70s Porn in the Rare ‘Chain Saw’ Homage That Earns Its Fear

The Real Housewives of Dubai” will premiere on June 1 at 9 p.m. ET, Bravo announced Friday.

Lise Pedersen “Novorossiya” by Enrico Parenti and Luca Gennari, which had its world premiere this week at CPH:DOX, is a rare film that shows the ongoing conflict in Ukraine’s Eastern Donbas region from the Russian perspective.Gennari, an experienced cinematographer, was shocked at the way the war in the Luhansk and Donetsk region, where pro-Russian separatists have proclaimed the state of Novorossiya (literally “New Russia”), no longer received any media attention once the Maidan revolution was over.In 2017, he decided to head to the Donbas region with his camera to see what life was like there.The film follows the parallel stories of a handful of characters, ranging from a communist U.S. fighter from Texas to a young Ukrainian soldier, a captain in the separatist army who dreams of rebuilding the Soviet Union, an opera singer from the Donetsk opera house, two young men from a heavy metal band and two elderly women who live in a bunker.

Kanye «Ye» West has an impressive go-to present: wildly expensive handbags. This time, the artist pulled out all the stops when he gifted Chaney Jones — the woman he's been seeing and packing on PDA with in recent weeks — a very special Birkin bag.A source tells ET that West «purchased an extremely rare version of the Birkin bag for Chaney Jones for $275,000 from Privé Porter.»The bag is silver metallic Chèvre leather with palladium hardware and was delivered to Jones in Houston, Texas on Tuesday night, according to the source, who adds, «Kanye watched as Chaney received the bag via FaceTime.»Michelle Berk, CEO of Privé Porter tells ET, «This is a very limited production bag that was only made in 2004. Other notable owners of this bag are Jeffree Star, who purchased from me, and Bella Hadid.

refugees, and his melting pot musical mix ranges from Eastern European folk and Yiddish theater to Jimmy Buffett and John Prine.Heifetz’s voice could be mistaken for Steve Goodman’s, and there’s a twinkle in his twangy tenor as he finds humor in the immigrant experience. But it’s not all yuks as he reflects on outliers and outsiders, dislocation, disorientation and striving to belong in the land of plenty.“I’m foreign as the fourth day of July,” Heifetz sings.

Season three of “The Umbrella Academy” is nearly here and Elliot Page’s character has a meaningful storyline.

Obergefell v. Hodges, which ruled all existing laws prohibiting same-sex marriage in the United States to be unconstitutional, last week’s decision marks the first time a jury in Texas has made such a finding with regard to a divorce action.The plaintiff, Christopher Hoffman, filed for divorce from his former partner, Moises Ortiz, in 2019, claiming that although the two had not legally wed, they had been involved in a common law marriage for more than 20 years.

Owen Gleiberman Chief Film CriticFor an actor, there’s an obvious showboat appeal to playing a serious out-of-control drunk. You can fight, you can rage, you can tap your inner party animal, you can rotate through emotions like a human mood ring, you can descend into the kind of degraded dishevelment that’s the lower-depths version of an awards-bait transformation. Yet to give a truly remarkable performance as an alcoholic, you have to make good on the old line about it — that someone who’s drunk is working hard not to act that way.

In May 16th 2001 Joana Rodriguez, 25, was just settling into life with a newborn.The beautiful young mum had given birth four days ago, to a son called Ray. Yet that night, three men came into her home, beat up her partner and kidnapped her and her newborn son. Later that day her lifeless body was found in the trunk of a car.

Wilson Chapman editorTi West made his name directing nimbly paced throwbacks to horror films of old, from his haunted house breakthrough “The House of the Devil” to his found footage film “The Sacrament.” But after directing six horror films in a row, with very few breaks in between, he decided to take some time off to make sure he didn’t start repeating himself.While on his break from horror filmmaking, during which he directed for TV shows such as “Scream,” and “Tales From the Loop,” he thought about making a pure slasher film, something he hadn’t done before. Trying to find his own unique spin on the subgenre, he decided to make slasher film about people making a film.

Cybill Shepherd was spotted taking a walk in Los Angeles with her three dogs on Thursday (March 17). The 72-year-old Moonlighting alum looked to be enjoying her sunny stroll as she was accompanied by a friend, who helped keep watch over her precious pups. The ageless star looked incredible in her casual ensemble featuring a black tank top, jeans and a red sweater. Her trademark blonde tresses were swept back, as she kept a low-profile in dark sunglasses.

X (★★★☆☆) peers into some kinky, kooky crevices of sex and violence.Set in 1979, and shot and styled to evoke films of the era, from Deep Throat to Texas Chainsaw Massacre, X doesn’t upend, but leans into, the tried-and-true formula of nubile young things fucking and screaming their way to bloody deaths. It ups the ante with a self-aware wit, and a set of eccentric killers we’ve never really seen in the genre.The porno film crew led by producer Wayne (Martin Henderson) and director RJ (Owen Campbell) certainly doesn’t anticipate what’s in store for them at the remote farm compound of grizzled, gun-toting Howard, and his decrepit, white-haired wife Pearl.The porn-makers and their stars — stud Jackson (Scott ‘Kid Cudi’ Mescudi), girlfriend Bobby-Lynne (Brittany Snow), and Wayne’s girlfriend, Maxine (Mia Goth) — are all admirably focused on making their production, The Farmer’s Daughters, the hottest adult flick of their careers.In fact, their shoot is so steamy, that the film’s timid sound recordist Lorraine (Scream queen Jenna Ortega) feels inspired to join the cast.

In Houston 1979, a small film crew arrives to make a porn film in a rented cottage on a farm belonging to an aged couple, one of whom greets the producer at the door with a shotgun and — unaware of their cinematic ambitions — an order for “discretion.” What could possibly go wrong?But in Ti West's “X,” it's never in doubt that a bloodbath is to follow. The aftermath is glimpsed in the movie's opening scene, when a police detective steps timidly through hallways strewn with bloody sheets covering corpses and a black-and-white TV blares with a local televangelist preaching about “a world of sin.”Sex has long been a punishable offense in slasher movies but “X" cleverly flips the script.

Kate Beckinsale keeps fans on Instagram constantly entertained with her witty posts – but she took to social media this week for an altogether different reason.MORE: Kate Beckinsale wows in crop top in au-natural photoThe 48-year-old actress took to the site in celebration of her only child, 23-year-old daughter Lily Sheen, whose latest movie, The Unbearable Weight of Massive Talent, is taking the world by storm.WATCH: Kate Beckinsale struts around her mansion in a bikini"So proud of you, @lily_sheen," Kate proudly captioned her post. "My beautiful, brilliant baby is in this FANTASTIC, electric, vibrant, hilarious movie.READ: Kate Beckinsale shares emotional family tributeMORE: Kate Beckinsale gets the most unexpected makeover at her home"She's playing Nicolas Cage's daughter while Nicolas Cage is playing Nicolas Cage.

Joe Leydon Film CriticBradley Jackson’s “Facing Ryan” tells the story of an agreeable fellow from small-town Texas who married his high school sweetheart, followed his dream of playing major league baseball, pitched for four MLB teams over a 27-year career while operating a cattle ranch during off-season, set records for no-hitters and strikeouts that remain unbroken to this day, held high-profile executive positions with two of his former teams more than a decade after his retirement from the game, and currently resides on the ranch where he and his wife, the loving and supportive life partner he wed back in 1967, are frequently surrounded by their children and grandchildren.If you were to present this scenario at a pitch meeting, you’d likely be shot down for failing to hype your narrative with suspenseful setbacks, intense conflict and a slew of obstacles for your protagonist to overcome. And if you somehow managed to get your film made anyway, critics would almost surely complain about the many and varied ways credibility was stretched to the breaking point while the hero accomplished one extraordinary feat after another.

young Houstonians with aspirations of fame, fortune, and artistry decide to have a go at making “The Farmer’s Daughter,” a low-budget dirty movie aimed at boosting the cast and crew’s dreams of fame and fortune.Maxine (Mia Goth), a coked-up stripper working at Bayou Burlesque, thinks this is just the ticket to international stardom. Her boyfriend, Wayne (Martin Henderson, “The Gloaming”), acts as the archetypically gung-ho executive producer who talks a great game.

It’s a little surprising that “X” marks director Ti West’s first film for A24 since his approach to horror — emphasizing character and mood over jump scares, building slowly and steadily to a big bloody blowout — is so synced up with their house style. “X” is also his first feature since 2016, and his first horror film since 2013’s “The Sacrament”; he’s kept busy in the years since with plenty of television work, but this is what he does best, and it’s about time he got back to it.

Richard Linklater’s periodic forays into animation (Waking Life, A Scanner Darkly) have been distinctively imaginative, and that goes double for Apollo 10 ½: A Space Age Childhood. A nostalgic but not in the least sentimental look at Texas life when the American space program was at full thrust, this highly personal but entirely accessible account of growing up in a culture both historically momentous and banal has something to offer all audiences in terms of its vivid portrait of a very specific place and time. But most receptive of all will be viewers in their 60s and beyond who have personal memories of the July 20, 1969 moon landing and a of milieu both memorable and banal.

Peter Debruge Chief Film CriticEverybody knows the name of the first man to step foot on the moon, but how many have heard the story of the kid who walked there before him? Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood” reflects one of the director’s childhood fantasies, informed by growing up in South Texas, a stone’s throw from Johnson Space Center, at the time NASA was trying to do the impossible. “Houston, we have a problem,” he playfully imagines the organization’s top scientists saying, “We accidentally built a lunar module a little too small.” Ergo, they need a 10 1/2-year-old to go up in Neil Armstrong’s place.As someone slightly younger than Linklater who also spent his formative years in Texas, it’s impossible to overstate how much I adore that premise and the collection of associations it brings up for the “Boyhood” director.

A grieving young woman takes a road trip in The Unknown Country, a realist drama at SXSW from director Morrisa Maltz. Fans of Nomadland should be well served by this thoughtful film that casts actors alongside real people playing themselves (or thereabouts).