Uncensored Director’s Cut of ‘The Doom Generation’ Among Anticipated Screenings at 2023 Sundance Film Festival

Images from classic and contemporary films were beamed onto some of Edinburgh’s most famous locations Monday evening as part of a growing campaign to save the city’s Filmhouse cinema and the Edinburgh International Film Festival, the world’s longest continuously running film festival.

EXCLUSIVE: Prasanna Puwanarajah as an actor has appeared in Doctor Foster: A Woman Scorned, Ten Percent and Patrick Melrose, and he’ll next pop up in two episodes of The Crown‘s upcoming fifth season portraying Martin Bashir, the controversial journalist who conducted the infamous BBC interview with Princess Diana. However, on Thursday he’ll wear a different hat when the Belfast Film Festival opens with the world premiere of Ballywalter, which marks his feature directing debut.

 season 12 reunion continues Wednesday night, and ET has your exclusive first look at Sutton Stracke and Lisa Rinna's face-off, first teased in the trailer, with Sutton telling Rinna she doesn't consider her a friend after the events of the season.«I mean, how can I?» Sutton asks a seemingly stunned Rinna, who lashed out a few times over the course of the season as she processed the loss of her beloved mother, Lois. Before Rinna can reply, reunion host Andy Cohen interrupts with a fan question, which calls out the beauty mogul's behavior toward Sutton at her wine-tasting event as «obnoxious and embarrassing.» Fans will recall, Rinna exploded on her castmate, promising to «f**king cut her down» seemingly out of nowhere. Going into the party, Sutton believed she and Rinna were in a good spot, Rinna having accepted Sutton's apology for creating drama surrounding an Elton John Oscar party at a one-on-one lunch just days before the backyard gathering. «That lunch between the two of you was actually really fun,» Andy remarks, as a clip from the meal plays. «I did talk to you a lot during the time of hospice and your mother's passing,» Sutton goes on to share.

Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.

Is there a better way to prove the virtue of the cinematic experience than to get 5,000 people on their feet giving a film a standing ovation?  Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.”  The movie played in the jam-packed Halle Tony Garnier before a star-studded crowd, including Garrel and his cast, Noémie Merlant and Roschdy Zem, as well as Sebastián Lelio, Costa Gavras, Leila Bekhti, Marina Fois, Lee Chang-dong, Nicole Garcia, Sabine Azema and Damien Bonnard. 

Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.

Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon. 

Carey Mulligan and Zoe Kazan are stepping out for a screening of their new movie at the 2022 New York Film Festival.

While your future planning probably only extends to Thanksgiving, the Sundance Film Festival is already thinking ahead to January, the 2023 edition of their festival. Today,  the nonprofit Sundance Institute announced today the first two films in the lineup for the 2023 Sundance Film Festival and they are the 25th Anniversary and digital restoration screening of “SLAM” and the uncensored director’s cut and restoration of “The Doom Generation.” Directed by Marc Levin and written by Levin, Saul Williams, Sonja Sohn, and Richard Stratton, “SLAM” was first introduced to audiences at the 1998 Sundance Film Festival, where it premiered in the U.S.

Before the full slate is announced for the 2023 Sundance Film Festival, the Park City, Utah event has already teed up two movies: the 25th Anniversary and digital restoration screening of Marc Levin’s Slam and the uncensored director’s cut and restoration of Gregg Araki’s The Doom Generation.

Hamptons International Film Festival is underway in full swing and has already seen a host of famous faces in attendance.The Long Island-based fest runs from Oct. 7 until Oct.

Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

Peter Caranicas Deputy Editor Moving in parallel with the recent upsurge of film production in Greece, the Los Angeles Greek Film Festival (LAGFF), an annual showcase for new works from Greek filmmakers worldwide, plans to expand its activities on an international scale. The fest, now in its 17th year, is launching the Global Greek Film Initiative (GGFI), an umbrella program to advance cultural exchange between Greece, the U.S. and the Greek diaspora, provide opportunities for employment and economic growth within Greece, and serve as the North American hub for Greek film programs and initiatives.  Lia Bozonelis, a Greek-American writer-producer and LAGFF Board Member who conceived the idea of the year-round multifaceted program, said that “Greece is experiencing a hard-won opportunity with the amount of international production pouring in.”

Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

Addie Morfoot Contributor Don’t expect any drive-inscreenings, virtual screenings, mask mandates or reduced capacity theaters at the 30th annual Hamptons Intl. Film Festival. This year’s edition will look and feel as it did way back in 2019. The Long Island-based fest, which runs Oct. 7-16, will screen 69 feature films and 51 shorts that are 54% female-directed and represent 34 countries from around the world. Also back at HIFF are a bevy of fancy cocktail hours and the fest’s Rowdy Talks series, which will include a conversation with director, screenwriter and producer Chris Columbus.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”