Iranian director Jafar Panahi remains behind bars in Tehran but his cinema continues to travel.
12.09.2022 - 17:49 / variety.com
Nick Vivarelli International Correspondent Iranian actor Leila Hatami, best known outside her country for her role in Asghar Farhadi’s Oscar-winning “A Separation,” will soon be back on international movie screens in Iranian-British director Mehdi Norowzian’s metaphysical drama “A Time in Eternity” which recently wrapped in Iran. “There isn’t one scene without me,” Hatami told Variety, speaking on the sidelines of the just concluded Venice Film Festival where she was a member of the main jury. The London-based Norowzian, who was Oscar-nominated for his 1999 short “Killing Joe” and subsequently directed Joseph Fiennes, Elizabeth Shue, Dennis Hopper and Sam Shepherd in the 2002 drama “Leo,” has since become a prominent commercials director. Norowzian recently returned to Iran to shoot this film, which is his first feature after two decades.
In “Eternity,” Hatami plays Mariam, a woman who’s beloved husband Saeed has mysteriously gone missing, leaving her and her 12-year-old daughter in a state of limbo where they cling on to the hope that he is alive and may one day return. Mariam’s life is made more complicated due to her husband’s brother (Vaheed) being secretly in love with her and insisting to be present in her life by acting as the head of the family. “We don’t know whether he [Saeed] has died or has simply left us for some other reason,” Hatami said, adding that Norowzian in the film “leaves this detail out on purpose.” Her husband’s absence makes Mariam “feel unrooted somehow, without a connection to this world” just as she had to “take care of her teenage daughter.” “What’s really nice about this film is that we have two parallel worlds,” Hatami noted. “One pertains to what she is experiencing due to the absence
Iranian director Jafar Panahi remains behind bars in Tehran but his cinema continues to travel.
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Ben Croll Venice’s red carpet became a stage for quiet protest on Friday, as festival director Alberto Barbera and jury president Julianne Moore, among many more, held a somber walk-out to stand in solidarity with imprisoned filmmaker Jafar Panahi. Traffic on the red carpet flowed normally as attendees made their way into Venice’s Palazzo del Cinema for the world premiere of Panahi’s latest film, “No Bears.” And then, at 4:30 pm sharp, the doors to the theater swung open and a sea of people filed out. Moore stood with a delegation that also included fellow juror Audrey Diwan, Horizons jury president Isabel Coixet, and filmmakers Laura Bispuri and Sally Potter.
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EXCLUSIVE: Iranian-British director and artist Mehdi Norowzian has just wrapped the Iran shoot of his new drama A Time In Eternity starring Venice 2022 jury member Leila Hatami, best known for her roles in A Separation, The Pig and Imagine.
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Nick Vivarelli International Correspondent Iranian cinema is having a great year despite the many impediments film directors face there, including being jailed. Reflecting this burst of irrepressible cinematic energy, after strong showing of Iranian cinema at Berlin, Cannes and Karlovy Vary, Venice has five films from the country, two of which are in competition. Also, Leila Hatami, star of Cannes festival jurist Asghar Farhadi’s “A Separation,” is a member of Venice’s main jury panel. “We have never received so many submissions from Iran, and many of them are good,” says Venice chief Alberto Barbera. He notes that “the paradox is that this is happening at a time when the Iranian regime is among the most rigidly conservative and repressive in the world,” and is responding to uprisings sparked by the country’s harsh economic conditions by re-incarcerating directors such as Jafar Panahi, whose latest film “No Bears” launches from Venice, fellow dissident filmmaker Mohammad Rasoulof, and others “who try to freely express their opposing points of view.”
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