Sundance Film Festival 2023 To Show 25th Anniversary Edition Of ‘Slam’, Uncensored Director’s Cut Of ‘The Doom Generation’

Orestis Andreadakis, director of the Thessaloniki International Film Festival, has a lot on his mind when he sits down with Deadline via Zoom from his office in Athens. Climate change, women’s rights, and the war in Ukraine are all topics he discussed, and he believes film festivals, including his own, must find a way to address and interrogate wider social issues. 

Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.

Is there a better way to prove the virtue of the cinematic experience than to get 5,000 people on their feet giving a film a standing ovation?  Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.”  The movie played in the jam-packed Halle Tony Garnier before a star-studded crowd, including Garrel and his cast, Noémie Merlant and Roschdy Zem, as well as Sebastián Lelio, Costa Gavras, Leila Bekhti, Marina Fois, Lee Chang-dong, Nicole Garcia, Sabine Azema and Damien Bonnard. 

Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.

Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon. 

Green Day have come good on their teaser from earlier this week, revealing an expansive deluxe edition of their fifth album, ‘Nimrod’ – dubbed ‘Nimrod XXV’ – alongside a previously unreleased demo from its recording sessions.The drop comes exactly 25 years since the band released ‘Nimrod’ – the follow-up to 1995’s ‘Insomniac’ (for which Green Day also released a quarter-centennial edition) first hit shelves on October 14, 1997. It spawned four singles: ‘Hitchin’ A Ride’, ‘Good Riddance (Time Of Your Life)’, ‘Redundant’ and ‘Nice Guys Finished Last’.The original album sported 18 tracks (tying it with 2009’s ‘21st Century Breakdown’ as Green Day’s longest), but a Japanese edition featured a bonus song called ‘Desensitized’, while an Australian version also featured the demos ‘Suffocate’, ‘Do Da Da’ and ‘You Lied’.

Carey Mulligan and Zoe Kazan are stepping out for a screening of their new movie at the 2022 New York Film Festival.

Katie Reul editor Director Gregg Araki’s 1995 comedy-thriller “The Doom Generation” first debuted at that year’s Sundance Film Festival, setting in motion the film’s successful trajectory toward the distinction of being a cult classic. Almost three decades later, the film — now remastered in 4K and presented as an uncensored director’s cut — will be enjoyed by audiences again at the 2023 iteration of the Utah-based festival. Also being screened for audiences is a digital restoration of “SLAM,” the 1998 urban crime drama from director Marc Levin that took home the Grand Jury Prize at the Sundance Film Festival that same year. “SLAM” and “The Doom Generation” were announced by the nonprofit Sundance Institute as the first two films in this year’s From the Collection screening line-up.

While your future planning probably only extends to Thanksgiving, the Sundance Film Festival is already thinking ahead to January, the 2023 edition of their festival. Today,  the nonprofit Sundance Institute announced today the first two films in the lineup for the 2023 Sundance Film Festival and they are the 25th Anniversary and digital restoration screening of “SLAM” and the uncensored director’s cut and restoration of “The Doom Generation.” Directed by Marc Levin and written by Levin, Saul Williams, Sonja Sohn, and Richard Stratton, “SLAM” was first introduced to audiences at the 1998 Sundance Film Festival, where it premiered in the U.S.

Hamptons International Film Festival is underway in full swing and has already seen a host of famous faces in attendance.The Long Island-based fest runs from Oct. 7 until Oct.

Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.

Manori Ravindran International Editor New York’s South Asian International Film Festival has appointed Chayan Sarkar as its new president. A filmmaker, entrepreneur and festival director, Sarkar is also the founder of the Indian International Film Festival of Queensland in Australia. He takes over from SAIFF founder Shilen Amin, who will step down as president, but will remain a member of the festival’s board of directors. Sarkar joins SAIFF as the festival enters its 19th year as a leading film festival in the U.S. for new cinema from India, Pakistan, Sri Lanka, Bangladesh and Nepal, and within the Indian diaspora. In recent years, SAIFF has become increasingly influential as a platform for South Asian cinema, both in the U.S. and internationally. Fourteen of India’s submissions for the international feature film Oscar have had their North American premieres at the festival.

Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.

Peter Caranicas Deputy Editor Moving in parallel with the recent upsurge of film production in Greece, the Los Angeles Greek Film Festival (LAGFF), an annual showcase for new works from Greek filmmakers worldwide, plans to expand its activities on an international scale. The fest, now in its 17th year, is launching the Global Greek Film Initiative (GGFI), an umbrella program to advance cultural exchange between Greece, the U.S. and the Greek diaspora, provide opportunities for employment and economic growth within Greece, and serve as the North American hub for Greek film programs and initiatives.  Lia Bozonelis, a Greek-American writer-producer and LAGFF Board Member who conceived the idea of the year-round multifaceted program, said that “Greece is experiencing a hard-won opportunity with the amount of international production pouring in.”

Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.

The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.

K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”

Michaela Zee editor Miami Dade College’s Miami Film Festival GEMS has announced its line-up for its ninth annual event, with “Glass Onion: A Knives Out Mystery” set to open the festival on Nov. 3. The “Knives Out” sequel follows Detective Benoit Blanc (Daniel Craig) as he travels to Greece to solve another murder mystery. Along with Craig, the cast includes Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson and Dave Baustista. Miami Film Festival will honor the ensemble cast of “Glass Onion” with the inaugural Ensemble Award. Steven Spielberg’s “The Fabelmans” will close out the festival on Nov. 10, with star Paul Dano virtually receiving the Precious Gem Award.