‘Apollo 10 1/2: A Space Age Childhood’ Review: Richard Linklater’s Sweet Animated Flashback to Growing Up in 1969

Jack Black's new animated Netflix film, , is about the Apollo 11 moon landing, but hits surprisingly close to home for the actor and musician, who has a personal connection to the historical moment.Black's late mother, Judith Love Cohen, was an aerospace engineer who worked on the Apollo space program in the 1960s and is credited with helping to develop the Abort-Guidance System in the Apollo Lunar Module. «She worked on an Apollo mission at that time, but the stuff that she did wasn't used until Apollo 13, a few years later, when the astronauts were in an emergency situation and her Abort-Guidance System that she worked on as a programmer helped save some astronauts' lives,» Black explained when chatting about his upcoming film with ET's Matt Cohen.In fact, Cohen was such a devoted worker, that her son recounted, «There is the legend of how when she went to the hospital to give birth to me [on Aug. 28, 1969, just one month after the Apollo 11 moon landing], that she had some paperwork, she was still working on a problem. And after she delivered the baby, she called into work and they said, 'Hey, congratulations, you just had a baby! How are you?' And she goes, 'Fine, fine, I'm faxing you over the papers, the mathematical equations.'»Black and his mother at the 2013 Golden Globe Awards.«She was much smarter than me, I did not inherit those mathematic genes,» Black added with a laugh, «but there's a sense of pride and connection to telling this story, 'cause I know my mom was in there working on it too.»In which was shot in live action by writer and director Richard Linklater, and later animated in a process similar to his early 2000s films and, Black narrates the story of an elementary-aged boy growing up in Houston

Do you remember what you wanted to be when you grew up? Do you remember what adventures you fantasized about having? While some of us may not recall the answers to these questions, Richard Linklater (“Boyhood“) has used his childhood fantasy to create his new film “Apollo 10 ½: A Space Age Childhood.” While the space race reached its peak with the launch of NASA’s Apollo Program (1968-1972), the wonder of those years carries on.

NEW YORK -- Bike rides, kickball, Jiffy Pop, Jell-O and other well-remembered details crowd Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood,” an affectionate ode to his own childhood growing up outside Houston in the late 1960s.NASA and the moon mission are just next door, as are other scientific marvels (Astroturf!). But the sense of wonder that permeates “Apollo 10 ½” is felt just as strongly in the neighborhood streets where kids roam with skinned knees.

Jennifer Maas TV Business WriterViewership for Sunday’s Oscars on ABC grew by 511,000 viewers during the 15-minute time span that featured Will Smith slapping Chris Rock, according to Live + Same Day Nielsen data. While the Oscars’ audience dipped from there, it spiked again during Smith’s best actor win and acceptance speech shortly after 11 p.m. ET, this time by 614,000 viewers.The most-watched portion of the entire show was the 15 minutes between 9:15 p.m.

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.MOVIES— Richard Linklater returns to animation with “Apollo 10½,” which comes to Netflix on Friday. But this is no “Waking Life” or “A Scanner Darkly,” though parts do use the rotoscoping technology he used in those films.

Academy Awards. Beyonce performs with Blue Ivy at Oscars On Sunday, the singer performed Be Alive, her original song from the film King Richard, from the tennis court in Compton, California, where Serena and Venus Williams once practised.

Will Smith was emotional while accepting his first Academy Award for his portrayal of Richard Williams, father of Venus and Serena Williams, in King Richard. The win comes after the actor had a heated exchange with Chris Rock, who made a G.I. Jane joke about his wife Jada Pinkett Smith who has alopecia.

Emilio Mayorga Jose Zelada and Richard Claus’ “Ainbo: Spirit of the Amazon” (Peru, Netherlands), Cesar Cabral’s “Bob Spit: We Do Not Like People” (Brazil) and Hugo Covarrubias’ Oscar-nommed “Beast” (Chile) are some of the animated works in the running for the 5th Quirino Awards, the biggest prize event on Spain, Portugal and Latin America’s burgeoning animation scene.In addition to a ceremony, the Quirino Awards includes an industry co-production and business forum for animation titles from the region.The Quirino event will also host meetings including one of the Ibero-American CAACI state film-TV agencies, and another of Ibermedia, the region’s key international co-pro and distribution fund. Brazilian feature “Bob Spit” and Chilean short “Beast” nabbed the highest number of nominations, each securing four.

performers for Sunday night's 2022 Oscars: first-time nominee Beyoncé. On Tuesday, the Academy confirmed that the 40-year-old superstar will perform «Be Alive» from at the 94th Oscars.The confirmation came after sources close to the show told  that the singer's camp had been in «deep talks» with the awards show's producers to coordinate a satellite performance of the track, a contender for this year's Best Original Song. The performance could possibly open the show and reportedly be broadcast live from tennis courts in Compton, California, the outlet reported.The location is a significant one, as the courts serve as the former practicing grounds of sports legends Venus and Serena Williams, whose relentless drills under the eye of their father in their youth, Richard Williams, were recreated in the Will Smith-led, Best Picture nominee. There's also speculation that Smith, the film’s Best Actor nominee, will introduce the singer before the performance.According to the concept began solidifying last Monday.Additionally, an eyewitness told ET that Beyoncé was spotted filming at Tragniew Park tennis courts in Compton on Sunday.

performers for Sunday night's 2022 Oscars: first-time nominee Beyoncé. Per , sources close to the show report that the singer's camp has been in «deep talks» with the awards show's producers to coordinate a satellite performance of her  track, «Be Alive,» a contender for this year's Best Original Song. The performance could possibly open the show and reportedly be broadcast live from tennis courts in Compton, California.The location is a significant one, as the courts serve as the former practicing grounds of sports legends Venus and Serena Williams, whose relentless drills under the eye of their father in their youth, Richard Williams, were recreated in the Will Smith-led, Best Picture nominee. There's also speculation that Smith, the film’s Best Actor nominee, will introduce the singer before the performance.According to the concept began solidifying last Monday.An eyewitness tells ET that Beyoncé was spotted filming at Tragniew Park tennis courts in Compton on Sunday.

ocal outlets in New Orleans and confirmed by the city’s mayor LaToya Cantrell, as well as official land records in the city. “This is incredible,” Cantrell wrote.

EXCLUSIVE: Reid Miller (Joe Bell), Jonathan Silverman (Good Girls), Marguerite Moreau (Wet Hot American Summer) and Chris Mulkey (Twin Peaks) have signed on to star in the indie Feeling Randy, marking the solo directorial debut of veteran cinematographer Dean Lent.

The charity behind Dumbarton’s animal rescue centre has launched a new fundraising campaign after experiencing its busiest year ever in 2021.

Director Richard Linklater (“Boyhood”) is known for his versatility; romantic and coming-of-age films, animation, studio films, personal projects, etc., but it looks like he’ll be getting into the business of social documentary filmmaking next. While he’s promoting his upcoming animated Netflix film, “Apollo 10 1/2: A Space Age Childhood” (read our review), which obviously further evinces his adaptability, Linklater revealed to The Hollywood Reporter podcast, Awards Chatter, a new project titled “Letter From Huntsville” for HBO.

Wilson Chapman editorJessica Biel is stepping into the shoes of one of true crime’s most notorious killers in the first trailer for Hulu’s “Candy.”Biel stars in the series as Candy Montgomery, a seemingly normal housewife in small town Wylie, Tex., who was convicted in 1980 for the brutal axe murder of her neighbor Betty Gore, played in the show by Melanie Lynskey.The teaser trailer shows Biel transform into Candy, with curly hair and large rimmed-glasses. Footage of her going about her daily life in suburbia is juxtaposed with narration from her trial, as a lawyer played by Raúl Esparza (“Hannibal”) questions her about her relationship with Betty.“I had no angry feelings towards her if that’s what the question is,” Biel says in the trailer.

In Houston 1979, a small film crew arrives to make a porn film in a rented cottage on a farm belonging to an aged couple, one of whom greets the producer at the door with a shotgun and — unaware of their cinematic ambitions — an order for “discretion.” What could possibly go wrong?But in Ti West's “X,” it's never in doubt that a bloodbath is to follow. The aftermath is glimpsed in the movie's opening scene, when a police detective steps timidly through hallways strewn with bloody sheets covering corpses and a black-and-white TV blares with a local televangelist preaching about “a world of sin.”Sex has long been a punishable offense in slasher movies but “X" cleverly flips the script.

Manchester City fans couldn't be happier with Pep Guardiola as he named what many consider his strongest side against Crystal Palace.

Richard Linklater’s periodic forays into animation (Waking Life, A Scanner Darkly) have been distinctively imaginative, and that goes double for Apollo 10 ½: A Space Age Childhood. A nostalgic but not in the least sentimental look at Texas life when the American space program was at full thrust, this highly personal but entirely accessible account of growing up in a culture both historically momentous and banal has something to offer all audiences in terms of its vivid portrait of a very specific place and time. But most receptive of all will be viewers in their 60s and beyond who have personal memories of the July 20, 1969 moon landing and a of milieu both memorable and banal.

There’s a genuine, welcome sense of play to Richard Linklater’s “Apollo 10½: A Space Age Childhood,” and it’s present right off the bat, from the opening frames. This Netflix production marks the filmmaker’s return to rotoscope animation, the ingenious and striking drawn-over-the-top method that he brought into the mainstream with “Waking Life” and “A Scanner Darkly.” The technique’s real-but-not qualities were just right for those films, cranking up their (respectively) dreamlike and paranoid qualities; here, the M.O.

Presidential Fitness Challenge certificate) to go to the moon before Neil Armstrong to test out a capsule that has accidentally been made too small for adult astronauts. But no sooner does Stan upchuck during his first G-force simulation than adult Stan (Jack Black) hijacks the narration and takes a long detour into the sights and sounds and memories of growing up as a youngest child in late-’60s suburbia.This charming walk down memory lane — which includes everything from “Dark Shadows” to grandparents who remember the Depression to riding to the beach on the back of pick-up trucks and using gasoline-soaked rags to wipe the tar off your feet — is the heart of “Apollo 10 1/2,” and it’s an exhilarating, Proustian wave of reminiscences.