‘Unfinished Business’ Film Review: Inspiring Look at the WNBA’s Origins Leaves Us Hungry for More

The results of the departure are less impressive in Williams’’ case, but there’s still a notable maturity to “The Sea Beast” that could have clashed with the mostly sanitized storytelling that currently dominates Disney. Sailors drink their pints and bleed when injured.But though one can appreciate Williams’ and Benjamin’s interest in crafting a philosophically layered fable, there’s a righteousness to the message of “You must change!” that blindsides the adult characters.

are meant to live in the real world. The icy lens of cinematographer Eric Gautier (“Ash Is Purest White’) ensures that Jean and Sara do not embody the Paris of your dreams but of their mundane routines. They have to remember to carry their COVID-era masks everywhere, and it’s usually rainy or gray as Sara heads to her radio job interviewing guests on a range of social ills.

Elspeth Tavares – founder, publisher, and editor-in-chief of The Business of Film, an independent film industry trade publication of over 40 years – died this week peacefully in her London home following a short illness. An award-winning journalist, member of the British Academy of Film & Television Arts (BAFTA) and founding member of Women in Film, London, Tavares is survived by her son and grandson. Her age was not provided with the announcement.

stays at that party gets talked about at the next party (and probably, the one after that, too). In ET's exclusive first look at Wednesday's all-new episode of , the ladies gather at a luncheon hosted by Sutton Stracke. The camera quickly pans to Diana Jenkins' place setting… but there's no Diana in sight.«Sutton, did you know that Diana wasn't coming?» Garcelle Beauvais asks.«No, she didn't tell me,» Sutton flatly replies.

“The Black Phone” take full advantage of the movie’s basic setup: a suburban teen gets abducted and then struggles to escape his captor’s sound-proof basement. That scenario, co-adapted from a Joe Hill (“NOS4A2”) short story by director Scott Derrickson (“Doctor Strange”) and co-writer C.

Pizza Planet? What about a jokey reference to the “Woody’s Roundup” TV show for viewers the age of Andy’s mom? And let’s face it: as admirable as it is that Pixar has created an LGBTQ character that can’t easily be dubbed over in foreign markets (the ones that demand that sort of thing will certainly find a way), there was no such thing as a mainstream studio kids’ movie of 1995 — not even an adult-aimed studio movie — progressive enough to pair a white male protagonist with a Black lesbian confidante.The most 1995 aspect of “Lightyear” comes from Evans’ performance, but only if you imagine he’s intentionally impersonating George Clooney for the entire movie; that’s how it sounds, anyway. The laughs generally come from Sohn, Aduba and Taika Waititi as an inexperienced member of the Space Ranger reserves who gets pressed into service.

Lana Condor has unfinished business to take care of in the afterlife on , her upcoming limited series for Netflix.Set over the course of one night, the eight-episode series follows high school senior Erika Vu (Condor), who’s lived her life safely under the radar. With the clock winding down on her high school experience, she -- with the help of her best friend, Gia (Zoe Colletti) — seizes the opportunity to change her narrative and start living an epic life, only to find out the next morning… she’s a motherf**king ghost following a shocking accident," according to the synopsis.With the unexpected change in mortality status, Erika finds herself with a renewed purpose to do the things she never thought she'd ever be capable of doing.