Variety to Host ‘New Gen Voices in Filmmaking’ Panel With Adobe at Cannes Film Festival

EXCLUSIVE: Scott Alexander and Larry Karaszewski, the famed writers, directors and producers who have thus far shard two Emmys, two PGA Awards, two WGA Awards, a USC Scripter Award and a Golden Globe, will add another prize to their mantels, having been tapped to receive the Bill Wittliff Award for Screenwriting at the 30th annual Austin Film Festival.

Whether it’s the flat white lighting and washed-out color grading that gives The Delinquents the look of a ‘70s TV serial, or the fact that much of it is set in a mountain swimming beach where people claim to see apparitions, there is an undercurrent of genuine oddity running beneath this long, complex film. Screening at Cannes in the Un Certain Regard section for innovative or personal cinema, Rodrigo Moreno’s story begins with a bank robbery. The very ease with which this crime is committed is odd in itself: Moran (Daniel Elias) simply walks into the bank vault, puts a pile of American dollars in his gym bag and goes home. Not what you expect in a heist film, but here is the point. Over the next three hours, Moreno will deconstruct the genre with the calm focus of a safecracker taking apart a lock.

At least once, I can say the winners of the 2023 Cannes Film Festival competition are actually the right ones. Maybe not exactly in the order I would have put them, but still, out of the 21 movies competing, it is hard to argue about almost all of the choices made by the Ruben Ostlund-led jury that, among others, included Americans Brie Larson and Paul Dano. I said almost.

Through the rollercoaster years when Tina Turner broke free from her abusive marriage and went solo to conquer the world, she could always rely on her personal assistant Eddy Hampton Armani.

Queen Latifah enjoyed a star-studded date night with Eboni Nichols in France on Thursday. The star walked the blue carpet with her longtime partner at this year's amfAR gala, held during the Cannes Film Festival.Latifah served as host for the annual gala fundraiser at Hotel du Cap-Eden-Roc — which benefits the American Foundation for AIDS Research — and she shared a sweet moment on the carpet while posing for photos ahead of the event.Latifah owned the carpet in a chic, modern reimagining of an all-white tuxedo, complete with a long, flowing white tuxedo jacket over a white shirt, white tie and white slacks.As she walked the carpet, she held hands with Nichols, who lit the place up in a stunning, fiery crimson ensemble, featuring a flowing, scarlet satin dress adorned with a flurry of red and black feathers, which she paired with black heels.Meanwhile, Latifah's white tux wasn't her only stylish look for the night.When she took to the stage inside the lavish fundraiser gala, Latifah wowed with her wardrobe change, ditching her first look for diametrically different duds — a gorgeous black strapless gown with a full pleated skirt.Latifah and Nichols, a dancer and choreographer, reportedly met in 2009 on the set of in 2009, where Latifah made an appearance as a guest performer.The pair reportedly sparked a romance in 2013, although the famously private actress didn't publicly confirm their romance until 2021, at the BET Awards, during her acceptance speech when honored with the Lifetime Achievement Award.

Heidi Klum accidentally exposed herself during the 2023 Cannes Film Festival. During the red carpet event, Klum, 49, stepped out in a daring yellow dress and truly flaunted it all.  The German and American supermodel stunned in a Zuhair Murad high-slit gown with diamond-shaped cut-out designs on top, showed off major skin and topped off her look with bejeweled beads embellished on the shoulders of her flowing cape. Klum accessorized with large diamond rings, a pair of clear heels and her blonde hair flowed over her shoulder.

The first time Jim Jarmusch came to Cannes was with his sophomore film Stranger Than Paradise, which played the Quinzaine in 1984. “We all shared one apartment that had no hot water, that was up the hill,” he recalls. “One day I had to be on TV and there was no water, so I had to shave with leftover tea.” Those days are long gone; Jarmusch is a fixture on the Croisette these days, and even had the dubious pleasure of opening it in 2019 with his Bill Murray-starring zombie comedy The Dead Don’t Die.

Date night! Scarlett Johansson and Colin Jost slayed the 76th annual Cannes Film Festival.

“You can’t wake up if you don’t fall asleep,” people are advised more than once in Wes Anderson’s madly original 11th film, Asteroid City, which is both addictively stylized and, like this clever little quote, perhaps more than a tad obscure about what it’s ultimately driving at. Set entirely in a sort-of Monument Valley-adjacent desert setting in 1955 and populated by a fabulous ensemble cast, this Cannes Film Festival competition entry from Focus Features, which will open commercially in the U.S. on June 16, is a madly quirky surprise that oozes creativity at every turn. At the same time, however, it sometimes seems to be reaching for serious creative epiphanies that aren’t forthcoming and which foster puzzlement rather than insight.

Wes Anderson is a genre; one of decorative embellishment, ornamental whimsy, baroque fantasy, and symmetrical precision. It wasn’t always this way, and it’s also not just superficial embroidery.

An English lieutenant, an American cowboy, and a mixed-race Chilean sheepherder venture into the inhospitable limits of the Tierra de Fuego region at the southernmost tip of the South American continent—the ends of the Earth, some might call it. Under the orders of their employer, landowner José Menéndez (the always masterful Alfredo Castro), the trio’s mission is to savagely murder as many Indigenous people as they encounter in their path.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Set in 1901, “The Settlers” (Los Colonos), a scorching Western on Chile’s blood-soaked national myth, takes aspects from the official text-book history and probes at their conveniently sanitized interpretations of how they shaped the country’s future.

Leo Barraclough International Features Editor Kirsten Niehuus, CEO at Medienboard Berlin-Brandenburg, which funds films and TV series production in the Berlin region, and Simone Baumann, managing director of German Films, which promotes and supports the release of German films abroad, welcomed a wide array of guests to their garden party at the Cannes Film Festival on Saturday. Three Medienboard-funded films are in this year’s Competition: Tunisian director Kaouther Ben Hania’s “Four Daughters,” Austrian filmmaker Jessica Hausner’s “Club Zero,” and U.S. helmer Wes Anderson’s “Asteroid City.” Niehuus told Variety: “Those are three very different productions, but it shows the spectrum [of films] that Medienboard supports.” Tunisian films, like “Four Daughters,” need international co-production funding to get made, she said, and “we believe in world cinema, so were very happy [to back it].” Hausner is “one of the most impressive female filmmakers [in the world], and I think there should be more female filmmakers on the Croisette and every other ‘A’ festival,” she said. “Asteroid City” is “the best of American arthouse filmmaking; very stylish, with a great narrative – so we love it,” she said.

Frameline announced the full program for the 47th annual San Francisco International LGBTQ+ Film Festival (Frameline47). Running June 14–24, with a streaming encore to follow from June 24–July 2, Frameline47 returns with nearly 90 film screenings, including 12 World, 16 North American, and 9 U.S. premieres. In celebration of the Festival’s 47th iteration, Frameline will host 47 screenings at the Castro Theatre, which equates to an average of four screenings per day throughout the 11-day event.

Naman Ramachandran “To Wong Foo The Musical,” based on 1995 film “To Wong Foo, Thanks for Everything! Julie Newmar,” will have its world premiere at the Hope Mill Theatre in Manchester, U.K. The film, which is now considered a cult classic, starred Patrick Swayze, Wesley Snipes, John Leguizamo, Stockard Channing, Robin Williams and Ru Paul. The musical has a book and direction by original film screenplay writer Douglas Carter Beane, with music and lyrics by Lewis Flinn, casting by Sarah Leung and artwork by Feast Creative. Beginning in 1990s New York, the musical tells the story of three drag queens, Vida, Noxeema and Chichi, who embark on a trip across America to attend the drag queen of the year finals in Hollywood. When their car breaks down in Middle America, their lives, as well as those in the town, are turned upside down.

All eyes were on Johnny Depp at the Cannes Film Festival Tuesday. The actor walked the red carpet for the premiere of his film, , which marked the opening of the 76th annual event. Depp walked the red carpet with his co-star and the film's director, Maïwenn, as well as other members of the film's production.

All eyes were on Johnny Depp at the Cannes Film Festival Tuesday. The actor walked the red carpet for the premiere of his film, , which marked the opening of the 76th annual event. Depp walked the red carpet with his co-star and the film's director, Maïwenn, as well as other members of the film's production.

From New Year’s Eve to behind-the-scenes of Bravo. Andy Cohen documented 2022 in his new book, Daddy Diaries: The Year I Grew Up, and Us Weekly is rounding up the biggest nuggets for reality TV fans.

EXCLUSIVE: Lucy J. Mukerjee has joined Stanley Nelson and Marcia Smith’s media company Firelight Media, geared toward nonfiction cinema by and about communities of color, as the new director of its flagship Documentary Lab.

William Earl Variety will present four conversations centered on global incentives and filming at Cannes Film Festival at the American Pavilion on Saturday, May 20 from 10 a.m. to 1 p.m. Panelists from Spain, Hungary, Poland and Film Alula will participate in conversations moderated by Variety reporters John Hopewell, Leo Barraclough and Nick Vivarelli. The panels will highlight each of the region’s facilities, incentives, and filming community. Guests of the conversations will include producers, sales agents, distributors and creatives looking to learn about the different filming opportunities in these regions. Juan Manuel Guimeráns from the General Secretary Spain Film Commission will speak on the Spain Location panel. Klaudia Śmieja-Rostworowska, Madants producer; Kamila Morgisz, head of film production and film project development at the Polish Film Institute; and Martin Moszkowicz, chairman of the executive board at Constantin Film will discuss production in Poland. Csaba Káel, film commissioner and chairman of the National Film Institute and Ildiko Kemeny, CEO/producer of Pioneer Stillking Films will speak about filming in Hungary. Charlene Deleon-Jones, executive director, Alula, will speak on Saudi Arabia production opportunities.

Sophia Scorziello editor Eva Longoria’s fictional feature directorial debut “Flamin’ Hot” staring Jesse Garcia will open the 2023 Los Angeles Latino International Film Festival, announced Wednesday as part of the full festival lineup. This year, the festival will feature over 80 films, 19 world premieres and 100 student films. LALIFF will take place May 31-June 4 at the TCL Chinese Theatre in Hollywood. Longoria’s film is based on the true story of Richard Montañez (Garcia), the Frito Lay janitor who used his Mexican American heritage to turn one snack into a global sensation. Closing the festival is the Los Angeles premiere of Julio Torres’s A24 feature film “Problemista” starring Torres and Tilda Swinton, which tells the story of an aspiring Salvadorian toy maker in New York City and the race against his work visa as he tries to realize his dreams.