Viola Davis looks stunning in a black and white gown at the premiere of her new movie, The Woman King, held at Odeon Luxe Leicester Square on Monday (October 3) in London, England.
14.09.2022 - 23:13 / variety.com
Rebecca Rubin Film and Media Reporter Fresh off its enthusiastic world premiere at the Toronto Film Festival, the Viola Davis-led historical epic “The Woman King” will touch down in 3,700 North American movie theaters over the weekend. The domestic box office desperately needs a boost, but will U.S. audiences be as receptive as festival-goers in Canada? Touted as the real-life “Black Panther,” Sony’s “The Woman King” is aiming to collect at least $15 million in its domestic debut. Independent box office observers are optimistic that opening weekend returns could reach $17 million to $20 million. Yet Sony, who co-financed the movie with eOne, is projecting $12 million, in line with 2018’s “Widows,” which also starred Davis. Replicating those ticket sales, even with tempered pandemic-expectations, would be tepid-at-best since “The Woman King” carries a $50 million price tag.
Directed by Gina Prince-Bythewood, the well-reviewed “The Woman King” tells the true story of the all-female warrior unit known as the Agojie, who protected the West African kingdom of Dahomey during the 17th to 19th centuries. Set in the 1820s, the action drama stars Davis as a general who trains the next generation of warriors to fight their enemies. In Variety’s review, Peter Debruge called the film “compelling” and praised Davis in particular, calling it her “fiercest role yet.” “The Woman King” is expected to lead the box office with relative ease, considering the marketplace has been desolate and only one other newcomer, A24’s horror sequel “Pearl,” is opening nationwide. “Pearl” is aiming for low single digits when it lands in 2,900 cinemas over the weekend. It serves as director Ti West’s follow-up to “X,” which debuted in theaters earlier
Viola Davis looks stunning in a black and white gown at the premiere of her new movie, The Woman King, held at Odeon Luxe Leicester Square on Monday (October 3) in London, England.
Clayton Davis We have Denzel Washington’s single teardrop. We have Viola Davis’ runny nose. And now, we have Danielle Deadwyler’s lip quiver, expertly executed in Chinonye Chukwu’s deeply moving drama “Till.” Another best actress contender emerges although I wish the film could rise to the level of Deadwyler’s performance. The sturdy drama follows Mamie Till (Deadwyler), the mother of Emmett Till, whose abduction and lynching in 1955 sparked global outrage and served as an important catalyst in the civil rights movement. “Till” charts Mamie’s grief, as well as her pursuit of justice. But getting people to see a movie about such a horrific event will be a tough sell, even if the film avoids depicting much of the brutality of Emmett Till’s killing.
Peter Debruge Chief Film Critic “A lot of this really happened,” teases the opening card of David O. Russell’s unruly ensemble comedy “Amsterdam,” a loony early-’30s social satire that goes cartwheeling through a little-remembered episode in American history when fascists tried to overthrow the U.S. government. Russell clearly sees parallels between this alarming chapter of the nation’s past and our present, as national divisions threaten to overwhelm American democracy, but the writer-director has complicated the plot — the movie’s plot, that is, not the greater conspiracy on which it turns — to such a degree that audiences are bound to be bewildered. Instead of wondering which parts are true and which ones invented, they’re likely to find themselves asking, “What the hell is happening?” for the better part of 134 minutes.
Angelique Jackson Russell Hornsby has signed onto Searchlight Pictures’ “The Supremes at Earl’s All-You-Can Eat,” joining the film’s starry lead trio of Uzo Aduba, Aunjanue Ellis and Sanaa Lathan. Based on Edward Kelsey Moore’s 2013 bestselling novel, “The Supremes at Earl’s All-You-Can-Eat” is set to be directed by Tina Mabry from a script by Gina Prince-Bythewood, with revisions by Mabry. Aduba, Ellis and Lathan play best friends dubbed “The Supremes,” who, according to the film’s synopsis, “have weathered life’s storms together for two generations through marriage and children, happiness and the blues,” and “find their paths at a crossroads that test their lifelong bond.” Hornsby has been cast in a key role in the project, specifics of which are being kept under wraps.
Clayton Davis After two weeks of solid showings at the box office, excellent reviews and passionate fan responses, “The Woman King” has become one of the year’s standout hits, with plans to be competitive in the awards races for both major and artisan category attention. One of the film’s standout stars, Thuso Mbedu, who plays the young Nawi, will be campaigning for supporting actress attention, Variety has learned. Academy Award winner Viola Davis (“Fences”) will be the sole actress campaigning for lead actress. Mbedu, who was the breakout sensation of 2021’s Emmy-nominated series “The Underground Railroad” from director Barry Jenkins, will compete in supporting alongside her co-stars Sheila Atim, Jayme Lawson, Adrienne Warren and most prominent, Lashana Lynch. All of the male actors, including John Boyega, will be competing in supporting actor.
Viola Davis is addressing the controversy surrounding her new film.
“Woman King.”The star and producer of the female war epic has responded to critics and the recent #BoycottWomanKing movement.Users across social media have been calling for fans to not buy a ticket to the film. They believe that the film is historically inaccurate and glorifies the role that the African kingdom — the Dahomey — had in the slave trade in the 19th century.The Oscar winner, 57, and her husband (as well as producing partner) Julius Tennon defended the flick to Variety in a recent interview.“I agree with [director] Gina Prince-Bythewood’s saying is you’re not going to win an argument on Twitter,” Davis said.
Ed Meza @edmezavar The 18th Zurich Film Festival kicks off Sept. 22 with a muscular lineup that includes some of the year’s most anticipated international pics while also putting the spotlight on Swiss and German-language cinema. In addition to a strong selection of U.S. films, including Oscar-winning writer-director Florian Zeller’s “The Son” and Neil Jordan’s “Marlowe,” Zurich is also honoring Sony Pictures Classics’ Michael Barker and Tom Bernard for their contribution to cinema. “We are very proud that this year about one-fourth of our program are world or European premieres, which – especially when it comes to American films – are quite hard to get because there’s a lot of competition,” says ZFF artistic director Christian Jungen.
Clayton Davis As the filmmaking team for “The Woman King” travels to Brazil to promote the historical epic, Viola Davis and her husband and producing partner Julius Tennon are celebrating the success of the film’s no. 1 debut at the box office, grossing $19 million domestically. The film had its world premiere at the Toronto Film Festival on Sept. 10, followed by opening in theaters one week later. It’s one of the rare films where critics and general audiences given it a similarly positive reception, with a 95% critics score and 99% audience score on Rotten Tomatoes. It even pulled off an “A+” Cinema Score. Davis emphasizes that the story of “The Woman King” can connect to all audiences, not only Black women.
Jon Burlingame editor It took the combined talents of four Grammy winners, a symphony orchestra and a choir of African-American opera singers to make “The Woman King” resonate with the sounds of 19th-century West Africa. “This was one of those once-in-a-lifetime films,” says composer Terence Blanchard of director Gina Prince-Bythewood’s project, for which he wrote a powerful score – the likes of which haven’t been heard in a period African film since Quincy Jones’ “Roots” 45 years ago. “All of your experiences lead you to this moment, to work on something like this,” says the two-time Oscar nominee and five-time Grammy winner. “As soon as I saw it, I was floored. I looked at these characters as the founding DNA of all the strong African-American women I experienced growing up.”
Viola Davis is checking out the sights in Rio de Janeiro!
Rebecca Rubin Film and Media Reporter “The Woman King,” a historical action epic starring Viola Davis, ruled over domestic box office charts in its opening weekend. Bolstered by stellar reviews and positive word-of-mouth, the movie collected $19 million from 3,765 North American cinemas over the weekend, arriving at the higher end of expectations. Independent tracking services projected “The Woman King” would kick off with $15 million to $18 million, while Sony estimated a debut closer to $12 million. Sony is lucky the film exceeded its ultra-conservative forecasts. “The Woman King” cost $50 million to produce, not including the tens of millions in marketing expenses, including a stop at the Toronto International Film Festival.
(CNN)A new trailer for "Black Adam" hints at a switch up for Dwayne Johnson's character.The DC comic movie also costars Viola Davis, Pierce Brosnan and Aldis Hodge. Johnson plays Teth Adam, who In ancient Kahndaq "was bestowed the almighty powers of the gods.
J. Kim Murphy “The Woman King” has found its throne at the box office. The Sony release is drumming up a projected $18 million opening from 3,765 locations, in line with most analysts’ estimates heading into the weekend. The epic also benefited from landing some premium format auditoriums, such as Imax, lending an additional boost to revenue. Though that doesn’t necessarily qualify as a grand opening, it’s a solid start for the action film, which carries a $50 million production budget and has no ties to existing franchises. What’s more, it’s more than enough for “The Woman King” to top box office charts on a slow weekend with few rival releases.
“The Woman King,” starring Viola Davis, is now playing in theaters, and much like past historical actioners like “Braveheart” or “Gladiator,” those who venture out to see the film will likely be wondering how much of it is rooted in fact.John Boyega, Lashana Lynch, Thuso Mbedu, Sheila Atim, Hero Fiennes Tiffin, Adrienne Warren and others star alongside Davis in the story of West African women warriors who take no husbands and serve in their positions for a lifetime to protect their nation. Davis’ character is based on a real life historic figure named General Nanisca, and in the film she trains new recruits alongside Izogie (Lynch) and Amenza (Atim). Headstrong new recruit Nawi (Mbedu) and her peers Fumbe (Masali Baduza) and Ode (Adrienne Warren) challenge their elder superiors with new battle tactics, thoughts and principles. So is “The Woman King” a true story? The short answer is yes, the film derives from real historical events and accounts, but only so much reliable source material was available.
Viola Davis is stepping out for a special screening of her new movie!
Rebecca Rubin Film and Media Reporter “Barbarian,” a horror movie that may have audiences thinking twice about booking that next Airbnb, scared up a better-than-expected $10 million in its domestic debut. Since the box office has been a wasteland for some weeks now, those ticket sales were enough to lead domestic charts, despite barely reaching double digits. This weekend’s other new nationwide release, “Brahmastra Part One: Shiva,” opened in second place with $4.4 million from 810 North American theaters. Both films are backed by Disney. Though “Barbarian” landed a tepid “C+” CinemaScore, the twisty thriller is benefitting from word-of-mouth, given the film’s zany and flat-out terrifying turns. Variety’s Peter Debruge gave “Barbarian” high praise, calling it a “new horror classic,” one that gets “downright demented as it goes along.” If “Barbarian,” which stars Georgina Campbell, Bill Skarsgård and Justin Long, keeps people talking, the movie is likely to keep filling seats during a creaky September at the box office.