Whenever Morfydd Clark Had a Difficult Scene on Rings of Power, She'd Think of Cate Blanchett

Rylan Clark's mum feared her son had had a stroke after his marriage broke down. The BBC Radio 2 host spent months away from work and out of the limelight after his relationship with Dan Neal came to an end last year.

Cate Blanchett steps out onto the beach in her red palm tree outfit and red sunglasses on Wednesday (September 14) in Venice, Italy.

Every film directed by Pedro Almodóvar is a special event. He doesn’t seem to be capable of turning in something bland.

The closing ceremony for the 2022 Venice Film Festival just took place and the awards winners have been revealed.

TELLURIDE – Venice may be enraptured in gossip-y drama over a film no one will be talking about two months from now (and, clearly, a very frustrating ticketing system), but the 49th edition of the Telluride Film Festival was where the 2023 Oscar season truly kicked off. The annual Colorado set festival certainly has its fair share of world premieres and curated Venice and Cannes titles, but that’s only one reason it has solidified its reputation as an awards season staple.

Clayton Davis “Tár” is a musical, but not in the way you might think. Set to a rhythmic beat of classical orchestration, writer and director Todd Field triumphantly returns to the director’s chair some 16 years after “Little Children” (2006) and 21 years after his debut “In the Bedroom” (2001). In the process, Field proves the third time is the charm and “Tár,” which screened at Venice and Telluride, has emerged as a major Oscar contender. At the forefront of this epic drama is another fiery and near perfect turn from Cate Blanchett, who is poised to earn her eighth acting Oscar nomination and could even nab a potential third statuette.

EXCLUSIVE: Filmmaker Luca Guadagnino (Call Me by Your Name) hopes to revive his dream project to make a mammoth 10-episode television adaptation of Evelyn Waugh’s Brideshead Revisited.

Adam B. Vary Senior Entertainment Writer “The Lord of the Rings: The Rings of Power” is as big a TV show as TV shows have ever been, with a record-setting budget spent on recreating J.R.R. Tolkien’s Middle-earth during the Second Age, and a cast of nearly two dozen series regulars and dozens more featured players deployed to enact its sprawling tale of the rise of Sauron. And yet one character sits undeniably at the show’s center: Galadriel. The ancient elf, so old she was born before the moon and the sun first graced Middle-earth, was a crucial character in Tolkien’s “The Lord of the Rings” novels and Peter Jackson’s “Rings” trilogy, as played by Cate Blanchett.  In “The Rings of Power,” set thousands of years before the events of “The Lord of the Rings,” a younger Galadriel is not yet the serene and wise co-ruler of the Elven kingdom of Lothlórien. Instead, she’s consumed by her hunt for the Dark Lord Sauron, the mysteriously absent master of evil responsible for the death of Galadriel’s brother. In “Rings of Power,” Galadriel is at once hardened by the millennia she’s already been alive, but not yet the stately (and formidable) woman of stature she becomes in the Third Age.

Jazz Tangcay Artisans Editor Hot off of its Venice Film Festival premiere, a concept album for Cate Blanchett’s “Tár” is set to be released on Oct. 21. The film bowed to rave reviews and a six-minute standing ovation. The Focus Features film, releasing Oct. 7, stars Blanchett as the fictional Lydia Tár, a globally renowned, gay and sometimes tyrannical conductor of a German orchestra, who finds herself in the crosshairs of a perilous #MeToo scandal. The film is director Todd Field’s first movie in 16 years, following the critically acclaimed “Little Children” (2006) and his breakout “In the Bedroom” (2001).

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

A new era of Middle-earth! The Rings of Power explores a totally different side of The Lord of the Rings — and fittingly, the cast is full of new faces.

has finally debuted on Prime Video with the first two episodes of season 1. The prequel series adapted from J.R.R.

Cate Blanchett steps out in two chic looks at the 2022 Venice Film Festival.

Venice Film Festival officially kicked off the fall Oscar race on Thursday afternoon with Todd Field’s “Tár,” a drama starring Cate Blanchett as a famous composer embroiled in a public scandal. The film was showered with an ecstatic six-minute standing ovation as the crowds at the Sala Grande Theatre kept chanting “Bravo!“ even surprising Blanchett at times.As Venice chief Alberto Barbera took her hand, Blanchett bowed — but the clapping went on. When the applause finally ended, a misty-eyed Blanchett turned to someone on her team and said: “Let’s get a drink.”Surely, Blanchett’s work in “Tár” will be one of the most toasted performances of Oscar season. The rave reviews for the film all but guarantee the actor, who has two Academy Awards acting wins, will land her eight Oscar acting nomination this winter.

The Rings Of Power stars Morfydd Clark and Charlie Vickers have discussed the most challenging aspect of filming the Amazon series.Set thousands of years before events in The Lord Of The Rings, The Rings Of Power covers Middle-earth’s Second Age, which spans the rise of Sauron, the forging of the rings and the last alliance between Elves and Men.Clark, who plays a younger version of Galadriel, originally depicted by Cate Blanchett in Peter Jackson’s trilogy, had to undergo extensive underwater training for numerous scenes as the character – which she described as the hardest thing to learn while filming.“We had to learn to hold our breath. I got up to three and a half minutes,” Clark told NME.“That was really challenging because unlike everything else where you get better at it, so it starts to feel better.

Clayton Davis Telluride Film Festival’s official 2022 lineup has been announced, revealing world premieres of Sam Mendes’ “Empire of Light,” Sarah Polley’s “Women Talking,” Laure de Clermont-Tonnerre’s “Lady Chatterley’s Lover” and Sebastián Lelio’s “The Wonder.” In its 49th year, the festival will pay tribute to two-time Oscar-winner Cate Blanchett, whose new film “TÁR,” from director Todd Field, will debut stateside after premiering at the Venice Film Festival. In addition, the festival will also tribute Academy Award nominee Polley (adapted screenplay for 2006’s “Away from Her”) and acclaimed documentarian Marc Cousins, who has two films dropping at the fest. One is “My Name Is Alfred Hitchcock,” which is based on a fictional monologue between Cousins and the master of suspense. The other is “The March on Rome,” depicting the ascent of fascism in Europe during the 1930s.

Owen Gleiberman Chief Film Critic “Tár,” written and directed by Todd Field, tells the story of a world-famous symphony orchestra conductor played by Cate Blanchett, and let me say right up front: It’s the work of a master filmmaker. That’s not a total surprise. Field has made only two previous films, and the first of them, the domestic revenge drama “In the Bedroom” (2001), was languorous and lacerating — a small, compact indie-world explosion. His second feature, “Little Children” (2006), was, in my opinion, a misfire, though his talent was all over it. But “Tár,” the first film he has made in 16 years, takes Todd Field to a new level. The movie is breathtaking — in its drama, its high-crafted innovation, its vision. It’s a ruthless but intimate tale of art, lust, obsession, and power. It’s set in the contemporary classical-music world, and if that sounds a bit high-toned (it is, in a good way), the movie leads us through that world in a manner that’s so rigorously precise and authentic and detailed that it generates the immersion of a thriller. The characters in “Tár” feel as real as life. (They’re acted to richly drawn perfection down to the smallest role.) You believe, at every moment, in the reality you’re seeing, and it’s extraordinary how that raises the stakes.

post-post-MeToo character study that premiered on Thursday at the Venice Film Festival – should be heralded for offering a neat corollary to Chekhov’s Gun, a theatrical theory that states that if you introduce a gun in Act 1, you’d better fire it by Act 3. Call this version Gopnik’s Speech.

It’s hard to say that something has been worth the wait when that wait has been 16 years, which is how long it’s been since Todd Field’s previous feature, Little Children. All the same, it’s very good to have this fine filmmaker back on the scene with Venice Film Festival competition entry Tár, a weighty new drama that creates an exceptionally detailed portrait of a promethean artist eventually hoisted on her own petard.