‘Wildhood’ Exclusive Teaser: The Canadian Coming-Of-Age Film Debuts At This Year’s TIFF

Ethan Shanfeld The first trailer for Paul Thomas Anderson’s “Licorice Pizza” is here.The film will have a limited release on Nov. 26 and expand nationwide on Dec.

Netflix‘s vastly popular docuseries Tiger King will arrive on the platform by the end of the year, it has been confirmed.The original series, which debuted in 2020, was one of Netflix’s most successful releases to date.

This clip is going to get you so excited to see This Is The Year! – Just Jared Jr Find out who just wore Kate Middleton‘s mom’s wedding dress! – Celebitchy These Harry Styles TikToks are pure perfection – Popsugar Paramount+ handed out a renewal! – Just Jared Jr

Comfortable in his newly found friendship, Hatzín (Hatzín Navarrete), a teenager from Mexico City who traveled to Chihuahua’s northern state to reclaim his father’s remains, pretends to be upset and explains he’s decided to return home. He laughs several seconds later, tricking Mario (Hernán Mendoza), his boss and impromptu life mentor.

James DeMonaco (“The Purge“) has mostly lived in the horror genre throughout his career. He gained notoriety throughout his involvement in the topical ‘Purge’ films, directing the first three films and producing “The First Purge” and “The Forever Purge.” That franchises’ profitability under the Blumhouse banner has given the director the freedom to work on something new.

Alanis Morissette has torn into the documentary about her landmark Jagged Little Pill album that’s set to premiere tonight at Toronto International Film Festival.

Richard Kuipers Firm messages about female liberty and self-determination are delivered with a gentle touch in “Yuni,” a compassionate and engaging coming-of-age tale about a 16-year-old schoolgirl who doesn’t know exactly what she wants to do with her life but does know that she’s not ready to follow tradition and become a teenage bride.

EXCLUSIVE: The Purge franchise architect James DeMonaco has crafted a personal film, which is an ode to cinema, based in his hometown of Staten Island, entitled This Is the Night and the Blumhouse release has a one-week theatrical run starting this Friday, Sept. 17 at Angelika’s Village East in New York City before hitting PVOD on Sept. 21 via Universal Pictures Home Entertainment.

To open: Ada (Milana Aguzarova), a young woman living in North Ossetia, is planted against the cement wall by the freeway. As the tumult of cars rushes by, a young man — the seemingly lovesick Tamik (Arsen Khetagurov) — calls for her.

Coming-of-age films have been a mainstay in cinema for decades. By now, you would think that audiences have seen just about every iteration of the genre that features young people figuring out their lives through some sort of monumental event.

Tiger King zookeeper Erik Cowie, who appeared in the Netflix series, has died at the age of 53. Erik was found in the bedroom of a property in New York City on Friday 3 September, TMZ has reported.The zookeeper, who was living and working in Oklahoma in recent years, was understood to have been visited a friend at an apartment, where he was later found.

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health deteriorates. Meanwhile, Corey’s estranged father, Leonard, moves in with them to help care for Gloria.Corey and Leonard’s relationship quickly grows tense as it becomes clear to Corey that Leonard is not a good man and may even be dangerous.

Jazz Tangcay Artisans EditorProduction designer Cara Brower had several themes to keep in mind when building the art-centric world of Nia DaCosta’s “Candyman.”In the film, now playing in theaters, Yahya Abdul Mateen II plays artist Anthony McCoy, while his girlfriend Brianna Cartwright, played by “WandaVision” actor Teyonah Parris, is a gallery director steeped in Chicago’s art scene.

Directors mining their lives for a story is nothing new, but it’s always exciting to see that premise connect with viewers beyond its maker. Such were the audience reactions to Kenneth Branagh’s stirring revisit to the Belfast of his childhood: there were sobs, gasps, and so much laughter.

You could say writer/director/actor Kenneth Branagh has a facility easing between high and low art.

“I don’t like reality anymore. Reality is lousy,” teenager Fabietto Schisa (Filippo Scotti) says mournfully at a crucial, spiritually lonely moment in Paolo Sorrentino’s evocative new coming of age story, “The Hand Of God.” Sitting on a mountain, looking to the sky, the heavens, for answers, Fabietto should know.

Owen Gleiberman Chief Film CriticFabietto (Filippo Scotti), the autobiographical hero of Paolo Sorrentino’s “The Hand of God,” is a teenager growing up in the 1980s in the bustling port metropolis of Naples, and he keeps a watchful gaze on just about everything. He’s like the eye at the center of a storm of avidly impassioned but overstated filmmaking.

In movies as disparate and vividly imagined as Il Divo, Loro, the Oscar winning The Great Beauty, as well as English language efforts like This Must Be The Place, Youth, and his TV miniseries The Young Pope and The New Pope  Paolo Sorrentino has always seemed to be a director with a large brush and even more of a Fellini influence in some cases.