Ukbar Brings ‘Told by Women’ to Berlin – Showcase of 10 TV Movies by First-Time Women Filmmakers

Patrick Frater Asia Bureau Chief “We 12,” a movie featuring the entire group of 12 Mirror Canto-pop stars is part of the expanding production slate of Makerville, the talent and production arm of Hong Kong telecoms and TV group PCCW. The development is paralleled by an expansion of the production operations of Viu, PCCW’s multi-territory video streamer which recently confirmed its profitability. Makerville is the talent agency behind Mirror, which was created in 2018 through the “Good Night Show – Kingmaker” talent show on ViuTV, a PCCW terrestrial channel. And it was able to put all the band members on stage Wednesday at a promotional event within the FilMart rights market in Hong Kong.

EXCLUSIVE: MakerVille, the recently launched entertainment subsidiary of Hong Kong media group PCCW, is set to make a splash at Filmart, unveiling an ambitious slate of movies and premium series, following its debut feature Mad Fate, which had its world premiere at Berlin film festival. 

Marta Balaga European Film Promotion (EFP), an international network of film promotion institutes from 37 countries, is heading back to Hong Kong’s FilMart for its in-person return. “It wasn’t clear if the reopening of the market [post-pandemic] will immediately lead to business, but people want to reconnect with local companies,” observes deputy managing director Jo Mühlberger. This year, 28 sales companies from five European countries will be joining EFP’s Europe! Umbrella (22 onsite and six online). Most of them hail from France, as Unifrance won’t have its own stand, explains Mühlberger.

Patrick Frater Asia Bureau Chief Sculptor turned director Wu Lang made a splash at the Berlin Film Festival with his debut feature “Absence” playing in the festival’s showcase Encounters section. With a high-profile cast headed by Lee Kang-sheng (“What Time Is It There?” “The Wayward Cloud”) and Li Meng (“The Bad Kids,” “The Guillotines”) “Absence” is an art-house romance that uses skyscapes and urban landscapes as metaphors for inner feelings. The seduction starts with a man’s return to Hainan Island after ten years in jail and ends with a flock of sheep in an abandoned construction site. Wu: Shooting the first short film for me had two purposes. First, making a film is not easy in terms of financing and finding coproducers. So, first I wanted to make a short in order to get myself started.

Bill Murray and star Jeannie Berlin set foot on the red carpet of the 2023 SAG Awards holding hands.Murray and Berlin appeared quite close when they arrived together for Sunday's soiree at the Fairmont Century Plaza in Los Angeles. The star wore a black tuxedo with a colorful bow tie, while Berlin sported an all-black suit and shades.Berlin, who portrayed Hadassah Fabelman in the Steven Spielberg film, was there for the film's nomination in the Best Ensemble Cast in a Motion Picture category.

At certain times in Emily Atef’s eponymous adaptation of Daniela Krien’s novel “Someday We’ll Tell Each Other Everything,” all one can hear is the irregular breathing of Maria (Marlene Burow). The molecules of oxygen leave the sprawling fields of rural Germany and hastily make their way through the young girl’s lungs, the surge of adrenaline in her bloodstream directly increasing the frequency of respiration.

The films of Jennifer Reeder have an unmistakable vibe. Her acclaimed short films, including “All Small Bodies” and “Crystal Lake,” have been shown on The Criterion Channel, and her feature film “Knives and Skin” has been shown at Berlin and Tribeca.  READ MORE: ‘Inside’ Review: Vasilis Katsoupis’ Heist Thriller With Willem Dafoe Is Formulaic Yet Never Dull [Berlin] Reeder’s films, which have been described as the meeting point between David Lynch and John Hughes, share little in terms of plot, but all bear an unmistakable eeriness, an otherworldliness that could only be Reeder.

Rafa Sales Ross Guest Contributor To director Mira Fornay, there are no three things more important in life than trees, water and children. And with “She-Hero,” playing as part of the Generation strand at the 73rd Berlin Film Festival, the Slovakian filmmaker gathers all three in telling the story of Romy (Rozmarína Willems), a young girl who embarks on a grand forest adventure in search of her lost budgie, Mimi. Fornay, who won the Intl. Film Festival Rotterdam Tiger Award in 2013 with her sophomore feature “My Dog Killer,” did not originally set out to make a children’s film, but was fascinated by the natural charisma of Willems. “I already knew Romy and she is immensely photogenic, but I didn’t know if she could act as well. So I tried working with her back when she was six, and she was just amazing. When COVID hit, I realized I had to shoot quickly otherwise she would grow. This is why I wrote a story for her.”

Naman Ramachandran Berlin’s just concluded European Film Market (EFM), which had a physical edition this year after two online editions in 2021 and 2022 due to the pandemic, has reported “record results” according to the organizers. There were 230 stands and 612 companies from 78 countries and more than 11,500 market participants from 132 countries. Some 773 films were shown in 1,533 screenings, including 647 online screenings and 599 market premieres. The total number of buyers also rose to 1,302. 629 film projects were presented on the new Producers & Project Pages. “After the past two irregular years, we’re pleased to return to the physical in full force, and with a vibrant, bustling and strong market. The exhibition areas at Gropius Bau and the Marriott Hotel were sold out, and the exhibitors reported strong sales and good business. The decision to group all the market happenings together with the Berlinale Series Market and the market screenings at Potsdamer Platz, and to provide the industry with an efficient infrastructure, was extremely well-received by our market participants,” said EFM director Dennis Ruh.

Steven Spielberg told a Berlin Film Festival press conference on Tuesday that he has yet to set his next movie in the wake of back-to-back productions West Side Story and The Fabelmans.

With her feature debut, “The Chambermaid,” Mexican writer-director Lila Avilés materialized a graceful character study of a hardworking mother. Though enriched via the meaningful interjections of its supporting players, the narrative had a singular focus.

John Hopewell Chief International Correspondent The latest series from Alex de la Iglesia and “Veneno” creators Javier Ambrossi and Javier Calvo feature at a first-look Next from Spain Showcase which marks a massive step-up in the country’s presence at the Berlinale Series Market. Running Feb. 20-22, the showcase also unveils “Rapa” Season 2, with its first season proving Movistar+’s biggest 2022 bow, and “This Is Not Sweden,” a pioneering Spanish co-production with Scandinavia and Germany.  The Showcase titles are joined by Isaki Lacuesta’s “The Chauffeur’s Son,” a Co-Pro Series project from “Elite’s” Zeta Studios, and “Selftape,” a Filmin Original from Filmax and a Series Market Screening.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Jesse Eisenberg and Adrien Brody suit up for the premiere of their new movie, Manodrome, during the 2023 Berlinale International Film Festival held at Berlinale Palast over the weekend in Germany.

Elsa Keslassy International Correspondent Luc Besson’s ”Dogman,” starring Caleb Landry Jones, wowed buyers at the Berlin’s European Film Market, where it was screened for select buyers. “We hosted only one private screening of the completed film and buyers were stunned, they all came out saying that it was Luc Besson’s best film to date, his most mature movie and some even called it a masterpiece,” said Gregoire Melin, founder of Kinology, which is handling sales on the film. On the heels of the screening, Kinology closed deals with some of the biggest distributors in key international territories, including Italy (Lucky Red), Germany and Austria (Capelight Pictures), Spain and Latin America (Sun Distribution Group), Scandinavia (Svensk Filmindustri), Benelux (Belga Films), Switzerland (Elite Film), Middle East (Front Row), Poland (Monolith), Portugal (Nos Lusomundo Audiovisuais), Czech Republic and Slovakia (AQS) and former Yugoslavia (Blitz).

Callum McLennan Making its world premiere in the Generation Kplus program at the Berlin Film Festival on Feb. 19, “L’Amour du monde” (“Longing for the World”) is the feature debut from filmmaker Jenna Hasse.  Latido Films manage international sales and will be looking to add to their haul from the previous two years at Berlinale, having won with Fred Baillif’s “The Fam,” in 2021 and with Clare Weiskopf & and Nicolas van Hamelryck’s “Alis,”  in 2022.  Produced by Langfilm (“The Mountain,” “Alpine Fire,” a classic Swiss production house, the film has secured distribution with Mindjazz Pictures in Germany giving it momentum coming into its festival bow.

Nick Frost, Alicia Silverstone & Kevin Connolly To Star In Dark Comedy ‘Krazy House’Nick Frost, Alicia Silverstone, and Kevin Connolly have signed on to star in the dark comedy Krazy House from writer-directors Steffen Haars and Flip van der Kuil. Production on the pic has just been completed in Amsterdam. The cast is rounded out by Gaite Jansen, Walt Klink, Jan Bijvoet, Chris Peters, and Matti Stooker. Maarten Swart will produce the film for Kaap Holland Film, in a co-production with Haars and van der Kuil. Kaap Holland Film’s Jorn Baars and XYZ’s Todd Brown are executive producers. Splendid Films is handling distribution in the Benelux. XYZ has North American sales rights.

Brent Simon There’s no shortage of movies that gauzily peddle the notion of art as a balm. Few, however, are as invested in the charged immediacy of art’s relationship to real-life pain as “Kiss the Future,” a documentary enjoying its world premiere Feb. 19 in the Berlinale Special slot, with Fifth Season and WME handling worldwide sales. Directed by Nenad Cicin-Sain, and based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir” (the pair share a screen story credit), the film is a savvy mélange of history and cultural portraiture that affectingly chronicles the struggle of Sarajevo’s besieged civilians during the Bosnian War of the 1990s.

Nick Vivarelli International Correspondent The wave of protests sparked across Iran by the death of Mahsa Amini by Iranian morality police in September came amid a banner year for Iranian cinema.  But as 2023 kicks off, more than 500 people who have protested her death and called for justice have been killed while prominent members of the Iranian film industry were either arrested, put on trial or banned from making movies. The result being that the country’s cinematic community has largely ground to a halt.  Which raises the question: unless something changes, how many films actually shot in Iran will be surfacing on the international festival circuit going forward?  

Leo Barraclough International Features Editor Kino Lorber has acquired all rights in the U.S. to “Diabolik,” “Diabolik – Ginko Attacks!” and “Diabolik — Who Are You?” from Beta Cinema at the European Film Market in Berlin. The movies are based on the smash-hit Italian comic-book series about a ruthless master thief, which has sold more than 150 million copies worldwide. The stylish crime-comic adaptations are written and directed by Marco and Antonio Manetti. “Grey’s Anatomy” and “Marvel’s Avengers” actor Giacomo Gianniotti stars in “Diabolik — Ginko Attacks!” and “Diabolik — Who Are You?,” and Luca Marinelli (“The Old Guard”) in the first installment, “Diabolik.” Monica Bellucci (“Matrix,” “The Apartment”) stars in the role of Altea, Miriam Leone (“The Invisible Witness,” “Medici”) as Eva Kant, and Valerio Mastandrea (“Perfect Strangers,” “Nine”) as Inspector Ginko.