‘Yuni’ Review: Tradition and Modernity Clash in a Sensitive Coming-of-Age Drama From Indonesia

Staying out of it. As Erika Jayne and Sutton Stracke‘s friendship took a turn for the worse during season 11 of The Real Housewives of Beverly Hills, their costar Crystal Minkoff thought it was better not to get in the middle.

Converge have announced their tenth studio album, ‘Bloodmoon: I’, a collaborative effort with goth-rocker Chelsea Wolfe, multi-instrumentalist Ben Chisholm and Cave In frontman Stephen Brodsky.Alongside the announcement came the album’s lead single, ‘Blood Moon’, a gloomy eight-minute epic that ebbs and flows between visceral, thrashy metalcore stylings and bleak, eerie atmospherics.

Ethan Shanfeld The first trailer for Paul Thomas Anderson’s “Licorice Pizza” is here.The film will have a limited release on Nov. 26 and expand nationwide on Dec.

Caroline Framke Chief TV Critic“Foundation” isn’t TV’s first stab at adapting a dense, beloved book series to the screen, and it won’t be the last. But in taking on Isaac Asimov’s seminal works of science fiction, the new Apple TV Plus drama does, at least, do something rather unusual for adaptations.

While he doesn’t quite get his due these days, Martin Scorsese once called Japanese director Kiyoshi Kurosawa (no relation to Akira Kurosawa) “a major filmmaker…an absolute master of light, framing, and pacing.” That’s pretty damn high praise, and it’s absolutely true. Kurosawa’s career has somewhat waned in recent years, but in the early 2000s, he was known to be one of the forerunners of the Japanese New Wave Horror movement.

While he doesn’t quite get his due these days, Martin Scorsese once called Japanese director Kiyoshi Kurosawa (no relation to Akira Kurosawa) “a major filmmaker…an absolute master of light, framing, and pacing.” That’s pretty damn high praise, and it’s absolutely true. Kurosawa’s career has somewhat waned in recent years, but in the early 2000s, he was known to be one of the forerunners of the Japanese New Wave Horror movement.

While he doesn’t quite get his due these days, Martin Scorsese once called Japanese director Kiyoshi Kurosawa (no relation to Akira Kurosawa) “a major filmmaker…an absolute master of light, framing, and pacing.” That’s pretty damn high praise, and it’s absolutely true. Kurosawa’s career has somewhat waned in recent years, but in the early 2000s, he was known to be one of the forerunners of the Japanese New Wave Horror movement.

Comfortable in his newly found friendship, Hatzín (Hatzín Navarrete), a teenager from Mexico City who traveled to Chihuahua’s northern state to reclaim his father’s remains, pretends to be upset and explains he’s decided to return home. He laughs several seconds later, tricking Mario (Hernán Mendoza), his boss and impromptu life mentor.

James DeMonaco (“The Purge“) has mostly lived in the horror genre throughout his career. He gained notoriety throughout his involvement in the topical ‘Purge’ films, directing the first three films and producing “The First Purge” and “The Forever Purge.” That franchises’ profitability under the Blumhouse banner has given the director the freedom to work on something new.

Ollie Locke and his husband Gareth Locke are longing to be parents, but they recently announced their attempt at IVF via a surrogate hadn’t been successful. Speaking to Frankie Bridge, 32, on her podcast Open Mind, Ollie, 34, reflects as he says it was the most "heartbreaking" situation that he has ever gone through.

Made In Chelsea'sDigby Edgley was a favourite on the hit show and he has now revealed what it meant to him to be a part of the cast from 2017 until 2019. Following his split from co-star Liv Bentley during a trip to Croatia, he says he is happy he has remained close with his former castmates, including Julius Cowdrey.

EXCLUSIVE: The Purge franchise architect James DeMonaco has crafted a personal film, which is an ode to cinema, based in his hometown of Staten Island, entitled This Is the Night and the Blumhouse release has a one-week theatrical run starting this Friday, Sept. 17 at Angelika’s Village East in New York City before hitting PVOD on Sept. 21 via Universal Pictures Home Entertainment.

To open: Ada (Milana Aguzarova), a young woman living in North Ossetia, is planted against the cement wall by the freeway. As the tumult of cars rushes by, a young man — the seemingly lovesick Tamik (Arsen Khetagurov) — calls for her.

Coming-of-age films have been a mainstay in cinema for decades. By now, you would think that audiences have seen just about every iteration of the genre that features young people figuring out their lives through some sort of monumental event.

Coming-of-age films have been a mainstay in cinema for decades. By now, you would think that audiences have seen just about every iteration of the genre that features young people figuring out their lives through some sort of monumental event.

health deteriorates. Meanwhile, Corey’s estranged father, Leonard, moves in with them to help care for Gloria.Corey and Leonard’s relationship quickly grows tense as it becomes clear to Corey that Leonard is not a good man and may even be dangerous.

Directors mining their lives for a story is nothing new, but it’s always exciting to see that premise connect with viewers beyond its maker. Such were the audience reactions to Kenneth Branagh’s stirring revisit to the Belfast of his childhood: there were sobs, gasps, and so much laughter.

You could say writer/director/actor Kenneth Branagh has a facility easing between high and low art.