Instagram post after being crowned by her predecessor, Ona Moody, at the AFAS Theater in Leusden. “Yes I’m trans and I want to share my story but I’m also Rikkie and that’s what matters to me.
22.06.2023 - 15:31 / theplaylist.net
A trans man has to navigate the complexities of gender transition treatment while also chronicling the Afghani Taliban in Monica Villamizar and Jordan Bryon’s intensely personal and political “Transition.” Despite its relatively straightforward title, this documentary, which premiered at Tribeca, is a staggering work that, somehow, manages to contextualize not only Bryon’s personal transition but also juxtapose that life against the deeply segregated Taliban fighters that he is chronicling for The New York Times.
Continue reading ‘Transition’ Review: A Riveting Portrait of Gender Transitioning That Successfully Marries Personal & Political Storytelling [Tribeca] at The Playlist.
.Instagram post after being crowned by her predecessor, Ona Moody, at the AFAS Theater in Leusden. “Yes I’m trans and I want to share my story but I’m also Rikkie and that’s what matters to me.
Norwegian cinema has been enjoying a moment lately, what with Joachim Trier’s crowdpleasing The Worst Person in the World pulling up to Drive My Car in the Oscar race and Kristoffer Borgli’s Sick of Me carving out a rep on the festival circuit. The Hypnosis, Ernst de Geer’s feature debut, sits somewhere between the two of them, fashioning a fitfully funny relationship drama that tilts at some very modern windmills (coaches, gurus, new-tech start-ups, workshops that involve blue-sky thinking) within a framework similar to Kristian Levring’s 2008 Danish drama Fear Me Not, in which a man’s personality changes after he becomes addicted to an experimental drug. The Hypnosis doesn’t quite follow that film’s melodramatic course, but there are similar thoughts raised about the human mind.
Jessica Kiang There are certain moviegoers who can face onscreen murders, maimings and the grisliest of mutilations and scarcely bat an eyelid, but who feel every cell in their body die a little whenever a character is rude in a restaurant. If you happen to suffer from this condition, consider yourself warned about Swedish director Ernst De Geer’s feature debut “The Hypnosis” — a witty, incisive satire on the modern obsession with self-actualization, which is also, to those of us with heightened sensitivity to social awkwardness, 98 masochistic minutes of second-hand squirm. Many’s the film offered up as evidence for Roger Ebert’s often quoted assertion that cinema is “a machine for creating empathy”; fewer are the titles, like this one, that make one question if that’s necessarily a good thing.
New Orleans rapper Juvenile is NPR's newest guest to grace the coveted Tiny Desk. Back in April, a fan tweeted at the radio station to get Juvie on stage, to which he replied: "Wtf is a tiny desk
Elsa Keslassy International Correspondent Eye Eye Pictures, the banner recently launched by the producers of Joachim Trier’s Oscar-nominated “The Worst Person in the World,” has started filming “Armand,” a feature film starring Cannes prizewinning actor Renate Reinsve. Charades has come on board to handle international sales on the film. “Armand” marks the feature debut of Halfdan Ullmann Tøndel, whose short film “Fanny” was nominated for an Amanda Award, Norway’s equivalent to the Oscars, in 2017. The story follows a 6-year-old boy, Armand, who is accused of crossing boundaries against his best friend at elementary school. While no one knows what actually happened between the two boys, the incident triggers a series of events, forcing parents and school staff into a captivating battle of redemption where madness, desire and obsession arise.
Take That‘s Howard Donald has been dropped from a Pride event after Twitter users noticed he had liked a series of anti-LGBTQ+ tweets.The tweets that Donald had liked reportedly featured content from Andrew Tate, posts criticising a trans-inclusive period campaign, videos of anti-trans pundit Posie Parker (whose real name is Kellie-Jay Keen), and a tweet from Turning Point UK founder Charlie Kirk that called for Disney to be “defunded” for announcing a Pride event.Following widespread backlash, Donald then deleted his Twitter account.The Take That vocalist had been lined up to headline the Groovebox Nottingham Pride Festival, which is set to take place in Blinks Yard on July 29.Now, Groovebox has confirmed in a statement posted to Facebook that he will no longer be appearing.“In light of recent events, Howard Donald will no longer be playing at our Nottingham Pride Festival on Saturday 29th July at Binks Yard,” they wrote.“We would like to offer our thanks to the public for alerting us to the situation this morning and also appreciate your patience whilst we spoke to the relevant parties.“We are working on confirming a replacement headliner alongside Horse Meat Disco, Tayce, Danny Beard & ESSEL for Nottingham Pride and will make an announcement in due course.”Deeply disappointing to see Take That’s Howard Donald liking transphobic and homophobic tweets – while playing Pride festivals. The LGBT community made that band.
Take That member Howard Donald has said he is “deeply sorry” after making a “huge error” by “liking social media posts that are derogatory towards the LGBTQIA+ community”. Howard, 55, who performs in the pop group alongside Gary Barlow and Mark Owen, has been dropped from playing at Groovebox’s Nottingham Pride Festival event in July.
In the buzzing atmosphere of Tribeca’s Storyteller’s Panel, a great conversation between two long-standing peers, Billy Porter and Idina Menzel took place. Their friendship, born out of shared experiences in musical theater, spans several decades, revealing a mutual respect between them.
On paper, there’s a lot to like about “Bad Things.” The premise is intriguing and creepy. The cast is full of quality actors.
The prospect of retirement is something anyone may find themselves facing down at some point, regardless of your chosen career or pastime. Within the world of professional sports, it’s an inevitable end that reaches every athlete oftentimes sooner than one might desire, with factors chief among them being age and the subsequent deterioration of skills that may result. As a player reaches a time anywhere from their late-20s to early-40s, the moment of realization where that door starts to close can be met with either gradual acceptance or stubborn defiance, but make no mistake, it comes for everyone, and it’s up to the person at the center to decide what happens next.
A compelling introduction to the cultural history of the Jamaican musical genre dancehall, Ben DiGiacomo and Dutty Vannier’s “Bad Like Brooklyn Dancehall” sheds light on what one interviewee calls the associated “attitude, culture, and lifestyle” that crops up around dancehall music. Produced by Shaggy, one of the most notable names to push the genre into popular culture, ‘Bad Like Brooklyn’ may seem paint-by-numbers in its formal approach to introducing and dissecting a cultural movement — there are a lot of talking heads, archival footage, etc.
A great movie comedy is something of a miracle, a combination of circumstances, personnel, and timing that would seem impossible to replicate, even under the most ideal circumstances.
Cyndi Lauper’s debut solo single, “Girls Just Want to Have Fun,” was flopping so badly that her record company had given up on it.But the singer and her then-manager and boyfriend, David Wolff, still believed in what would become her signature song. Given only two weeks to make the single a hit, Wolff came up with the idea for her to partner with wrestling legend Captain Lou Albano — who played Lauper’s father in the “Girls” video — to promote her music via the World Wrestling Federation, the precursor to today’s World Wrestling Enterprises.
Kids – er, teens – say the darnedest things. During a weekend excursion back to visit his family, the newly separated Nicky (Luke Evans) gets a bit of tough love from his nephew.
Paul McCartney “Got Back” again.The 80-year-old Rock and Roll Hall of Famer is headed to New York City’s Tribeca Performing Arts Center on Thursday, June 15 at 6 p.m. for a conversation with Conan O’Brien.At the one night only event, the pair will discuss McCartney’s new “1964: Eyes of the Storm” about McCartney’s rediscovered photos from the height of Beatlemania as part of the Tribeca Film Festival’s Storytellers Series.And if you want to pick up last-minute tickets to see the Beatle live in the Big Apple, we’re here to let you know you still can.General admission tickets start at $254 before fees on Vivid Seats at the time of publication.Will Paul bust out his guitar and sing “Hey Jude” with Conan? What do the two have in store?All we know is the best way to find out is live.Want to go to the show?Here’s everything you need to know and more.All prices listed above are subject to inflation.As mentioned earlier, the lowest price on general admission tickets is $254 before fees on Vivid Seats.After that, there is a significant price hike — the next cheapest tickets start at a whopping $732 before fees.Therefore, if you see tickets available at a lower price — strike while the iron is hot.
How do you tell the story of a life? That’s a question many of the characters in “Bucky F*cking Dent” poise aloud, a little too aware of their construction. It’s a question its star David Duchovny should have asked himself behind the camera, too.
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So many stars attended the CHANEL Tribeca Festival Artists Dinner at Balthazar on Monday night (June 12) in New York City.
In the expanding universe that is science fiction cinema, I.S.S. (International Space Station) directed by Gabriela Cowperthwaite and penned by Nick Shafir makes a solid new entry into the genre. While the performances from its stars, Ariana DeBose, Chris Messina, John Gallagher Jr, Masha Mashkova, Costa Ronin and Pilou Asbæk, are rather stiff, at its heart, I.S.S. is an imaginative yet bare-bones thriller that makes an impact with its limited space and budget.
Sometimes, a company logo in the opening credits says it all. Redbox Entertainment – yes, they of the DVD kiosks that still exist – helped produce “Maggie Moore(s).” It’s easy to see why they would want a part of the film: stick the distinctive mugs of stars Jon Hamm and Tina Fey on a tile, and it’s bound to pick up some curious viewers who assume the presence of the “Mad Men” and “30 Rock” stars lend the project some prestige.