‘White Noise’ Trailer: Adam Driver & Grega Gerwig Face The Apocalypse For Noah Baumbach

Clayton Davis “Glass Onion: A Knives Out” from writer and director Rian Johnson is another uproarious take on the whodunit series that outdoes its predecessor in nearly every way. Turning in killer performances, Janelle Monae and Edward Norton lead an invigorating ensemble that makes this awards observer hope Netflix will put every available dollar behind making this its leading awards contender for 2022.  Daniel Craig reprises the role of Benoit Blanc, throwing himself into the funniest performance seen this year. It’s impossible to explain what the film is about without spoiling it, so we won’t do that. What we will do is tell you that the award for SAG ensemble is going to be a cutthroat race with “Glass Onion” in the mix alongside “Women Talking” and “Everything Everywhere All at Once.” 

Manori Ravindran International Editor High-profile espionage cases in the post-war period often invoke the grisly fate of the Rosenbergs, the first U.S. citizens to be convicted and executed by electric chair for sharing atomic secrets with the Soviet Union in peace time. But in the new documentary “A Compassionate Spy,” filmmaker Steve James tells the incredible story of Manhattan Project scientist Ted Hall, who shared classified nuclear secrets with Russia — and got away with it. The Participant and Kartemquin Films-produced documentary, which has its world premiere in Venice on Sept. 2, is one of a number of films at this year’s festival that tackle the topic of nuclear disaster: Projects from Noah Baumbach’s feature adaptation of Don DeLillo’s “White Noise” through to Oliver Stone’s on-the-nose documentary “Nuclear” all contemplate some aspect of our nuclear past and future.

The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.

Manori Ravindran International Editor Don DeLillo’s debut novel, “Americana,” is set to be adapted 51 years after it was first published. “White Noise” producer Uri Singer (“Tesla,” “The King of Oil”) has bought the rights to the 1971 novel, continuing his streak of adapting a string of DeLillo works that have been deemed “unadaptable.” “Americana” tells the story of David Bell, an out-of-touch television executive who sets off on a road trip with his female colleague, Sullivan, to make an avant-garde film. The book explores the intricacies of corporate culture and examines how we create realities, whether they are true or not.

Venice Film Festival on Wednesday.  The model, 41, made sure to show off her endless pins in the hot pink number with very daring thigh-high splits and a chiffon cape.  She wowed the crowds as she walked the red carpet at the historic Palazzo del Cinema on the Lungomare Marconi.

has started to look unsustainable, and it was widely reported in June that the days of blank cheques had come to an end. Do the streamer’s offerings at Venice this year represent that era’s last, loopy hurrah? White Noise, which opened the 78th edition of the festival this evening, certainly has a “last days of Rome” feel about it.

has officially kicked off, with stars including Adam Driver, Tessa Thompson, and even Hillary Clinton turning out for the opening gala. White Noise, starring Adam and Greta Gerwig and directed by Noah Baumbach, opened the annual festival, with celebs showing out in force on the red carpet. Adam suited up in a tuxedo, while co-star Greta stunned in a beautiful black gown.

Venice Film Festival got off to a quieter start on Wednesday night with the premiere of “White Noise.” Noah Baumbach’s Netflix-backed adaptation of the Don DeLillo novel starring Adam Driver and Greta Gerwig was met with a tepid 150-second standing ovation, a short smattering of applause on the Lido.“White Noise,” which is set in the ‘80s, features an array of Easter Eggs for movies of the era from “Back to the Future” to “E.T.” Some of these references might have gone over the head of the Venice crowd. The film, which was met with mixed reviews, is a twisty, talky family drama about the despair of a married couple (played by Adam Driver and Greta Gerwig) facing their own mortality.

is going to arrive in force, isn’t it?Please?That’s the feeling in the community I like to think of as Hollywood’s Kudo-Industrial Complex. That community limped through one year, 2020, in which theaters were closed, film festivals were canceled or moved online and almost all the shows were virtual; and a second year, 2021, that started out to be a cautiously muted season but was then blindsided by a COVID resurgence that forced a return to streaming and virtual events.Now, as the Venice Film Festival begins on Wednesday, followed by the three-day Telluride Film Festival on Friday and then the mammoth Toronto International Film Festival next Thursday, there’s a palpable yearning for things to return to normal.

The 79th edition of the Venice Film Festival kicked off Wednesday night with an emotional opening ceremony celebrating 90 years of the event, the world’s oldest festival that first launched in 1932.

Adam Driver and Greta Gerwig are stepping out to support their new movie.

Noah Baumbach passed through the Lido Wednesday afternoon where he broke down the origins of his Venice Film Festival opener White Noise, starring Adam Driver, Greta Gerwig, and Don Cheadle.

Netflix is giving fans a first look at their fall movie slate!

Rebecca Rubin Film and Media Reporter Noah Baumbach’s black comedy “White Noise,” Alejandro Iñárritu’s “Bardo (Or False Chronicle of a Handful of Truths)” and Lindsay Lohan’s romantic comedy “Falling for Christmas” will debut on Netflix this fall. On Tuesday, the streamer announced the release dates for those films — and plenty more — including “Roald Dahl’s Matilda the Musical,” “The Swimmers” and “Mr. Harrigan’s Phone.” Some of those titles, like “Bardo” and “White Noise,” will have limited theatrical runs before debuting on Netflix, while others, such as “Falling for Christmas,” will land directly on the streaming service. “Bardo” will debut on Dec. 16 following its world premiere at Venice Film Festival. Prior to landing on the streamer, it’ll play in movie theaters in Mexico starting on Oct. 27, as well as select North American theaters on Nov. 4. Described as a “nostalgic comedy,” the film stars Daniel Giménez Cacho follows a renowned Mexican journalist and a documentary filmmaker who returns to his native country at an existential crossroads.

With the Fall Film Festival upon us, the Venice Film Festival, and Telluride Film Festival launching this week, streamers like Netflix are about to premiere some of their biggest titles of the year. Namely, Noah Baumbach’s “White Noise,” Alejandro Innaritu’s “Bardo,” Andrew Dominik’s “Blonde,” and Sebastian Lilo’s “The Wonder.” Rian Johnson’s “Glass Onion: A Knives Out Mystery,” which premieres at the Toronto International Film Festival in early September, was recently dated for December 23 for a Netflix release, and while Netflix has revealed its entire fall slate today, December looks like it’ll be the month for most of its Oscar contenders.

Brace yourselves, Noah Baumbach fans: “White Noise” has its world premiere in just five days at the Venice Film Festival. Baumbach’s latest also opens up the New York Film Festival this year, too, before it hits Netflix later this year.

Netflix has shared the first teaser for White Noise, an upcoming black comedy film from writer and director Noah Baumbach.The film is based on Don DeLillo’s 1985 dystopian novel of the same name, and stars Adam Driver as a professor of Hitler studies who, alongside his wife Barbette — played by Greta Gerwig — must save his family from an apocalyptic event threatening his university town. Watch the teaser above.Lifting a quote from the source material, which earned DeLillo the U.S.

Viewers are getting their first look at Noah Baumbach’s latest project, “White Noise”.

Now that we are in August, with fall on the immediate horizon, we know what that means: It’s time for prestige pictures from renowned and acclaimed directors to take hold of the moviegoing consciousness. With the honor of having its world premiere as the opening film for the Venice International Film Festival on August 31st, as well as opening the New York Film Festival on September 30th, the new film from writer-director Noah Baumbach can safely fill that bill.